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Chapters (69)
  1. Cover
  2. ALSO BY KIERSTEN WHITE
  3. Dedication
  4. Epigraph
  5. Part One: How Can I Live Without Thee?
  6. Chapter One: To Be Weak Is Miserable
  7. Chapter Two: What Hath Night to Do with Sleep?
  8. Chapter Three: In Wandering Mazes Lost
  9. Chapter Four: Half Lost, I Seek
  10. Chapter Five: With Purpose to Explore or to Disturb
  11. Chapter Six: Round He Throws His Baleful Eyes
  12. Chapter Seven: I Sung of Chaos and Eternal Night
  13. Chapter Eight: Horror and Doubt Distract His Troubled Thoughts
  14. Chapter Nine: This Horror Will Grow Mild, This Darkness Light
  15. Chapter Ten: To Lose Thee Were to Lose Myself
  16. Chapter Eleven: When from Sleep I First Awaked
  17. Part Two: What Is Dark Within Me, Illumine
  18. Chapter Twelve: At Once Indebted and Discharged
  19. Chapter Thirteen: That All This Good of Evil Shall Produce
  20. Chapter Fourteen: What Can We Suffer Worse?
  21. Chapter Fifteen: Love or Hate, to Me Alike
  22. Chapter Sixteen: So Farewell Hope
  23. Part Three: Long Is the Way and Hard, That Out of Hell Leads Up to Light
  24. Chapter Seventeen: Which Way Shall I Fly
  25. Chapter Eighteen: His Dark Materials to Create More Worlds
  26. Chapter Nineteen: Should God Create Another Eve
  27. Chapter Twenty: Flesh of Flesh, Bone of My Bone
  28. Chapter Twenty-one: Him Whom to Love Is to Obey
  29. Chapter Twenty-two: Hail Horrors, Hail Infernal World
  30. Chapter Twenty-three: So Shall the World Go on, to Good Malignant, to Bad Men Benign
  31. Chapter Twenty-four: And Study of Revenge, Immortal Hate
  32. Chapter Twenty-five: Did I Request Thee, Maker, from My Clay, to Mold Me Man?
  33. Chapter Twenty-six: Which Way Shall I Fly
  34. Chapter Twenty-seven: That Must Be Our Cure: To Be No More
  35. Epilogue: I Sung of Chaos and Eternal Night
  36. AUTHOR’S NOTE
  37. ACKNOWLEDGMENTS
  38. Excerpt from The Guinevere Deception
  39. About the Author
  40. TEACHER GUIDE, ARRANGED BY THEME
  41. Frankenstein
  42. Author’s Introduction
  43. Preface
  44. Chapter I
  45. Chapter II
  46. Chapter III
  47. Chapter IV
  48. Chapter V
  49. Chapter VI
  50. Chapter VII
  51. Chapter VIII
  52. Chapter IX
  53. Chapter X
  54. Chapter XI
  55. Chapter XII
  56. Chapter XIII
  57. Chapter XIV
  58. Chapter XV
  59. Chapter XVI
  60. Chapter XVII
  61. Chapter XVIII
  62. Chapter XIX
  63. Chapter XX
  64. Chapter XXI
  65. Chapter XXII
  66. Chapter XXIII
  67. Chapter XXIV
  68. About The Modern Library
  69. What’s next onyour reading list?

At first I thought but of a few pages, of a short tale, but Shelley urged me to develop the idea at greater length. I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and yet but for his incitement it would never have taken the form in which it was presented to the world. From this declaration I must except the preface. As far as I can recollect, it was entirely written by him.

And now, once again, I bid my hideous progeny go forth and prosper. I have an affection for it, for it was the offspring of happy days, when death and grief were but words which found no true echo in my heart. Its several pages speak of many a walk, many a drive, and many a conversation, when I was not alone; and my companion was one who, in this world, I shall never see more. But this is for myself; my readers have nothing to do with these associations.

I will add but one word as to the alterations I have made. They are principally those of style. I have changed no portion of the story nor introduced any new ideas or circumstances. I have mended the language where it was so bald as to interfere with the interest of the narrative; and these changes occur almost exclusively in the beginning of the first volume. Throughout they are entirely confined to such parts as are mere adjuncts to the story, leaving the core and substance of it untouched.

London, October 15, 1831

Preface

___________________

THE EVENT on which this fiction is founded has been supposed, by Dr. Darwin and some of the physiological writers of Germany, as not of impossible occurrence. I shall not be supposed as according the remotest degree of serious faith to such an imagination; yet, in assuming it as the basis of a work of fancy, I have not considered myself as merely weaving a series of supernatural terrors. The event on which the interest of the story depends is exempt from the disadvantages of a mere tale of spectres or enchantment. It was recommended by the novelty of the situations which it develops, and however impossible as a physical fact, affords a point of view to the imagination for the delineating of human passions more comprehensive and commanding than any which the ordinary relations of existing events can yield.