Back The Collected Novels
Chapters (53)
  1. Cover
  2. Khushwant Singh
  3. COLLECTED NOVELS
  4. Books by the Same Author
  5. Introduction
  6. Train to Pakistan
  7. Dedication
  8. Dacoity
  9. Kalyug
  10. Mano Majra
  11. Karma
  12. I Shall Not Hear The Nightingale
  13. Dedication
  14. Please Read This Note Before Reading the Novel
  15. Characters in the Story
  16. Chapter I
  17. Chapter II
  18. Chapter III
  19. Chapter IV
  20. Chapter V
  21. Chapter VI
  22. Chapter VII
  23. Chapter VIII
  24. Chapter IX
  25. Chapter X
  26. Chapter XI
  27. Chapter XII
  28. Chapter XIII
  29. Delhi
  30. Dedication
  31. Delhi
  32. Lady J.H.T.
  33. Bhagmati
  34. Musaddi Lal
  35. Bhagmati
  36. The Timurid
  37. Bhagmati
  38. The Untouchables
  39. Bhagmati
  40. Aurangzeb Alamgir: Emperor of Hindustan
  41. Bhagmati
  42. Nadir Shah
  43. Bhagmati
  44. Meer Taqi Meer
  45. Bhagmati
  46. 1857
  47. Bhagmati
  48. The Builders
  49. Bhagmati
  50. The Dispossessed
  51. Bhagmati
  52. A Note from the Author
  53. Footnotes

‘Yes, let’s go inside.’

We get as far as the verandah. The President’s Rolls-Royce catches us with its headlights. I swear: ‘Fuck!’

Very frustrating! Also somewhat of a relief. I do not have to waste my bindu on a battered, malodorous woman. I can preserve it for Bhagmati who despite the bashing she gets from men goes for sex with the zest of a newly-wed nymphet. And her mouth smells like a bush of cardamom in springtime.

Hoity-Toity becomes the Lady once more—cold and aloof. She sits at the other end of the seat. When we pull up outside my apartment, she says very dryly: ‘Thanks for everything. Do look me up when you are in London.’

‘It was a pleasure.’ I do not invite her to come in. There is the omnipresent Budh Singh armed with his stave. As soon as I step out of the Rolls-Royce he springs to attention and yells: ‘Parade, present arms! Thak, thak, thak.’ As Hoity-Toity leans out to wave to me, he intones a Punjabi version of ‘God Save our Gracious Queen.’

I wave to Hoity-Toity. I acknowledge Budh Singh’s salute and ask: ‘How’s everything?’

‘Parade, slope arms! Thak, Thak. Everything okay. Your hijda is waiting for you. I let it in because you were so gussa with me yesterday. Excuse my saying so, take a woman, take a boy, but a hijda.. :

I complete his sentence for him. ‘That’s not nice.’ And hurry indoors.

Bhagmati

She sits cross-legged in my armchair turning over the pages of a book. Her left hand is clenched into a fist with a cigarette sticking out of her fingers. She sucks noisily at the cigarette and flicks the ash on my carpet. Her hair is heavily oiled and arranged in serried waves fixed by celluloid clips shaped like butterflies. She wears a pink sari of glossy, artificial silk with a dark blue blouse of the same material. A pair of white slippers with ribbon bow-ties on their toes lie in front of the chair. Bhagmati is the worst-dressed whore in Delhi.

The light of the table-lamp reveals a layer of powder and rouge on her face. It does not lighten the colour of her black skin or hide the spots left by small-pox. The kohl in her eyes has run down and smudged her cheek-bones. Her lips are painted crimson. Her teeth are stained with betel-leaf. Bhagmati is the plainest-looking whore in Delhi.

‘Ajee! You are back from vilayat!’ she exclaims as I enter. And without giving me the chance to say yes, continues, ‘What kind of books do you keep? They have no pictures.’ She waggles her head with every sentence and gesticulates with her hands in the manner of hijdas. ‘No pictures, only black letters like dead flies.’ She changes the subject. ‘Did you ever think of your poor Bhagmati when you were riding those white mares in London?’ Bhagmati is the coarsest whore in Delhi.