Back The Blackhouse Save as PDF
Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

Now, I look around this brightly lit room, breathe its air, cool and still and smelling of pine and coffee and woodsmoke. I get up and run my fingers along the wooden surface of the mantelpiece, looking at my reflection in the wide silver mirror above it. Did Robert once stand in this spot? Did he once look into this mirror? Nothing about the blackhouse feels familiar at all, but still, my heart beats faster.

I remember the trapdoor near the kitchen – Kelly’s earth cellar – and cross the room to hunker down next to it. The door is big and cut into the pine floor, but it’s only when I pull up on its recessed steel handle that I see the small key-shaped hole below it. Locked.

I get up and go into the small box room, but it’s literally filled with only boxes, stacked high and taped shut. I pull back the heavy tartan curtain of its only window instead. It’s dark outside, even though it’s still early. The rain has persisted all afternoon, the wind rattling against the front door and whistling down the steel flue pipe. There’s only one light in the gloom, and it comes from the farm. A faint orange glow, rectangular rather than square. And around it, the darker silhouette of stone against the sky. I peer into the darkness and try to imagine Andrew. What he looked like. What he sounded like. A complicated man with a bad past which had followed him like a shadow that didn’t need the sun. And then the light winks out.

When someone knocks loudly at the front door behind me, I stagger back from the window, almost taking the curtain with me. I allow myself a few ridiculous seconds to regain my breath and slow my heartbeat. I creep back into the mudroom and peer through the tiny inset window of the door before unlocking it. And am greeted by an icy gust of wind and Kelly’s toothy grin.

She looks me up and down, and grins wider. ‘Look, Maggie. I know I said it was slim pickings, but I don’t think flannel pyjamas are going to cut it even in Am Blàr Mòr.’

*

Kelly’s flat is tiny. Little more than a living area, bedroom, bathroom, and a laminate-floored hallway that wouldn’t fit two people side by side.

When I follow her into the main room, Jaz is sitting cross-legged on a rug next to an overturned crate of Lego and a little boy with a shock of blond hair.

‘Hey, Kelly,’ Jaz says before giving me a not exactly unfriendly glance, but certainly one that’s miles away from yesterday’s generous grin. ‘Maggie.’

‘Hi,’ I say.

‘And this wee man,’ Kelly says, ‘is Fraser.’

‘Hi, Fraser,’ I say, when he gives me a bashful smile. ‘It’s very nice to meet you.’

Jaz stands up, goes towards the door. ‘When d’you want me back?’

‘Maybe a couple of hours, if that’s okay?’ Kelly says, and Jaz nods, closes the door behind him.