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Chapters (66)
  1. Cover
  2. ALSO BY JANET FOX
  3. Dedication
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. CHAPTER 42
  46. CHAPTER 43
  47. CHAPTER 44
  48. CHAPTER 45
  49. CHAPTER 46
  50. CHAPTER 47
  51. CHAPTER 48
  52. CHAPTER 49
  53. CHAPTER 50
  54. CHAPTER 51
  55. CHAPTER 52
  56. CHAPTER 53
  57. CHAPTER 54
  58. CHAPTER 55
  59. CHAPTER 56
  60. CHAPTER 57
  61. CHAPTER 58
  62. CHAPTER 59
  63. CHAPTER 60
  64. Acknowledgments
  65. About the Author
  66. What’s next onyour reading list?

This entry was written in his father’s hand, and his father’s usually straightforward hand slanted as if he was betraying emotion. Isaac found the snow globe, and yes, it was charming. He smiled.

He could see his parents, and maybe even his grandfather, from time to time, even if only for a little while.

CHAPTER 59

The Wraith in London

Circa 1890

Tales tell of a creature—or numerous creatures—that roam the foggy streets of London during the waning decades of the nineteenth century.

Jack the Ripper. Spring-heeled Jack. The mad roving tiger. Ghosts and demons and glowing-eyed beasts. Wild tales from a city that is growing fast, that suffers thick pea-soup fogs, that is captivated by the wondrous findings of a certain Mr. Charles Darwin. The nineteenth century is a time that has spawned a collection of writers—Poe, Shelley, Stoker, Dickens, Stevenson—who pen some of the most frightening and fascinating stories written in the English language.

Perhaps that’s why a wraith can make its way through the city and then out, moving only at nighttime, wandering the countryside, ever traveling north. Perhaps that’s why this wraith survives, through the energy of grim nightmares and dark magic. Perhaps that’s why this wraith lives a very long time as it slinks ever closer to its great desire, drawn as it is, over and over, to a castle far north in Scotland.

This wraith has a skill for making, and it does so as it moves through the countryside. It makes small mechanical monsters that follow it like children follow the Pied Piper. They follow it north, from glade to glen to rocky burn, to a place that becomes known as “the place of the elves.”

Every so often a child wandering off by herself will hear a small noise and see something in the bracken. Something hunkering low, fearful, watchful, having a tiny hedgehog body with gigantic eyes and peculiar ears, or a bird body with baby-size cat legs. But no one can catch these little beasties, so the myths around them grow and become fanciful stories of elvish hybrids that were made by a wicked magician—whom some called magister—who has turned into a wraith.

A wraith who desires a tiny object, shiny and magical: the thimble that holds the soul of its beloved.

CHAPTER 60

The Artifact Hunters

1943 and Beyond

On a full-moon winter night in 1943, five children and one giant dog materialize in New York City’s Central Park on Gapstow Bridge, one by one, from thin air, with a soft whoosh. They stand silent for a moment, gathering their thoughts and making certain that their arrival has not been noticed. A black cat, who moments earlier was washing his paws on the bridge rail, slinks into the shadows and watches the strange children with unblinking eyes.