Back The Blackhouse Save as PDF
Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

‘Can I help you?’

The archaeologist is younger than me; short and fair-haired and frowning, her waterproof trousers and boots caked in old and new mud.

‘I’m sorry. I’m Maggie. I’m staying up the road, and I was just curious to see what you were doing here.’

‘It’s okay,’ another young woman says, moving round the nearest trench. She’s wearing jeans and a bulky anorak, her dark hair piled on top of her head in an untidy bun, a streak of grey mud smeared from right ear to chin.

‘I didn’t mean to interrupt,’ I say. ‘I’ll go if I’m—’

‘Really, it’s fine.’ She smiles, holds out her hand. ‘I’m Dr Kumiko Okitsu. Miko.’

As I shake it, the other woman gives me one last unfriendly glare before turning on her heel.

‘I’m sorry,’ Miko says. ‘There’s been a lot of … interest in what we’re doing. It’s slowed progress down a bit.’

‘She means interference,’ someone says in a familiar South London accent, and I turn to see a smiling young man with a shaved head and goatee.

‘I mean interest,’ Miko says, frowning at him. I look at the trench behind her and recognise Jaz crouched next to the JCB, deep in conversation with two archaeologists. ‘There’s nothing wrong with locals—’

‘Checking up on us?’ the man says.

‘Jaz was on the first dig,’ I say.

‘Oh, he might have mentioned that,’ he says, with a roll of his eyes. ‘And what equipment we should be using, where we should be digging, how we should interpret—’

‘All right,’ Miko says. ‘It’s still better than the alternative.’

When Jaz looks over, I wave at him. He doesn’t wave back.

‘Femi Tinubu,’ the man says, reaching out to shake my hand. He flashes his teeth, gives me a quick up-and-down glance that feels perfunctory enough that I’m only mildly insulted.

‘Maggie Anderson. I’m staying over at Ardcraig.’ I shrug. ‘I guess I just got nosy.’

‘Would you like a quick tour?’ Miko asks.

‘Are you sure?’

She smiles. ‘I could do with the break. Come. This way.’

The three of us walk over wet grass to the flatter, busier part of the ridge furthest from the cemetery.

‘An Cladh Dubh is one of the most important Bronze Age burial sites ever discovered in Western Europe. Tòrr Dìseart literally means “deserted mound”, but the name was probably derived from the Old Norse word Dysætr, for burial place, because they’re basically two round barrows raised over graves.’ Miko nods at three archaeologists on their haunches inside the first trench. ‘Bad weather’s been moved up to lunchtime, so make sure you bag and tag, and are ready to cover, okay?’

I follow her and Femi round the end of the trench, where the ground becomes more uneven and boggy. ‘This part of the site was never excavated on the last dig. Not after they made their big discovery inside the main mound.’

‘Discovery?’

‘Please let me tell her, Doc,’ Femi says, grinning when Miko nods. ‘So, a barrow’s just a mound of earth and stones. At their centre are cut graves or, if you’re lucky, a stone chamber, or cist, containing bones, cremations; ornaments, jewellery, that kind of thing.’