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Chapters (76)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Mauna Loa: November 21, 1935
  5. 1. Mangoes
  6. 2. Watching Over Him
  7. 3. Rising Winds
  8. 4. The Okawa Fish Market
  9. 5. Beauty and the Beast
  10. 6. Homecoming
  11. 7. Waiting
  12. 8. In the Quiet
  13. Ghost Voices
  14. Carrying On: November 23–25, 1935
  15. 9. Sanctuary
  16. 10. Fire and Ice
  17. 11. The Sugar Train
  18. 12. The Green Bungalow
  19. 13. The House Call
  20. 14. The House on the Hill
  21. Island Voices
  22. The Past, the Present: November 25–26, 1935
  23. 15. Island Boys
  24. 16. Hide-and-Seek
  25. 17. The Bulletin Board
  26. Ghost Voices
  27. You Can’t Hide: November 27–December 4, 1935
  28. 18. A New Direction
  29. 19. One Step Forward
  30. 20. Awakening
  31. 21. Puli Plantation
  32. Island Voices
  33. Lost and Found: December 6–8, 1935
  34. 22. Ashes
  35. 23. The Surprise
  36. 24. The Scenic Express
  37. Ghost Voices
  38. And Then . . .: December 11–16, 1935
  39. 25. Restless
  40. 26. Collecting
  41. 27. Sugarcane
  42. 28. A Visitor
  43. 29. Run
  44. 30. Nightmares
  45. 31. Packing
  46. Ghost Voices
  47. Secrets: December 17–18, 1935
  48. 32. Town Boy
  49. 33. Nori
  50. 34. Naupaka
  51. Ghost Voices
  52. Answers: December 18–20, 1935
  53. 35. Lava
  54. 36. Uncle Koji
  55. 37. The Truth of It
  56. Ghost Voices
  57. Waiting: December 22–26, 1935
  58. 38. Revelations
  59. 39. Safe Places
  60. 40. Mele Kalikimaka
  61. Ghost Voices
  62. Shooting the Moon: December 27–31, 1935
  63. 41. Blackbirds
  64. 42. Mosquitoes
  65. 43. Faith
  66. 44. The River
  67. Ghost Voices
  68. A New Year: January 1–2, 1936
  69. 45. The Beating Heart
  70. 46. January 2, 1936
  71. 47. The Living
  72. Ghost Voices
  73. Hilo: July 28, 1936
  74. 48. The Mango Tree
  75. Acknowledgments
  76. About the Publisher

The winds had risen by the time Koji brought the sugar train back to the Puli Plantation. Over the years Puli had become one of the largest sugar plantations south of Hilo, several thousand acres not twenty miles up the mountain from town. From the train barn, he walked past the sugar house and mill, up the road to his small tin-roofed wood cottage that overlooked the cane fields. Only after all his work was completed did Koji really feel the sharp tug of excitement at Daniel’s return. He wondered how long it would take for Daniel to slow to the island rhythms again. Daniel would have to readapt to living in a small island town with its sudden midafternoon rainstorms; the muggy heat and fierce winds; the dense, green blankets of foliage; and the hovering, dark volcanoes that loomed over everything. From the moment Koji set foot onto the black lava rocks as a boy, he knew that the island was a living organism and they were simply guests.

The winds grew stronger now, pulling at Koji, ghosts urging him back to the cane. I still have to change and drive back down to Hilo, he thought, even as he turned around and began to walk back down toward the fields.

* * *

The air stilled for a moment followed by the rustling of cane leaves.

“You’re going the wrong way, yeah,” Razor Takahashi said, meeting Koji at the edge of the field, a sweat-slick layer of cane dust on Razor’s face, a pint-size bottle of whiskey in his hand. The trade winds rose and had the tall cane swaying back and forth like hula dancers. The northern fields were the last of the fields being readied to be burned.

“Just need to walk a bit,” Koji said.

“Can’t get enough of the cane, eh?” Razor said and laughed.

It was true. Koji often felt a pull toward the cane. It was in his blood, the only life he’d known, and the place where he felt most at home. It was something he knew Razor understood.

Razor took a swig from the bottle. He reached out and offered Koji a drink. “What time is Daniel coming home?”

Koji shook his head and smiled at his old friend. “He’s arriving soon. I better go. I’ll see you soon, yeah. Save some for me,” he added, pointing to the bottle before he walked into the sugarcane field.

When Koji turned back, Razor was already gone from sight.

* * *