As my numb feet carry me forward I start feeling like the dead behind me are calling my name. Like instead of moans they’re calling “Aaaaannnaaaahhhh” over and over again, like a choir from the end of the world singing for my death. Sometimes bodies will rise in front of me, their steps staggering toward me, and all I can do is flail at the noise with my machete, slicing through whatever bits of them I can reach until they fall silent and let me pass.

For what feels like hours, days, months, I’m in the darkness. I become the darkness; it seeps into me and tries to eat its way out. It lulls me with promises of sleep and rest. It whispers to just give in. That it will protect me forever.

I ache to believe in it. I’m trembling from exhaustion, unable to feel my fingers or toes or knees or ears or lips from the oppressive cold and ice. There’s nothing inside me anymore. I’m just a body that jerks and shivers as time folds and crumples. For a moment I feel as though I’m on the path as a child with Elias. My sister is behind me, crying and begging me to come home to her.

Elias is reaching out a hand to pull me forward, but his fingers constantly slip through my own. I call out for Catcher. For anyone. For help. But the only response is the moaning. The stench of stale air.

I stumble to a stop and turn around. I wonder if this is it. If this is how the world ends. I wonder about all the other people who have faced this moment. I think of Catcher telling me about the night he climbed the roller coaster, when he lost all fear of heights because death was already eating away at him. He had nothing more to lose.

And I realize that’s the difference. I realize that I still have everything to lose. The possibility of my sister and Elias and Catcher and my future. I’d lose sunrises and stars and the feel of Catcher’s heat against my lips. I’d miss the taste of snow and the smell of the first flower of spring.

I’d miss laughing and crying and all the moments in between.

I stumble back into the darkness and keep walking. Knowing that the pain I’m feeling now is because my body is alive.

I can tell by the echo of sound and the feel of the air when the tunnels open up into stations, when the path branches in front of me. I just keep my hand on the wall and push forward. I fall into such a repetition of steps that I’m stunned when I stumble against a massive pile of rubble.