Back The Blackhouse Save as PDF
Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

‘D’you know this one?’ Will asks, as I go on standing next to him like a statue.

‘I think so.’ Mum used to teach me in the back garden on sunny weekends. Dances from her childhood, I imagine: the Dashing White Sergeant and the Military Two-step. Strip the Willow. She would always lead, and we’d invariably end up in a giggling, exhausted heap on the grass.

‘If it helps,’ Will says, as I furtively glance around at all the spectators and couples, ‘pretend it’s just us.’

And once we start dancing, pretending is easy. I remember the steps. I remember how great it feels to dance – a feeling that no one could ever argue is not good for me. The pivots and birls spin and blur the room so that Will is the only person I can see. I don’t think about who’s still talking about me, or how I’m ever going to get any of them to talk to me. I don’t think about Dr Abebe or even Mum. And I don’t think about Ravi, who never once made my heart thump-thump. I relax. I allow myself to smile, to dance, to enjoy holding someone’s hand. An arm tight around my waist. Lifting me off the ground and spinning me dizzy. By the time the music finishes, we’re out of breath and laughing, and I don’t look at anyone else at all as he leads me to a couple of plastic chairs beside the dancefloor.

‘Thank you,’ I say.

‘What for?’

When I don’t answer, he briefly touches my knee with his. ‘Everyone’s good people here.’

‘Okay.’

‘I’m afraid I have to go. Got to be up at dawn.’ He gives me a slow smile. ‘I was already half out the door when I saw you.’

My skin prickles hotter at that, and I’m even more disturbed by how much I want him to stay. And then by how obvious I must have made that look when he touches the back of my hand with the back of his in the space between our seats where no one else can see. I jump. I feel like one long nerve ending.

‘Come to the farm tomorrow,’ he says, holding my gaze.

‘Okay.’ I should say no. Or that he wouldn’t be asking if he knew anything about me. But I don’t want to be so presumptuous. Conceited. Or, more likely, I just don’t want to talk about it out loud, this ridiculous feeling. This warning sign by anyone’s definition. Besides, he has to know at least the one thing about me that everyone else does. And he’s still asked.

I nearly jump out of my skin when the band suddenly erupts into what is definitely not a waltz or reel. It drums up from under my feet, clearing both my head and the dancefloor in seconds.

‘Is that “Hellbound Train”?’

Will laughs. ‘Donnie fancies himself for a Red Hot Chili Piper.’ He stands up. ‘Night, Maggie. Thanks for the dance.’ Another smile. ‘See you tomorrow.’