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Contents (55)
  1. Suite Scarlett
  2. ACT I
  3. A PARTY BEST AVOIDED
  4. SINK, SANK, SUNK
  5. THE GOOD SHIP REALITY HAS DOCKED
  6. THE GOOD BURN
  7. A GUEST ARRIVES
  8. THE STAR
  9. LUNCH DATE
  10. THE SCENE PARTNER
  11. ONE BIG, HAPPY FAMILY
  12. THE DAY OF RECKONING
  13. THE SHORT ARM OF THE LAW
  14. DEAL OF A LIFETIME
  15. ACT II
  16. THE INHABITANT
  17. A MINOR PROBLEM
  18. THE RISKS OF BEING LUCKY
  19. A SPY IN THE HOUSE OF DENMARK
  20. THE GURU
  21. THE OTHER FAMOUS WHITEHOUSE
  22. THE EXCITING LIVES OF NEW YORKERS, REVEALED
  23. THE PLAY’S THE THING TO CATCH THE KING
  24. PERFORMANCE
  25. THE HEART OF THE EMPIRE
  26. THE NEW SPACE
  27. CRACKS
  28. LOLA SEES A DINOSAUR
  29. CELEBRATION
  30. THE IMPOSSIBLE BREAK
  31. ACT III
  32. PUNCH IN A VELVET GLOVE
  33. THAT IS THE QUESTION
  34. THE LONELIEST GIRL IN NEW YORK
  35. A PLAN UNFURLS
  36. MISS CALCULATIONS
  37. THE IMPORTANCE OF TOWELS
  38. A COZY DINNER
  39. SOMETHING IS ROTTEN IN DENMARK
  40. COMBUSTION
  41. ACT IV
  42. DESPERATE TIMES
  43. THE FINAL BATTLE
  44. FAMILY BONDING
  45. THE PLAYERS ARRIVE
  46. MEANWHILE, IN DENMARK…
  47. THE GREATEST SHOW THAT NEVER WAS
  48. THE THING IN THE BOX
  49. THE GIRL IN THE MOON
  50. ACKNOWLEDGMENTS
  51. About the Author
  52. Scarlett Fever
  53. SEQUEL TO Suite Scarlett
  54. ACT I
  55. To Do List: Read all the Point books!

Scarlett walked back down the hall slowly, pausing by the elevator bank. All she had to do was hit the button and she could get away from this mess.

Sit there and look clueless, she said to herself.

Maybe she could play a completely clueless person. She had typed and written part of the script, so at least she sort of knew it. If she forced herself back into that room…this was a chance to impress Eric unlike any other.

At the very least, she had to go down and let Spencer and Eric know what was going on. She let herself back into the studio, where they were discussing how to stage the scene.

“Mrs. Amberson is leaving,” she said. “She has this stupid idea that I should play the girl, but…”

“Why not?” Eric said. “We need another person.”

Spencer looked less sure, and looked like he was about to say something to that effect when there was a buzz at the door.

“Showtime,” he said, clapping her on the back. “Guess you’re in.”

THE HEART OF THE EMPIRE

Donna Spendler didn’t look very vicious standing there on the threshold of the studio. She looked a bit older than Mrs. Amberson. Her hair was shoulder-length, perfectly coiffed. It had long gone gray, but she had had it colored so that it was a glistening silver, with many highlights and tones.

Spencer ushered her in, looking every inch the assistant.

“I was surprised to get your call,” she said. “Pleasantly so. And you caught me just at the perfect time.”

“Glad to hear it,” Eric said coolly. He stood and extended his hand. “I’m Paul, the casting director.”

That was his agreed-upon name. Spencer (who had gleefully renamed himself Dick) extended his hand. Scarlett quickly chose the name Tara.

“Did you get the sides we messengered over to your agent?” Spencer said.

Sides, Scarlett reminded herself. The script pages were called sides.

“Right here,” Donna said. “I read them in the cab on the way over, so I’m still a little green.”

“No worries. We can go through it a few times before we roll.”

“Is it just the three of you?” Donna asked.

“There are a lot more of us,” Eric said, pointing to the unconnected, dead video camera. “Video feed to LA. They’ll be about ten or fifteen people watching on the west coast.”

God, he was good. Scarlett’s only hope now was that her computer didn’t start belching smoke or just explode for good measure.

“We’re just going to read through it first,” Spencer said, throwing Scarlett a quick look to see how she was coping.

The reading was easy enough, even though Scarlett didn’t sound remotely like an actress. She was, however, a natural at the “sitting and looking clueless” part. There was a bit of a snag when they got to the part where the girl was supposed to start crying hysterically. Scarlett couldn’t make herself cry. The only person she knew who could do that was Ashley Wallace at school, and Ashley was a well-known psychopath. At that part in the script, Scarlett just slapped her hand over her eyes to represent crying.