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Chapters (76)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Mauna Loa: November 21, 1935
  5. 1. Mangoes
  6. 2. Watching Over Him
  7. 3. Rising Winds
  8. 4. The Okawa Fish Market
  9. 5. Beauty and the Beast
  10. 6. Homecoming
  11. 7. Waiting
  12. 8. In the Quiet
  13. Ghost Voices
  14. Carrying On: November 23–25, 1935
  15. 9. Sanctuary
  16. 10. Fire and Ice
  17. 11. The Sugar Train
  18. 12. The Green Bungalow
  19. 13. The House Call
  20. 14. The House on the Hill
  21. Island Voices
  22. The Past, the Present: November 25–26, 1935
  23. 15. Island Boys
  24. 16. Hide-and-Seek
  25. 17. The Bulletin Board
  26. Ghost Voices
  27. You Can’t Hide: November 27–December 4, 1935
  28. 18. A New Direction
  29. 19. One Step Forward
  30. 20. Awakening
  31. 21. Puli Plantation
  32. Island Voices
  33. Lost and Found: December 6–8, 1935
  34. 22. Ashes
  35. 23. The Surprise
  36. 24. The Scenic Express
  37. Ghost Voices
  38. And Then . . .: December 11–16, 1935
  39. 25. Restless
  40. 26. Collecting
  41. 27. Sugarcane
  42. 28. A Visitor
  43. 29. Run
  44. 30. Nightmares
  45. 31. Packing
  46. Ghost Voices
  47. Secrets: December 17–18, 1935
  48. 32. Town Boy
  49. 33. Nori
  50. 34. Naupaka
  51. Ghost Voices
  52. Answers: December 18–20, 1935
  53. 35. Lava
  54. 36. Uncle Koji
  55. 37. The Truth of It
  56. Ghost Voices
  57. Waiting: December 22–26, 1935
  58. 38. Revelations
  59. 39. Safe Places
  60. 40. Mele Kalikimaka
  61. Ghost Voices
  62. Shooting the Moon: December 27–31, 1935
  63. 41. Blackbirds
  64. 42. Mosquitoes
  65. 43. Faith
  66. 44. The River
  67. Ghost Voices
  68. A New Year: January 1–2, 1936
  69. 45. The Beating Heart
  70. 46. January 2, 1936
  71. 47. The Living
  72. Ghost Voices
  73. Hilo: July 28, 1936
  74. 48. The Mango Tree
  75. Acknowledgments
  76. About the Publisher

There’s a pale, silvery light from the moon when I leave the cabin, like someone has left a lamp on low. The trail ahead of me is otherwise dark. The air is warm and calm and my body’s still buzzing with excitement from the meeting. I usually cut through the forest, stay away from the main road just in case a luna or the plantation police are out and about catching the late stragglers. Makes the mile back to Puli even longer with each careful step. Tonight I’m itching to take a chance but decide to stay careful, sticking to the hidden dirt paths. No use looking for trouble, not with all the work we have to do in the months ahead. Calm, yeah, and just bright enough that I can easily see through the trees if there’s someone coming down the road but they can’t see me.

The moonlight casts the main road in a whitish glow when I finally emerge from the dark forest path near the northern side of the plantation. There’s only the last long stretch of empty, open road to walk down before jumping the fence and cutting across the fields. In the distance I can see the dark shadows of the plantation buildings. Not far now. I can already taste the sweet burn of whiskey from the bottle I keep under my mattress.

I walk quickly down the paved road when I hear the low rumble of a motor starting. I turn back to see nothing, darkness, the road empty until bright headlights flick on and a dark sedan roars out from behind some trees not far from the path I came out of. I start to run, thinking I’m fucked with this bum leg, thinking I can still make it back to the fence and into the fields before the car reaches me. There’s nowhere else to hide now, the forest behind me, the fields ahead.

“Run! Run! Run!” I hear Franklin yelling at me again, like when we were young and caught stealing lychee from old man Pakua’s backyard tree. He’d been waiting for us, and had come out of the house with his shotgun in hand, but we were too fast jumping over the fence, running down the road before he got to the gate.

“Run! Run! Run!” I see Laki running down the dirt road to greet me at the end of the day, good dog, best dog.