Back The Blackhouse Save as PDF
Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

‘Hello. I’m Gillian MacKenzie,’ the woman behind the bar says. Her face is tanned and freckled, her smile warm, her accent local, but with the faint traces, perhaps, of something else. She tucks long dark-blonde hair streaked with silver behind her ears before reaching out a hand to shake mine. ‘And you must be Maggie.’

‘How—’

‘Oh, everyone knows about you.’ A barman turns from the optics at the other end of the bar. Until I see his easy smile, I take him literally, and my heart briefly gallops. Just like it did when Jaz asked me if I’d ever been to the islands before and I left too long a pause before shaking my head.

The barman sets two whiskies down in front of the fishermen before turning back to me. He’s short and lean, his eyes a startling dark brown. ‘You’re Kelly’s first booking. She danced about this place like the Road Runner on speed when she got your email.’

‘My husband, Bruce,’ Gillian says. ‘Ignore him. Anyway, what can I get you? First one’s on the house. We’re doing strawberry daiquiris and pink G and Ts in honour of Valentine’s Day.’ She pauses for a moment, and then leans towards me. ‘Are you okay?’

No, I abruptly want to say. My mum just died. It’s like a very specific and sudden form of Tourette’s. I lasted less than ten minutes on that Stansted plane before saying it to the poor woman sitting next to me, soaking up her sympathy for the whole journey to Glasgow. Where presumably she imagined my mum had just died. Three months ago isn’t just, even if it feels like it is. And no matter how much I’d like it to be true, Mum not being here any more isn’t the cause for that ballast in my stomach, the nightmares I can’t stop having, all those maybe-it’ll-be-all-rights. It’s not the reason why, less than two weeks after being discharged from the Maudsley, I’ve travelled seven hundred miles to this place – this village – in the middle of nowhere. Even if it’s easier to pretend that it is.

‘Sorry. I’m just tired,’ I say. And try to smile. ‘Could I have a white wine, please? Whatever you have. And thank you.’

I pretend to be interested in the photos crowding the red wall next to the bar as Gillian takes a bottle of pinot grigio out of a fridge and starts pouring. Some photos are framed, some laminated; colour, sepia, and black-and-white landscapes of sea and cliff and beach; portraits of men and women and children. Above them is a mounted piece of varnished driftwood carved with black-painted words, The sheep will spend its life in fear of the wolf, and then be eaten by the shepherd.

‘A cheery sentiment,’ Gillian smiles, handing me the wine. ‘But it’s been here longer than I have; bit like most of those pictures. Lot of the folk in them are here tonight.’

‘Maggie!’

I recognize Kelly’s gap-toothed smile and sleek brown bob from her online photo. She rounds the bar, throws her arms around my shoulders and squeezes hard.