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Contents (55)
  1. Suite Scarlett
  2. ACT I
  3. A PARTY BEST AVOIDED
  4. SINK, SANK, SUNK
  5. THE GOOD SHIP REALITY HAS DOCKED
  6. THE GOOD BURN
  7. A GUEST ARRIVES
  8. THE STAR
  9. LUNCH DATE
  10. THE SCENE PARTNER
  11. ONE BIG, HAPPY FAMILY
  12. THE DAY OF RECKONING
  13. THE SHORT ARM OF THE LAW
  14. DEAL OF A LIFETIME
  15. ACT II
  16. THE INHABITANT
  17. A MINOR PROBLEM
  18. THE RISKS OF BEING LUCKY
  19. A SPY IN THE HOUSE OF DENMARK
  20. THE GURU
  21. THE OTHER FAMOUS WHITEHOUSE
  22. THE EXCITING LIVES OF NEW YORKERS, REVEALED
  23. THE PLAY’S THE THING TO CATCH THE KING
  24. PERFORMANCE
  25. THE HEART OF THE EMPIRE
  26. THE NEW SPACE
  27. CRACKS
  28. LOLA SEES A DINOSAUR
  29. CELEBRATION
  30. THE IMPOSSIBLE BREAK
  31. ACT III
  32. PUNCH IN A VELVET GLOVE
  33. THAT IS THE QUESTION
  34. THE LONELIEST GIRL IN NEW YORK
  35. A PLAN UNFURLS
  36. MISS CALCULATIONS
  37. THE IMPORTANCE OF TOWELS
  38. A COZY DINNER
  39. SOMETHING IS ROTTEN IN DENMARK
  40. COMBUSTION
  41. ACT IV
  42. DESPERATE TIMES
  43. THE FINAL BATTLE
  44. FAMILY BONDING
  45. THE PLAYERS ARRIVE
  46. MEANWHILE, IN DENMARK…
  47. THE GREATEST SHOW THAT NEVER WAS
  48. THE THING IN THE BOX
  49. THE GIRL IN THE MOON
  50. ACKNOWLEDGMENTS
  51. About the Author
  52. Scarlett Fever
  53. SEQUEL TO Suite Scarlett
  54. ACT I
  55. To Do List: Read all the Point books!

“They’re…okay,” she admitted. “I guess.”

“What do you mean okay? I lock you together in a romantic theater, throw a party, distract your brother while you make your escape…I’ve practically sent the two of you out to sea in a tiny rowboat. What could possibly be the problem?”

She was, as Scarlett had suspected, already aware of the general situation.

“I don’t know what’s going on,” she said. “With him, with Spencer…”

“Give me the details. And don’t be precious. I can’t help you unless you give me all the facts.”

So, Scarlett told the story. All of it. Mrs. Amberson listened intently. When Scarlett was finished, she snapped her cigarette case open and shut a few times.

“I understand completely,” she said. “It all makes complete sense.”

“It does?”

“Let’s start with Spencer,” she said. “He’s upset for two reasons, a superficial one and a deeper one. The first I am sure you have already guessed. He’s afraid that you might break up, because then he’ll have to hate Eric. Working on the show becomes difficult. The deeper reason, the real reason, is that he’s jealous.”

“Jealous of what?” Scarlett asked.

“I watch your brother on stage every day. When he does something, do you know who he looks to? Not me. Not Trevor. Not that poor girl who’s been slogging around after him for a week. You are his audience, Scarlett. Out of everyone in the room, it’s your opinion that matters most. If you laugh, if you are impressed, that counts more than anything I could say. But now you are paying more attention to his partner. Someone else is going to know your secrets first. Someone else will be sharing the inside jokes. And this is very, very annoying.”

This all sounded weirdly right.

“He’s probably not even aware of where his feelings are coming from,” she went on. “But things have to change between you sometime. He’ll move out. You’ll go to college. Someone or something will get in the way. Don’t fight the change, just deal with it.”

“I’m trying to. But he’ll barely talk to me, not like normal.”

“We’ll move on to Eric,” she said. “It all ties in together. They’re both actors, and I know actors. That’s one subject I’ve covered in depth. Believe me.”

She trailed off here and began playing with her lighter and failing. It clicked and spluttered as she tried to light her cigarette. Scarlett watched her, hypnotized, until she finally got it lit and took a long drag.

“An eighteen-year-old actor is a dangerous thing. Especially in New York. They’re hungrier than you can possibly imagine. They work very hard to be liked. Eric is no exception.”

“He’s Southern,” Scarlett offered in his defense.

“Being Southern is his gimmick. That’s not a bad thing—all actors have a gimmick. It doesn’t change the basic profile. You see, a lot of actors think in order to be appealing, they must seem to be available to anyone and everyone. Their lives are one long flirtation. It’s not because they are bad people—it’s because they want to work.”