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Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

‘Are you okay?’ The concern in his eyes is fierce. He reaches up a hand to touch my face, perhaps my hair, and then hesitates, curls it into a fist. ‘I was so fucking scared. When I saw you … when I saw what Mum had … I’m so sorry. I don’t know what I would have done if—’

‘I’m okay,’ I say, trying to smile and not even coming close to managing it.

‘She’s much worse than I thought. No wonder Euan has been stressed out. He’s probably been shitting himself that she was going to tell the truth, expose all their fucking lies.’ He shakes his head. Gives me a pleading look. ‘In her own fucked-up way, she was trying to protect me.’

‘I know.’

‘I’m so fucking sorry, Maggie.’

And this time he does touch my face. His fingers are warm. When he moves closer, he is all I can see and smell and feel. And I have to back away. I have to back away so fast and so far that I find myself inside the narrow hallway again, gripping hard at the kitchen doorframe.

The grief in Will’s eyes sharpens. ‘What’s wrong?’

I don’t know what to say. How to answer. How to tell him. That Cora was right to protect him. That once I was someone else. Once I was Robert Reid. Once I was Andrew MacNeil. His father. And because I’m resolved to see it, to confront it – to confront everything I want to run from, there’s no hiding from that. There’s no pretending that nothing has changed. Or that what Will and I have – this connection that I’ve never come close to having with anyone else – isn’t murky now. Knowing what I know – what I have no choice but to believe – will always make it murky. Wrong. I look at Will, and the love I feel for him is agonising. Impossible. ‘You’re Calum.’

He flinches, turns away from me to run his fingers through his already messy hair. His voice is furious, but so unsteady. ‘They came round last night, Charlie and Euan. They told me everything they’d already told you. That Mum … and I … were from Aberdeen. We’d never lived in Kenilworth; Mum never met Euan in Glasgow. That my father … my father was Robert Reid.’ His voice cracks briefly as he looks down at the table, and I recognise the photo that had been beside his bed: a young Cora standing next to a dark-haired man with Will’s eyes. ‘That’s mum’s brother, my fucking uncle. No wonder he crapped himself when I turned up on his doorstep in Balham.’ When he spins back to me, all that anger runs out of him and I want to hide from the way he looks at me. ‘Everyone lied to me. My whole life. My first memories of this island are of the Big Hoose and that’s it. I don’t remember anything else. I swear I would have told you if—’