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Chapters (69)
  1. Cover
  2. ALSO BY KIERSTEN WHITE
  3. Dedication
  4. Epigraph
  5. Part One: How Can I Live Without Thee?
  6. Chapter One: To Be Weak Is Miserable
  7. Chapter Two: What Hath Night to Do with Sleep?
  8. Chapter Three: In Wandering Mazes Lost
  9. Chapter Four: Half Lost, I Seek
  10. Chapter Five: With Purpose to Explore or to Disturb
  11. Chapter Six: Round He Throws His Baleful Eyes
  12. Chapter Seven: I Sung of Chaos and Eternal Night
  13. Chapter Eight: Horror and Doubt Distract His Troubled Thoughts
  14. Chapter Nine: This Horror Will Grow Mild, This Darkness Light
  15. Chapter Ten: To Lose Thee Were to Lose Myself
  16. Chapter Eleven: When from Sleep I First Awaked
  17. Part Two: What Is Dark Within Me, Illumine
  18. Chapter Twelve: At Once Indebted and Discharged
  19. Chapter Thirteen: That All This Good of Evil Shall Produce
  20. Chapter Fourteen: What Can We Suffer Worse?
  21. Chapter Fifteen: Love or Hate, to Me Alike
  22. Chapter Sixteen: So Farewell Hope
  23. Part Three: Long Is the Way and Hard, That Out of Hell Leads Up to Light
  24. Chapter Seventeen: Which Way Shall I Fly
  25. Chapter Eighteen: His Dark Materials to Create More Worlds
  26. Chapter Nineteen: Should God Create Another Eve
  27. Chapter Twenty: Flesh of Flesh, Bone of My Bone
  28. Chapter Twenty-one: Him Whom to Love Is to Obey
  29. Chapter Twenty-two: Hail Horrors, Hail Infernal World
  30. Chapter Twenty-three: So Shall the World Go on, to Good Malignant, to Bad Men Benign
  31. Chapter Twenty-four: And Study of Revenge, Immortal Hate
  32. Chapter Twenty-five: Did I Request Thee, Maker, from My Clay, to Mold Me Man?
  33. Chapter Twenty-six: Which Way Shall I Fly
  34. Chapter Twenty-seven: That Must Be Our Cure: To Be No More
  35. Epilogue: I Sung of Chaos and Eternal Night
  36. AUTHOR’S NOTE
  37. ACKNOWLEDGMENTS
  38. Excerpt from The Guinevere Deception
  39. About the Author
  40. TEACHER GUIDE, ARRANGED BY THEME
  41. Frankenstein
  42. Author’s Introduction
  43. Preface
  44. Chapter I
  45. Chapter II
  46. Chapter III
  47. Chapter IV
  48. Chapter V
  49. Chapter VI
  50. Chapter VII
  51. Chapter VIII
  52. Chapter IX
  53. Chapter X
  54. Chapter XI
  55. Chapter XII
  56. Chapter XIII
  57. Chapter XIV
  58. Chapter XV
  59. Chapter XVI
  60. Chapter XVII
  61. Chapter XVIII
  62. Chapter XIX
  63. Chapter XX
  64. Chapter XXI
  65. Chapter XXII
  66. Chapter XXIII
  67. Chapter XXIV
  68. About The Modern Library
  69. What’s next onyour reading list?
  1. How much of who we are is shaped by those around us?
  2. What happens when our identity depends on someone else??
  3. Where are the girls and the women in classic literature? Why might a retelling like this, where the perspective is shifted to the female’s voice, be important to study alongside the original story?

BIG ESSAY

What is the danger of a single story?

EXTENDED THINKING

  1. Two hundred years later, the story of Frankenstein still resonates in modern culture. In fact, Science magazine’s “The Horror Story That Haunts Science” notes that “Scientific literature, like the popular press, is rife with references to Frankenfood, Frankencells, Frankenlaws, Frankenswine, and Frankendrugs—most of them supposedly monstrous creations” (Cohen). What is it about Frankenstein that keeps it relevant?
  2. The original story of Frankenstein has the subtitle “Or, the Modern Prometheus,” which lends itself to “the idea that mad scientists playing God the creator will cause the entire human species to suffer eternal punishment for their trespasses and hubris” (Cohen). Given the experience of Elizabeth Lavenza in The Dark Descent of Elizabeth Frankenstein, is the same subtitle applicable to this story?
  3. Frankenstein is “a story of scientific hubris, a creator consumed by his creation, a male scientist trying to eliminate women’s role in reproduction” (Kupferschmidt, “The Long Shadow of Frankenstein”). What is the purpose, then, of retelling the story? How does it connect to and contrast with the original?
  4. Some argue that the real moral of the original Frankenstein is “not the danger of scientists violating the natural order, but the dire fate that awaits creators who fail to care for their creations” (Cohen). Is this the moral of The Dark Descent of Elizabeth Frankenstein as well? Explain your reasoning.
  5. There are many scientists “studying which technological advances pose ‘existential risks’ that could wipe out humanity or at least end civilization as we know it—and what can be done to stop them” (Kupferschmidt, “Taming the Monsters of Tomorrow”). Research “existential risks” and how scientists are trying to combat them. Present your findings; then make connections to the experiences of Elizabeth and Mary as individuals who are also combating “existential risks.”
  6. In Science magazine’s “The Next Generation’s Frankenstein Films,” “What modern research could serve as the basis for the next [Frankenstein-inspired science fiction] box-office hit?”
  7. Some topics to think about:

    • Gene-editing technology
    • Xenotransplantation
    • Artificial intelligence
    • Microbes and viruses
  8. Works Cited:
  9. Cohen, Jon. “The Horror Story That Haunts Science.” sciencemag.org
  10. Kupferschmidt, Kai, “The Long Shadow of Frankenstein.” sciencemag.org
  11. Kupferschmidt, Kai, “Taming the Monsters of Tomorrow.” sciencemag.org

Correlates to Common Core Standard Speaking and Listening: CCSS.ELA-LITERACY.SL.9-10.4, Writing: Text Types and Purposes CCSS.ELA-LITERACY.W.9-10.1, CCSS.ELA-LITERACY.W.9-10.2, Writing: Research to Build and Present Knowledge CCSS.ELALITERACY. W.9-10.7, CCSS.ELA-LITERACY.W.9-10.8, CCSS.ELA-LITERACY.W.9-10.9

This guide was prepared by Kimberly Herzog, English teacher at Staples High School in Westport, CT.

Frankenstein

Now that you’ve finished reading      The Dark Descent      of Elizabeth Frankenstein,      please enjoy the thrilling      classic that inspired the story: FRANKENSTEIN;      OR,      THE MODERN PROMETHEUS      by Mary Shelley
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Biographical note copyright © 1993 by Penguin Random House LLC.