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Chapters (59)
  1. Cover
  2. About the Book
  3. Dedication
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-one
  25. Chapter Twenty-two
  26. Chapter Twenty-three
  27. Chapter Twenty-four
  28. Chapter Twenty-five
  29. Chapter Twenty-six
  30. Chapter Twenty-seven
  31. Chapter Twenty-eight
  32. Chapter Twenty-nine
  33. Chapter Thirty
  34. Chapter Thirty-one
  35. Chapter Thirty-two
  36. Chapter Thirty-three
  37. Chapter Thirty-four
  38. Chapter Thirty-five
  39. Chapter Thirty-six
  40. Chapter Thirty-seven
  41. Chapter Thirty-eight
  42. Chapter Thirty-nine
  43. Chapter Forty
  44. Chapter Forty-one
  45. Chapter Forty-two
  46. Chapter Forty-three
  47. Chapter Forty-four
  48. Chapter Forty-five
  49. Chapter Forty-six
  50. Chapter Forty-seven
  51. Chapter Forty-eight
  52. Chapter Forty-nine
  53. Chapter Fifty
  54. Chapter Fifty-one
  55. Chapter Fifty-two
  56. Acknowledgements
  57. About the Author
  58. Also by the author
  59. Sign up to Read More and discover new favourites

To Kym Cramps, way back in Broken Hill, for the second use in my writing of her mailbox, a tiny metal homestead complete with miniature working windmill, which Granny Mim creates in this book. It really does stand outside Mount Gipps Station for mail, and if you want to see it there’s a small video of it turning in the wind on the Facebook page for my book The Homestead Girls. Kym, I hope I have captured some of the angst of station owners waiting for rain while the land dries out and your animals suffer. You are all such heroes, those who live on the far-flung stations of the outback and greet each day with hope for the land and livestock you love.

At Penguin Random House, I’d like to thank my publisher, Ali Watts, and my editor, Amanda Martin, for their faith in my writing and for their fab input all through this book journey. Thank you also to the insightful Alex Nahlous for her lovely compliments and work on the manuscript, and Penelope Goodes. And not forgetting the wonderful cover designer and the huge team of wonderful people who launch a book from my computer into the world!

Thank you to my agent, Clare Forster, and Ben Stevenson from Curtis Brown for your support and advice as always.

Thank you to my writing friends – there’s nothing like having your own tribe to feel nurtured – especially my dear writing pal Trish Morey, way over in South Australia but just here beside me via email. You pushed me towards the finish line as we leapfrogged our word counts, a new game we both draw strength and story progression from as life gets busy at inconvenient moments like deadlines. To Annie Seaton and the Wicked Writers of Words in my local writers group, you guys rock. The Desert Midwife is in fact the longest book I’ve ever written, and the first I’ve ever had to cut scenes from. I can hear my writing friends laughing – especially Rachael Johns, who very kindly provided the lovely quote on my cover. You really are a wonderful woman, Rachael. Thank you.

To you, dear readers, who buy and borrow my books, and send me fab messages on my Facebook, and share photos of my book babies when you see them on the shelves, I am so blessed to have you in my life and will always be grateful for your support and kindness. Thank you.

And lastly, and always, to my own dear hero Ian, who has suffered along the sometimes torturous, zigzag trail this book has taken, the book he called the never-ending story, with each new version not quite the last. It’s done. I’m yours. Until the next one, dear Ian. xx

About the Author