Back Straight Shot Save as PDF
Chapters (70)
  1. Dedication
  2. Chapter One
  3. Chapter Two
  4. Chapter Three
  5. Chapter Four
  6. Chapter Five
  7. Chapter Six
  8. Chapter Seven
  9. Chapter Eight
  10. Chapter Nine
  11. Chapter Ten
  12. Chapter Eleven
  13. Chapter Twelve
  14. Chapter Thirteen
  15. Chapter Fourteen
  16. Chapter Fifteen
  17. Chapter Sixteen
  18. Chapter Seventeen
  19. Chapter Eighteen
  20. Chapter Nineteen
  21. Chapter Twenty
  22. Chapter Twenty-One
  23. Chapter Twenty-Two
  24. Chapter Twenty-Three
  25. Chapter Twenty-Four
  26. Chapter Twenty-Five
  27. Chapter Twenty-Six
  28. Chapter Twenty-Seven
  29. Chapter Twenty-Eight
  30. Chapter Twenty-Nine
  31. Chapter Thirty
  32. Chapter Thirty-One
  33. Chapter Thirty-Two
  34. Chapter Thirty-Three
  35. Chapter Thirty-Four
  36. Chapter Thirty-Five
  37. Chapter Thirty-Six
  38. Chapter Thirty-Seven
  39. Chapter Thirty-Eight
  40. Chapter Thirty-Nine
  41. Chapter Forty
  42. Chapter Forty-One
  43. Chapter Forty-Two
  44. Chapter Forty-Three
  45. Chapter Forty-Four
  46. Chapter Forty-Five
  47. Chapter Forty-Six
  48. Chapter Forty-Seven
  49. Chapter Forty-Eight
  50. Chapter Forty-Nine
  51. Chapter Fifty
  52. Chapter Fifty-One
  53. Chapter Fifty-Two
  54. Chapter Fifty-Three
  55. Chapter Fifty-Four
  56. Chapter Fifty-Five
  57. Chapter Fifty-Six
  58. Chapter Fifty-Seven
  59. Chapter Fifty-Eight
  60. Chapter Fifty-Nine
  61. Chapter Sixty
  62. Chapter Sixty-One
  63. Chapter Sixty-Two
  64. Chapter Sixty-Three
  65. Chapter Sixty-Four
  66. An Extract from Breacher
  67. Chapter One
  68. Also by Jack Lively
  69. GET A FREE NOVELLA
  70. Enjoy this book?

The new tunnel curved round in a bend. I could make out a light outlining a silhouette. I ran up to Miriam and tapped her shoulder. She looked at me quickly and gestured forward. About ten yards down, through the gloom, I could make out another light source. Looked like it was on the ground, which might mean that Miriam had hit her target.

I ran down the tunnel, bent at the waist. Weapon up and ready. I approached the shape of a person, sprawled out on the tunnel floor. It was a guy. He was alive. He was trying to figure out what had happened to him. What had happened was a tight pattern of 9mm parabelum rounds stitching up from the belly to the chest. A Glock 17 lay by his hip. I kicked it away. He looked up at me in confusion. I thumbed for single and put a round into his face, then flipped back to triple burst. I picked up his flashlight. Two strips of duct tape torn off my tactical vest secured the light to my gun. Better.

Miriam was right behind me. I turned and gently pushed her against the wall. Spoke quietly, with respect. “Don’t do that again.”

“Do what?”

“Run away without me. That was dangerous.”

A man’s voice called out questioningly, from up ahead around a curve, “Sam?”

I switched off the light and crab-walked towards the voice. Looked back and Miriam had done the same. She was just off my right shoulder. The guy called out again, “Sami, you ok?” The tunnel turned slightly and the guy was visible, standing at a door, half open to a dimly lit room. Low lighting for a room, bright as day in a cave. Beginning at the other side of that door, the tunnel was lit with wall sconces distributed down its length.

The guy was a silhouette in the doorway. “Sami, stop fucking around.”

From behind him there was laughter. Another male said, “Look at this.”

To which a third guy responded, “You’re an idiot.”

The first guy was still looking into the dark for his friend. I raised the pitch of my voice some and said, “Come here.”

The guy took a step. “Sami?”

Soon as he stepped out of the door I put three rounds into his chest.

I was there before he hit the ground, guiding the body down. I stepped over him, and into the doorway. The room looked like a computer graphics studio, but carved out of solid limestone. Desks lined three walls, with big screens and discreet lighting drawing attention to the stone walls, like some form of interior decoration. These guys were artistic types, sensitive to the way things looked.