Contents ( 56)
- THE BLACKHOUSE
- Carole Johnstone
- Copyright
- Dedication
- Epigraph
- Maps
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- EPILOGUE
- ACKNOWLEDGEMENTS
- CAST OF CHARACTERS
- GLOSSARY OF TERMS AND PLACES
- About the Author
- Also by Carole Johnstone:
- About the Publisher
‘Then who followed me back from Ardshader?’ I say. ‘Alec was gone by then. Who—’
‘Jaz,’ Charlie says, gaze sliding away. ‘We were keeping tabs on you, that’s all. We just wanted to know what you were doing.’
‘No.’ I think of those scuffling boots surfing a slide of loose stones inside the dark corridor of the Devil’s Mouth. ‘He was trying to scare me, Charlie.’ And my anger roars back because I know I’m right.
‘Maggie, everyone was scared. Is scared.’ He reaches out his hands towards me and then thinks better of it. ‘And no matter what I’ve said to you since you came back, so am I.’
I try not to look at him then, because I don’t want to feel sympathy for him. I don’t want to remember standing inside a peat bog as he squeezed my fingers and muttered Thanks for being here.
‘Alec left the dead birds?’ I say. ‘And the fire? Was that him too? Christ, Charlie, he could have killed me!’
When Charlie says nothing at all, my anger gets bigger. Brighter. ‘He was in my home. He terrorised me while I was sleeping. How can—’
‘God.’ Charlie weighs his head in his hands, stares down at the floor for long seconds. ‘What a fucking, fucking mess.’
And that’s what finally snaps me out of it – my pointless interrogation that’s more like a tantrum. The sight of Charlie holding his head in his hands; the tremble of his fingers against his hair. Because, I realise, this is the one question he was hoping I wouldn’t ask. Unease wakes up inside my chest again, sending nervous shivers down my spine.
‘That wasn’t Alec.’ I look at the crown of Charlie’s bowed head. ‘Was it?’
I think of drowning. Looking down into viscid blackness and feeling nothing but the bubbles of my last escaping breath. I think of Charlie’s It was Mary who told me about the vándr-varði. She was worried about him. He’d had some kind of breakdown in Aberdeen.
The why that I found in the sea, the why that made me think of Kenny’s smile. A storm is coming. The why that was a change in Cora – alien and brittle – that I couldn’t put a name to. It had been her voice. Her accent. No longer English but Scottish. Aberdonian.
‘Oh, God,’ I say. ‘Cora is Mary. Cora is Mary.’
Charlie’s shoulders sag. ‘She never went back to Aberdeen. When the Stewarts bought the blackhouse, Euan insisted that she move into an unused wing of the Big Hoose. Her and Euan, they got … closer over the next few years.’ His shrug looks heavy. ‘And eventually, they married.’
I swallow. ‘She’s the one who was creeping around outside the blackhouse, who came into the blackhouse, God knows how many times? Who set a fucking fire in – did you know? Did you know that she—’
‘No. No, of course not. We all knew she was getting worse, even before you came back. But after … maybe she did it because someone was living in the blackhouse again, and she could see the lights at night. Or maybe, I don’t know, maybe it was because it was you – the wee girl who’d once said she was Andrew.’ Charlie’s sigh is bone-deep.