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Chapters (76)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Mauna Loa: November 21, 1935
  5. 1. Mangoes
  6. 2. Watching Over Him
  7. 3. Rising Winds
  8. 4. The Okawa Fish Market
  9. 5. Beauty and the Beast
  10. 6. Homecoming
  11. 7. Waiting
  12. 8. In the Quiet
  13. Ghost Voices
  14. Carrying On: November 23–25, 1935
  15. 9. Sanctuary
  16. 10. Fire and Ice
  17. 11. The Sugar Train
  18. 12. The Green Bungalow
  19. 13. The House Call
  20. 14. The House on the Hill
  21. Island Voices
  22. The Past, the Present: November 25–26, 1935
  23. 15. Island Boys
  24. 16. Hide-and-Seek
  25. 17. The Bulletin Board
  26. Ghost Voices
  27. You Can’t Hide: November 27–December 4, 1935
  28. 18. A New Direction
  29. 19. One Step Forward
  30. 20. Awakening
  31. 21. Puli Plantation
  32. Island Voices
  33. Lost and Found: December 6–8, 1935
  34. 22. Ashes
  35. 23. The Surprise
  36. 24. The Scenic Express
  37. Ghost Voices
  38. And Then . . .: December 11–16, 1935
  39. 25. Restless
  40. 26. Collecting
  41. 27. Sugarcane
  42. 28. A Visitor
  43. 29. Run
  44. 30. Nightmares
  45. 31. Packing
  46. Ghost Voices
  47. Secrets: December 17–18, 1935
  48. 32. Town Boy
  49. 33. Nori
  50. 34. Naupaka
  51. Ghost Voices
  52. Answers: December 18–20, 1935
  53. 35. Lava
  54. 36. Uncle Koji
  55. 37. The Truth of It
  56. Ghost Voices
  57. Waiting: December 22–26, 1935
  58. 38. Revelations
  59. 39. Safe Places
  60. 40. Mele Kalikimaka
  61. Ghost Voices
  62. Shooting the Moon: December 27–31, 1935
  63. 41. Blackbirds
  64. 42. Mosquitoes
  65. 43. Faith
  66. 44. The River
  67. Ghost Voices
  68. A New Year: January 1–2, 1936
  69. 45. The Beating Heart
  70. 46. January 2, 1936
  71. 47. The Living
  72. Ghost Voices
  73. Hilo: July 28, 1936
  74. 48. The Mango Tree
  75. Acknowledgments
  76. About the Publisher

I turn away from the window and settle back on the bench seat, suddenly aware of how close I’m sitting to Koji and how little we’ve spoken. I wonder how he feels riding the train as a passenger, but nothing in his face gives him away. When we first boarded, Koji told me we would be getting off near the small town of Mountain View, before the train continues on to Glenwood, where the rail line ends. The passengers who want to see Kilauea volcano will have to go the last eight miles by horse and wagon. I look around the railcar, guessing that most of the warmly dressed passengers are going up to see the volcano, and part of me wishes we were going up to Kilauea too, which would be a real adventure. I wonder if we can do it another time with Daniel. I’m brought out of my thoughts when the train slows and stops in Mountain View to let us off. Koji waves to the engineer, who makes the unexpected stop for us. We’re to be waiting at the same spot when the train returns in the afternoon. We stand at the side of the tracks like two orphans, yeah, and I still have no idea where Koji is taking me.

“You won’t tell me where we’re going?” I ask.

Koji grins and his face remains unreadable while he plays with the hat in his hands. He’s dressed in jeans and his work boots, a rucksack slung across his shoulder. “You’ll see soon enough,” he says. “We have to walk the rest of the way from here, yeah.” He points toward a path through the trees. “It’s along that trail for about a mile.”

I don’t know what to think, but I do know that Koji is familiar with all the old roads in and around Hilo town. I’m thankful it has stopped raining. In no time, the hazy, warm sun is blocked out and we’re surrounded by tall trees and the dripping green foliage of the rain forest. The path through the forest becomes steep and slick with moss-covered rocks and I’m mindful to watch my steps. The air smells of wet, dank earth. I slip more than once, but catch myself. When Koji takes hold of my hand and guides me down a steep, narrow path slowly, I’m only too happy. My thumb absently sweeps over the hard calluses on his thumb. Half an hour later, I’m hot and sweaty and have no idea why he has taken me out into the rain forest. I’m just about to ask again when he slows and then stops.

“We’re here,” Koji says.

“Where are we?” I ask. Buzzing mosquitoes fill the air as I swat them away.