Back The Family Save as PDF
Chapters (47)
  1. Cover
  2. Dedication
  3. PROLOGUE
  4. BOOK ONE
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. BOOK TWO
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. BOOK THREE
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. BOOK FOUR
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Chapter 20
  28. Chapter 21
  29. Chapter 22
  30. BOOK FIVE
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. ACKNOWLEDGMENTS
  41. Book Ends
  42. A Conversation with Naomi Krupitsky
  43. Discussion Guide
  44. The Family Playlist
  45. Rosa Colicchio’s Minestrone Soup
  46. ABOUT THE AUTHOR
  47. What’s next onyour reading list?

Death is indiscriminate. Death does not come knocking and ask who is least needed. It does not notice if you have a family; it does not care that you are one of the gears that turns the very world. Death does not take the slowest, the weakest, those separated from the pack. It reaches its hands into the heart. It pulls out something essential. It does not ask you to continue on, but you do anyway.

You cannot help it.

—

Sofia and Antonia hold on to one another as the wind picks up. It blows their clothes against their bodies. It cannot worm its way into their embrace. They are saying thank you, thank you and they are mourning everything and they are not just talking about this moment but their lives, their whole lives side by side, the incomprehensible blessing of it.

Behind them, Saul and Paolo stripping a sheet of plastic from a nearby pile of bricks. They will cover Tommy Fianzo Jr.’s body with it. They are already plotting how they can make this seem like an accident, like Eli’s fault, like a casualty of conflict, rather than a catalyst for war.

Paolo and Saul turn to look at Sofia and Antonia. Every moment they are alive, they have more to lose.

—

Antonia pulls away from Sofia and looks down at her right hand.

The gun is nestled there; her finger still brushing the trigger. They are locked together now, it and she, part of something. They are at the beginning, and the end. They are a choice, and they are the aftermath.

Antonia moves her gaze out over the East River. Carlo is there. It is the first time Antonia has been able to picture his face since she was a child. He looks at Antonia. All my life I’ve wanted you to see what I’ve become, Papa, she tells him. He sees everything. He smiles. And then he disappears into the river.

—

“Thank you,” says Sofia again. If you can see me.

Thank you, Antonia does not say, but Sofia hears it. If I can see you.

—

It begins to rain.

ACKNOWLEDGMENTS

Before I was a writer, I was a reader. It’s an incomparable privilege to contribute a volume to the libraries I love so much.

This would still be a Word document I kept open behind my other work without Dana Murphy, who loves this family like I do. I am in awe of the compassion, honesty, and thoughtfulness you put into your work, and I feel so lucky to do this alongside you. Thank you, my friend.

Tara Singh Carlson has nurtured the seed at the center of this book; it has grown bigger under her care than I ever imagined it could. Thank you for your bold vision and for the trust you put in me. Working with you has made me a better writer.