Chapters (66)
- Cover
- ALSO BY JANET FOX
- Dedication
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- CHAPTER 4
- CHAPTER 5
- CHAPTER 6
- CHAPTER 7
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- CHAPTER 14
- CHAPTER 15
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- Acknowledgments
- About the Author
- What’s next onyour reading list?
When Isaac took the wraith away through time and space, something changed. The powerful old magic that the wraith brought to Rookskill is beginning to fade. The creature on the floor has started falling to pieces, the vines have begun to wither and retreat, and even Daemon steps back as if he wants to slink away.
Enough, then.
Moloch raises his arms and calls on all fae magic. He’s been holding back, but he’s done with half measures. He’ll murder them all, any who get in his way, whether human or fae.
He’ll harvest their souls. Go full sluagh. He grins, his face twisting.
Becoming one with the Unseelie, forever a dark fae, forever harvesting human souls and preying on misery—becoming a true sluagh—requires a sacrifice. He pulls out a small knife made of glass.
Standing in this ancient castle with the magic that permeates the very stones, Moloch summons the most evil powers in the universe with a spell.
First he pierces his wrist and his fae blood drips onto the floor, hissing like acid. Then he raises the knife and cuts his face, a cut across his cheek to mirror the scar on the other side, and again his fae blood drips.
He is no longer a Seelie fae from any angle.
Moloch’s skin tightens; his wings grow larger. His heart shrinks and becomes hard, his remaining eye turns blood-red, his teeth sharpen to points. He was frightening before; he is terrifying now.
He wants humans and the Seelie to suffer.
As he says the last words of the spell, the room grows black as pitch and the wind whines through cracks and window jambs. The wraith’s creature on the floor stirs, Daemon perks up, and the forest resumes its assault.
Moloch grows huge, terrible, a dread being.
With Daemon padding behind, Moloch strides through the castle toward the great front door, pushing aside the forest as he goes, his footsteps thundering against the stone.
Just as he reaches the door, Moloch catches from the corner of his eye the glint of gold, and he finds his way into what had been a library. A golden man is stuck in a spell, still alive, though as solid as can be and entirely covered by vines and leaves and forest litter.
Well, well.
He’s part of this castle and that’s enough for Moloch, who waves his hand, muttering a spell.
The golden man doesn’t change outwardly, but Moloch knows he’ll never be the same, and he grins, a lopsided, warped, sharp-toothed grimace as the fresh blood on his cheek still drips. When all is finished, Moloch will come back and release this new monster, with some added embellishments, into the human world.
He turns and goes outside and calls through the storm to Wyvern, who gives an answering bellow and blast of fire.
CHAPTER 55
Isaac
1942