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Chapters (69)
  1. Cover
  2. ALSO BY KIERSTEN WHITE
  3. Dedication
  4. Epigraph
  5. Part One: How Can I Live Without Thee?
  6. Chapter One: To Be Weak Is Miserable
  7. Chapter Two: What Hath Night to Do with Sleep?
  8. Chapter Three: In Wandering Mazes Lost
  9. Chapter Four: Half Lost, I Seek
  10. Chapter Five: With Purpose to Explore or to Disturb
  11. Chapter Six: Round He Throws His Baleful Eyes
  12. Chapter Seven: I Sung of Chaos and Eternal Night
  13. Chapter Eight: Horror and Doubt Distract His Troubled Thoughts
  14. Chapter Nine: This Horror Will Grow Mild, This Darkness Light
  15. Chapter Ten: To Lose Thee Were to Lose Myself
  16. Chapter Eleven: When from Sleep I First Awaked
  17. Part Two: What Is Dark Within Me, Illumine
  18. Chapter Twelve: At Once Indebted and Discharged
  19. Chapter Thirteen: That All This Good of Evil Shall Produce
  20. Chapter Fourteen: What Can We Suffer Worse?
  21. Chapter Fifteen: Love or Hate, to Me Alike
  22. Chapter Sixteen: So Farewell Hope
  23. Part Three: Long Is the Way and Hard, That Out of Hell Leads Up to Light
  24. Chapter Seventeen: Which Way Shall I Fly
  25. Chapter Eighteen: His Dark Materials to Create More Worlds
  26. Chapter Nineteen: Should God Create Another Eve
  27. Chapter Twenty: Flesh of Flesh, Bone of My Bone
  28. Chapter Twenty-one: Him Whom to Love Is to Obey
  29. Chapter Twenty-two: Hail Horrors, Hail Infernal World
  30. Chapter Twenty-three: So Shall the World Go on, to Good Malignant, to Bad Men Benign
  31. Chapter Twenty-four: And Study of Revenge, Immortal Hate
  32. Chapter Twenty-five: Did I Request Thee, Maker, from My Clay, to Mold Me Man?
  33. Chapter Twenty-six: Which Way Shall I Fly
  34. Chapter Twenty-seven: That Must Be Our Cure: To Be No More
  35. Epilogue: I Sung of Chaos and Eternal Night
  36. AUTHOR’S NOTE
  37. ACKNOWLEDGMENTS
  38. Excerpt from The Guinevere Deception
  39. About the Author
  40. TEACHER GUIDE, ARRANGED BY THEME
  41. Frankenstein
  42. Author’s Introduction
  43. Preface
  44. Chapter I
  45. Chapter II
  46. Chapter III
  47. Chapter IV
  48. Chapter V
  49. Chapter VI
  50. Chapter VII
  51. Chapter VIII
  52. Chapter IX
  53. Chapter X
  54. Chapter XI
  55. Chapter XII
  56. Chapter XIII
  57. Chapter XIV
  58. Chapter XV
  59. Chapter XVI
  60. Chapter XVII
  61. Chapter XVIII
  62. Chapter XIX
  63. Chapter XX
  64. Chapter XXI
  65. Chapter XXII
  66. Chapter XXIII
  67. Chapter XXIV
  68. About The Modern Library
  69. What’s next onyour reading list?

All rights reserved. Published in the United States by Penguin Random House LLC, New York, and in Canada by Penguin Random House Canada Limited, Toronto.

MODERN LIBRARY and colophon are registered trademarks of Penguin Random House LLC.

The text of the Modern Library Frankenstein is that of the third edition, revised and corrected by the author and published by Henry Colburn and Richard Bentley, London, 1831.

Library of Congress Cataloging-in-Publication Data is available upon request.

Ebook ISBN 9780679640066

v3.0

Author’s Introduction

____________________

THE PUBLISHERS of the standard novels, in selecting Frankenstein for one of their series, expressed a wish that I should furnish them with some account of the origin of the story. I am the more willing to comply because I shall thus give a general answer to the question so very frequently asked me—how I, then a young girl, came to think of and to dilate upon so very hideous an idea. It is true that I am very averse to bringing myself forward in print, but as my account will only appear as an appendage to a former production, and as it will be confined to such topics as have connection with my authorship alone, I can scarcely accuse myself of a personal intrusion.

It is not singular that, as the daughter of two persons of distinguished literary celebrity, I should very early in life have thought of writing. As a child I scribbled, and my favourite pastime during the hours given me for recreation was to “write stories.” Still, I had a dearer pleasure than this, which was the formation of castles in the air—the indulging in waking dreams—the following up trains of thought, which had for their subject the formation of a succession of imaginary incidents. My dreams were at once more fantastic and agreeable than my writings. In the latter I was a close imitator—rather doing as others had done than putting down the suggestions of my own mind. What I wrote was intended at least for one other eye—my childhood’s companion and friend; but my dreams were all my own; I accounted for them to nobody; they were my refuge when annoyed—my dearest pleasure when free.