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Chapters (69)
  1. Cover
  2. ALSO BY KIERSTEN WHITE
  3. Dedication
  4. Epigraph
  5. Part One: How Can I Live Without Thee?
  6. Chapter One: To Be Weak Is Miserable
  7. Chapter Two: What Hath Night to Do with Sleep?
  8. Chapter Three: In Wandering Mazes Lost
  9. Chapter Four: Half Lost, I Seek
  10. Chapter Five: With Purpose to Explore or to Disturb
  11. Chapter Six: Round He Throws His Baleful Eyes
  12. Chapter Seven: I Sung of Chaos and Eternal Night
  13. Chapter Eight: Horror and Doubt Distract His Troubled Thoughts
  14. Chapter Nine: This Horror Will Grow Mild, This Darkness Light
  15. Chapter Ten: To Lose Thee Were to Lose Myself
  16. Chapter Eleven: When from Sleep I First Awaked
  17. Part Two: What Is Dark Within Me, Illumine
  18. Chapter Twelve: At Once Indebted and Discharged
  19. Chapter Thirteen: That All This Good of Evil Shall Produce
  20. Chapter Fourteen: What Can We Suffer Worse?
  21. Chapter Fifteen: Love or Hate, to Me Alike
  22. Chapter Sixteen: So Farewell Hope
  23. Part Three: Long Is the Way and Hard, That Out of Hell Leads Up to Light
  24. Chapter Seventeen: Which Way Shall I Fly
  25. Chapter Eighteen: His Dark Materials to Create More Worlds
  26. Chapter Nineteen: Should God Create Another Eve
  27. Chapter Twenty: Flesh of Flesh, Bone of My Bone
  28. Chapter Twenty-one: Him Whom to Love Is to Obey
  29. Chapter Twenty-two: Hail Horrors, Hail Infernal World
  30. Chapter Twenty-three: So Shall the World Go on, to Good Malignant, to Bad Men Benign
  31. Chapter Twenty-four: And Study of Revenge, Immortal Hate
  32. Chapter Twenty-five: Did I Request Thee, Maker, from My Clay, to Mold Me Man?
  33. Chapter Twenty-six: Which Way Shall I Fly
  34. Chapter Twenty-seven: That Must Be Our Cure: To Be No More
  35. Epilogue: I Sung of Chaos and Eternal Night
  36. AUTHOR’S NOTE
  37. ACKNOWLEDGMENTS
  38. Excerpt from The Guinevere Deception
  39. About the Author
  40. TEACHER GUIDE, ARRANGED BY THEME
  41. Frankenstein
  42. Author’s Introduction
  43. Preface
  44. Chapter I
  45. Chapter II
  46. Chapter III
  47. Chapter IV
  48. Chapter V
  49. Chapter VI
  50. Chapter VII
  51. Chapter VIII
  52. Chapter IX
  53. Chapter X
  54. Chapter XI
  55. Chapter XII
  56. Chapter XIII
  57. Chapter XIV
  58. Chapter XV
  59. Chapter XVI
  60. Chapter XVII
  61. Chapter XVIII
  62. Chapter XIX
  63. Chapter XX
  64. Chapter XXI
  65. Chapter XXII
  66. Chapter XXIII
  67. Chapter XXIV
  68. About The Modern Library
  69. What’s next onyour reading list?

But it proved a wet, ungenial summer, and incessant rain often confined us for days to the house. Some volumes of ghost stories translated from the German into French fell into our hands. There was the History of the Inconstant Lover, who, when he thought to clasp the bride to whom he had pledged his vows, found himself in the arms of the pale ghost of her whom he had deserted. There was the tale of the sinful founder of his race whose miserable doom it was to bestow the kiss of death on all the younger sons of his fated house, just when they reached the age of promise. His gigantic, shadowy form, clothed like the ghost in Hamlet, in complete armour, but with the beaver up, was seen at mid-night, by the moon’s fitful beams, to advance slowly along the gloomy avenue. The shape was lost beneath the shadow of the castle walls; but soon a gate swung back, a step was heard, the door of the chamber opened, and he advanced to the couch of the blooming youths, cradled in healthy sleep. Eternal sorrow sat upon his face as he bent down and kissed the forehead of the boys, who from that hour withered like flowers snapped upon the stalk. I have not seen these stories since then, but their incidents are as fresh in my mind as if I had read them yesterday.

“We will each write a ghost story,” said Lord Byron, and his proposition was acceded to. There were four of us. The noble author began a tale, a fragment of which he printed at the end of his poem of Mazeppa. Shelley, more apt to embody ideas and sentiments in the radiance of brilliant imagery and in the music of the most melodious verse that adorns our language than to invent the machinery of a story, commenced one founded on the experiences of his early life. Poor Polidori had some terrible idea about a skull-headed lady who was so punished for peeping through a key-hole—what to see I forget: something very shocking and wrong of course; but when she was reduced to a worse condition than the renowned Tom of Coventry, he did not know what to do with her and was obliged to dispatch her to the tomb of the Capulets, the only place for which she was fitted. The illustrious poets also, annoyed by the platitude of prose, speedily relinquished their uncongenial task.