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Chapters (66)
  1. Cover
  2. ALSO BY JANET FOX
  3. Dedication
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. CHAPTER 42
  46. CHAPTER 43
  47. CHAPTER 44
  48. CHAPTER 45
  49. CHAPTER 46
  50. CHAPTER 47
  51. CHAPTER 48
  52. CHAPTER 49
  53. CHAPTER 50
  54. CHAPTER 51
  55. CHAPTER 52
  56. CHAPTER 53
  57. CHAPTER 54
  58. CHAPTER 55
  59. CHAPTER 56
  60. CHAPTER 57
  61. CHAPTER 58
  62. CHAPTER 59
  63. CHAPTER 60
  64. Acknowledgments
  65. About the Author
  66. What’s next onyour reading list?

Monsters. Frankenstein. The monsters chasing Isaac. And how he’d always felt about himself.

Amelie came to where Isaac stared absently out the window, and she looked past him. “What is that?” she whispered, pointing upward. “What is that?” She turned to Isaac. “Didn’t you say upstairs that you thought you saw a dragon?”

CHAPTER 40

Moloch

Moloch sits astride Wyvern as the dragon moves from treetop to treetop in this forest, his dragon wings stretched wide for balance. The trees sway with the storm that Moloch knows is not a natural storm but born out of primitive magic that resides inside the forest.

Primitive magic. Moloch knows—all fae know—there are older and more mysterious magics than even the fae. Magics that come out of the earth, from the burns and rills, from the stones and sea, from lichen and moss, magics that are older than anything that breathes. These magics were born when the universe was nothing but fiery-hot gas spinning in the void. These ancient magics are greater than any magic he or any other fae can perform—with or without artifacts—and Moloch bows to their power.

But he can use them, he thinks, and smiles his broken smile. He just has to find the right way.

Wyvern spits fire into the sleet that pelts him as Moloch takes a survey of the crumbling castle.

He feels the wards in the walls, but he’s sensing weakness in them. That primitive magic has breached the wards.

Moloch leaves Wyvern and circles the castle, searching. He pushes through the thorny brambles and clinging vines until he finds what he’s looking for.

There.

A small door lies ajar. It creaks, and Moloch steps into a tight hallway.

He waits for his eye to adjust to the darkness.

For a human, it would be a ghastly sight. For Moloch of the Unseelie fae, it is of interest. A horrific mechanical creature that might have once been human has cornered a small, cowering boy and a dog that barks and bares its teeth. The creature turns her peculiar head to stare at Moloch. She’s soaked from being outside in the storm, and her hands are fearsome pincers. She’s accompanied by a dire wolf.

She stretches the pincers toward Moloch, but with a simple wave of his hand, he freezes the creature and her dire wolf. The boy cries and calls out a name. Mumble. Or Crumble. The boy sees Moloch then and his eyes go wide and even more fearful, and he starts to back away. Moloch freezes him and his dog as well.

Moloch can sense that neither this small boy nor this mechanical creature is the Guardian.

What Moloch does next involves the simplest of the fae skills. Any faerie child could perform this trick. It is not entirely without risks, and it saps magic, making other ordinary tricks impossible. Still. Moloch can use this trick to spy.