Chapters (66)
- Cover
- ALSO BY JANET FOX
- Dedication
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- Acknowledgments
- About the Author
- What’s next onyour reading list?
This entry was written in his father’s hand, and his father’s usually straightforward hand slanted as if he was betraying emotion. Isaac found the snow globe, and yes, it was charming. He smiled.
He could see his parents, and maybe even his grandfather, from time to time, even if only for a little while.
CHAPTER 59
The Wraith in London
Circa 1890
Tales tell of a creature—or numerous creatures—that roam the foggy streets of London during the waning decades of the nineteenth century.
Jack the Ripper. Spring-heeled Jack. The mad roving tiger. Ghosts and demons and glowing-eyed beasts. Wild tales from a city that is growing fast, that suffers thick pea-soup fogs, that is captivated by the wondrous findings of a certain Mr. Charles Darwin. The nineteenth century is a time that has spawned a collection of writers—Poe, Shelley, Stoker, Dickens, Stevenson—who pen some of the most frightening and fascinating stories written in the English language.
Perhaps that’s why a wraith can make its way through the city and then out, moving only at nighttime, wandering the countryside, ever traveling north. Perhaps that’s why this wraith survives, through the energy of grim nightmares and dark magic. Perhaps that’s why this wraith lives a very long time as it slinks ever closer to its great desire, drawn as it is, over and over, to a castle far north in Scotland.
This wraith has a skill for making, and it does so as it moves through the countryside. It makes small mechanical monsters that follow it like children follow the Pied Piper. They follow it north, from glade to glen to rocky burn, to a place that becomes known as “the place of the elves.”
Every so often a child wandering off by herself will hear a small noise and see something in the bracken. Something hunkering low, fearful, watchful, having a tiny hedgehog body with gigantic eyes and peculiar ears, or a bird body with baby-size cat legs. But no one can catch these little beasties, so the myths around them grow and become fanciful stories of elvish hybrids that were made by a wicked magician—whom some called magister—who has turned into a wraith.
A wraith who desires a tiny object, shiny and magical: the thimble that holds the soul of its beloved.
CHAPTER 60
The Artifact Hunters
1943 and Beyond
On a full-moon winter night in 1943, five children and one giant dog materialize in New York City’s Central Park on Gapstow Bridge, one by one, from thin air, with a soft whoosh. They stand silent for a moment, gathering their thoughts and making certain that their arrival has not been noticed. A black cat, who moments earlier was washing his paws on the bridge rail, slinks into the shadows and watches the strange children with unblinking eyes.