Contents ( 56)
- THE BLACKHOUSE
- Carole Johnstone
- Copyright
- Dedication
- Epigraph
- Maps
- PROLOGUE
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- EPILOGUE
- ACKNOWLEDGEMENTS
- CAST OF CHARACTERS
- GLOSSARY OF TERMS AND PLACES
- About the Author
- Also by Carole Johnstone:
- About the Publisher
I choke as a wave smacks against my chest and I swallow yet another mouthful of icy seawater. ‘Please, Cora.’ A cough wracks my already burning lungs. ‘Stop.’
I feel a flailing fist smack hard against my temple, sending me backwards into another wave. And then Cora’s whole weight is on me, pushing me down, deeper this time; the icy water closing over my head fast. And I can hear my screamed gurgle in the instant that I realise I could drown like this – am drowning. I can see the dark shadow of Cora above, surrounded by churning, tireless water. And then I look down into all that darkness below, all that black nothing, so calm, so still. So quiet after all the rage and noise.
How can this be happening? I think of laughing with Charlie and Kelly. I think of Will; our hands touching bright and sharp in between chairs where no one else could see. I’m so tired. I long to breathe in. Just once. Once would be enough. And underneath that is relief. Bone-deep and undeniable relief that finally it’s all over.
Will, I’m sorry. The bubbles of his name escape upwards, leaving me behind. I’m sorry.
*
The pain is less of a shock than the noise – so much of it, all blended together into a muffled, booming mass of sound. I try to fight it off, to turn back to that blessed empty silence, but then something pops inside my ears, and all that sound rushes in, loud and suddenly clear.
I rear up, choking, coughing, trying to turn myself over, trying to pull air into my lungs. They don’t burn any more; instead, they feel full of blood, cold and thick, and every breath I manage to take hurts so badly I almost want to stop.
‘She’s okay. She’s okay!’
I can feel hands on me, but that’s muffled too, as if my body no longer belongs to me. And I can’t see. Everything is grainy and black, shadow and vague light. I lie on my side, just trying to breathe. I can smell the sea. I can taste salt in my mouth, can feel the grit of sand on my tongue, against my teeth, my skin. I can hear the waves now, not close, not quite as wild. I can hear the wind howling around the headlands, whistling in and out of their shallow dark shelves. And I can hear voices. Shouting.
I want to shout too. I want to let go of the shriek inside my head and inside my mouth. I want to run. I struggle to sit up. The sand gives way under the heels of my palms, cool between my fingers. Hands touch me again, push at my shoulders, and I slap them away.
‘It’s okay, you’re okay, Maggie.’
Charlie. Charlie’s voice. Charlie’s eyes, wide and dark. His shaking palm against my cheek.
I try to speak but only manage another cough, hacking its way out of my aching lungs. Charlie’s kneeling in the sand next to me. He leans me against him until I can breathe again.