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Contents (55)
  1. Suite Scarlett
  2. ACT I
  3. A PARTY BEST AVOIDED
  4. SINK, SANK, SUNK
  5. THE GOOD SHIP REALITY HAS DOCKED
  6. THE GOOD BURN
  7. A GUEST ARRIVES
  8. THE STAR
  9. LUNCH DATE
  10. THE SCENE PARTNER
  11. ONE BIG, HAPPY FAMILY
  12. THE DAY OF RECKONING
  13. THE SHORT ARM OF THE LAW
  14. DEAL OF A LIFETIME
  15. ACT II
  16. THE INHABITANT
  17. A MINOR PROBLEM
  18. THE RISKS OF BEING LUCKY
  19. A SPY IN THE HOUSE OF DENMARK
  20. THE GURU
  21. THE OTHER FAMOUS WHITEHOUSE
  22. THE EXCITING LIVES OF NEW YORKERS, REVEALED
  23. THE PLAY’S THE THING TO CATCH THE KING
  24. PERFORMANCE
  25. THE HEART OF THE EMPIRE
  26. THE NEW SPACE
  27. CRACKS
  28. LOLA SEES A DINOSAUR
  29. CELEBRATION
  30. THE IMPOSSIBLE BREAK
  31. ACT III
  32. PUNCH IN A VELVET GLOVE
  33. THAT IS THE QUESTION
  34. THE LONELIEST GIRL IN NEW YORK
  35. A PLAN UNFURLS
  36. MISS CALCULATIONS
  37. THE IMPORTANCE OF TOWELS
  38. A COZY DINNER
  39. SOMETHING IS ROTTEN IN DENMARK
  40. COMBUSTION
  41. ACT IV
  42. DESPERATE TIMES
  43. THE FINAL BATTLE
  44. FAMILY BONDING
  45. THE PLAYERS ARRIVE
  46. MEANWHILE, IN DENMARK…
  47. THE GREATEST SHOW THAT NEVER WAS
  48. THE THING IN THE BOX
  49. THE GIRL IN THE MOON
  50. ACKNOWLEDGMENTS
  51. About the Author
  52. Scarlett Fever
  53. SEQUEL TO Suite Scarlett
  54. ACT I
  55. To Do List: Read all the Point books!

So very, very boring. Everything was boring.

Scarlett listened to the distant droning on about shirts and stared at the screen. Nothing was coming to her now—nothing but thoughts about shirts. She put on her headphones to block it out.

A few minutes later, Lola returned to their room, wrapped in her silky, pink knee-length robe. She sat down on her bed primly, knees tucked together, and stared at her dresser. She cocked her head slightly, following its angle. One of the legs had come off years ago and been replaced by one that was a centimeter or two too short.

She let out a light, airy sigh. Lola was often like this when she finished talking to Chip. Not exactly sad, but not brimming with excitement, either. Tonight, she seemed a bit more pensive than usual. She picked up her brush and stroked her hair slowly.

“Problem?” Scarlett asked.

“Something’s come up tomorrow,” Lola said. “I have to go somewhere with Chip. But I’m supposed to be taking Marlene to an event in the morning.”

“Oh,” Scarlett said sympathetically. Marlene was strictly Lola’s job, because Marlene pretty much refused to go anywhere with anyone else.

“I was wondering if you could do it, since you’re not…well, working. And it won’t take long.”

“Me?” Scarlett gasped.

“Well…”

“Don’t you, um, have work?”

“I took off,” Lola said. “Or, I will in the morning. I’ll call in sick. She really likes going places with you. She just doesn’t know how to show it.”

Scarlett leveled a look at her sister that could have penetrated a cement barricade.

“It’s really not that bad,” Lola said. “Honest. I won’t forget this. I will owe you, and you know I’m good for it.”

Lola was actually good for these kinds of things. She very much operated on the system of doing and returning favors. Her credit was impeccable. That wasn’t the problem. The problem was Marlene would burst a blood vessel. She would scream and howl and make all their lives a misery.

Before Scarlett could point out this incredibly obvious fact, there was a rapid knock on the door. After a short decency pause, Spencer let himself in without preamble. He went airborne and landed hard on Scarlett’s bed, causing her frail computer to bounce. She grabbed and stabilized it before it exploded into its component parts.

“I have news,” he said. “Remember how I told you that I was going to call everyone I knew? It turns out that one of my friends from school knows these people who are doing Hamlet. One of their cast members just got cast in a touring company of Mamma Mia, like, yesterday. So he’s leaving, and they called me to come in and read for the part.”

“Spence,” Scarlett said. “That’s amazing! You’re going to be Hamlet!”

“Well, not Hamlet. I’m up for Guildenstern, one of Hamlet’s guys—and also one of what the script calls two clowns, who are actually unfunny gravediggers. Here’s the thing, though. This isn’t just a straight-up Hamlet, it’s kind of like a carnival. It’s the happy Hamlet. Until everyone dies, including the guy I would play. But until we bite it, we basically run around like idiots through the whole show.”