Back The Blackhouse Save as PDF
Contents ( 56)
  1. THE BLACKHOUSE
  2. Carole Johnstone
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Maps
  7. PROLOGUE
  8. CHAPTER 1
  9. CHAPTER 2
  10. CHAPTER 3
  11. CHAPTER 4
  12. CHAPTER 5
  13. CHAPTER 6
  14. CHAPTER 7
  15. CHAPTER 8
  16. CHAPTER 9
  17. CHAPTER 10
  18. CHAPTER 11
  19. CHAPTER 12
  20. CHAPTER 13
  21. CHAPTER 14
  22. CHAPTER 15
  23. CHAPTER 16
  24. CHAPTER 17
  25. CHAPTER 18
  26. CHAPTER 19
  27. CHAPTER 20
  28. CHAPTER 21
  29. CHAPTER 22
  30. CHAPTER 23
  31. CHAPTER 24
  32. CHAPTER 25
  33. CHAPTER 26
  34. CHAPTER 27
  35. CHAPTER 28
  36. CHAPTER 29
  37. CHAPTER 30
  38. CHAPTER 31
  39. CHAPTER 32
  40. CHAPTER 33
  41. CHAPTER 34
  42. CHAPTER 35
  43. CHAPTER 36
  44. CHAPTER 37
  45. CHAPTER 38
  46. CHAPTER 39
  47. CHAPTER 40
  48. CHAPTER 41
  49. CHAPTER 42
  50. EPILOGUE
  51. ACKNOWLEDGEMENTS
  52. CAST OF CHARACTERS
  53. GLOSSARY OF TERMS AND PLACES
  54. About the Author
  55. Also by Carole Johnstone:
  56. About the Publisher

Kelly’s smile disappears. ‘Fuck, Maggie.’

‘I need to do something. I just need to do something.’ I hold out the photo again, but she doesn’t take it. ‘D’you recognise anyone?’

She frowns, shakes her head, though I notice that she hardly looks at it. ‘Why don’t you ask Charlie?’

‘Charlie isn’t talking,’ Will says.

‘I can’t ask anyone in Blairmore about this photo without having to explain why. But last time I was in the town hall in Stornoway, they said there was a guy from Urbost who worked there and who knew everyone back then.’ There’s a restless sense of urgency in me; a feeling that if I stop moving even for a moment, it’s going to be too late to ever catch up with the truth.

Kelly unfolds her arms. ‘I’ll take you.’

‘What?’

‘Jaz’ll lend me his ridiculous Chelsea tractor.’ She smiles a very un-Kelly-like smile. ‘I have to talk to you anyway. There’s something I need to tell you.’

*

Kelly drives fast. The Range Rover roars across the flat bleak inland moors, still gold, still empty, still fierce with whistling wind.

‘You won’t tell anyone about this, will you, Kelly?’

‘Of course not.’

‘I mean, someone must have killed Lorne, right? And I’ve been thinking that Robert knew who and that’s why he died, but what if Robert was the one who did it? And what if someone saw him? I mean, Christ, if Alec saw him …’ I endure a flashback to his blazing black eyes. To Sheena’s You’re not safe here.

‘Or maybe Isla’s husband, Kenny Campbell, killed Lorne? I mean, it’s pretty coincidental that he died a few weeks later, right? Maybe he killed them both and the guilt was too much for him? Or what about Jimmy? I mean—’

Kelly brings the Range Rover to a squealing halt at an empty T-junction, and I shut up. Try to ignore the abrupt panic at my overexcitement; the sense of urgency I still feel in my chest. ‘Sorry. That was too much.’

Kelly turns to look at me, my flaming cheeks. ‘I get it. Wanting to know. Needing to know. I do.’ She shakes her head. ‘God, it’s just that … everything feels so weird all of a sudden, doesn’t it? I keep looking at Fraser and thinking of that poor wee boy alone all those years without even a headstone apart from that lie out at Long Stride, and it just – Christ, the one thing you can always rely on around here is that nothing ever happens. I used to think that was a bad thing.’

She turns on the windscreen wipers as rain starts coming down hard and fast, low cloud turning the moorland into sprinting shadows.

‘The police have been to North Uist to speak to Mum and Dad,’ she says, her voice suddenly different, not sounding like her at all any more. ‘Mum said a major crime unit from Inverness is taking over the investigation.’

I close my eyes, force myself not to say anything more, not to ask her about the police speaking to her parents. ‘And I’m banging on about suspects like I think I’m Poirot,’ I say instead. ‘I’m an insensitive shithead. I’m sorry.’