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Chapters (76)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Mauna Loa: November 21, 1935
  5. 1. Mangoes
  6. 2. Watching Over Him
  7. 3. Rising Winds
  8. 4. The Okawa Fish Market
  9. 5. Beauty and the Beast
  10. 6. Homecoming
  11. 7. Waiting
  12. 8. In the Quiet
  13. Ghost Voices
  14. Carrying On: November 23–25, 1935
  15. 9. Sanctuary
  16. 10. Fire and Ice
  17. 11. The Sugar Train
  18. 12. The Green Bungalow
  19. 13. The House Call
  20. 14. The House on the Hill
  21. Island Voices
  22. The Past, the Present: November 25–26, 1935
  23. 15. Island Boys
  24. 16. Hide-and-Seek
  25. 17. The Bulletin Board
  26. Ghost Voices
  27. You Can’t Hide: November 27–December 4, 1935
  28. 18. A New Direction
  29. 19. One Step Forward
  30. 20. Awakening
  31. 21. Puli Plantation
  32. Island Voices
  33. Lost and Found: December 6–8, 1935
  34. 22. Ashes
  35. 23. The Surprise
  36. 24. The Scenic Express
  37. Ghost Voices
  38. And Then . . .: December 11–16, 1935
  39. 25. Restless
  40. 26. Collecting
  41. 27. Sugarcane
  42. 28. A Visitor
  43. 29. Run
  44. 30. Nightmares
  45. 31. Packing
  46. Ghost Voices
  47. Secrets: December 17–18, 1935
  48. 32. Town Boy
  49. 33. Nori
  50. 34. Naupaka
  51. Ghost Voices
  52. Answers: December 18–20, 1935
  53. 35. Lava
  54. 36. Uncle Koji
  55. 37. The Truth of It
  56. Ghost Voices
  57. Waiting: December 22–26, 1935
  58. 38. Revelations
  59. 39. Safe Places
  60. 40. Mele Kalikimaka
  61. Ghost Voices
  62. Shooting the Moon: December 27–31, 1935
  63. 41. Blackbirds
  64. 42. Mosquitoes
  65. 43. Faith
  66. 44. The River
  67. Ghost Voices
  68. A New Year: January 1–2, 1936
  69. 45. The Beating Heart
  70. 46. January 2, 1936
  71. 47. The Living
  72. Ghost Voices
  73. Hilo: July 28, 1936
  74. 48. The Mango Tree
  75. Acknowledgments
  76. About the Publisher

Meanwhile, for a few sweet weeks in December, hoes and knives are forgotten and we sneak down to Hilo whenever we can to meet Franklin. Franklin Abe is a friend of my cousin who’s a year older and lives down in Hilo. The three of us have become fast friends and Koji and I can’t get down to town fast enough, yeah. We help Salvador, the engineer of the sugar train, and the workers load the burlap bags of sugar onto the train, so we can hitch a ride from the mill down to Hilo wharf. We also pay Salvador with loose cigarettes pinched from other workers or a bottle of soda pop or coconuts Franklin has climbed the trees to cut down. We take turns shoveling coal into the furnace and hang out of the open windows, wind whipping our faces. Below, the big ocean spreads out gray and choppy as the sky clouds over and a warm rain soothes our hot skin. Moments later the sun pushes through the dark clouds again, forming a sun shower, leaving us sticky with sweat and laughter.

“Stay out of trouble,” Salvador tells us once we jump off at the Hilo train station. We’re already halfway down the platform when he yells, “And get back here on time, or you’ll be walking back up the mountain. You hear?!”

Outside the station, we meet Franklin and walk to Hilo bay or a beach close by. Koji and I act like we do this every day, like we’re town boys, not cane boys. Along the way, Franklin pulls out the slingshot he made from a branch of red manzanita. He’s a natural with it, yeah, shattering bottles and clipping mangoes, and even hitting lychees off of trees from twenty feet away. There’s not much Frank can’t do, and the girls like that, his tall, skinny body, his cocky grin, his pretty-boy good looks so different from us. Koji’s strong and quiet. Me, I’m short and persistent. What I don’t have in height, I have in stubbornness. Like a dog clutching a bone, Koji teases, never going to give it up. But we can’t hide the dirt under our nails, while Franklin has an excitement that draws attention to him.

It’s no different today when we meet the three girls down at Onekahakaha Beach for the first time. It’s a windy day, the palms swaying, whitecaps on the ocean looking like a thousand white birds on the surface of the water. Koji and I watch the girls walk across the beach toward town, laughing and talking, fishing poles and buckets in hand. Other than Koji’s sister, we don’t know many girls.

“Three for three,” Franklin says, as he tucks his slingshot into his back pocket. “I’ll be right back.”