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Contents ( 107)
  1. STAR WAKA
  2. STAR WAKA
  3. CONTENTS
  4. Note
  5. He karakia timatanga
  6. i
  7. ii
  8. iii About some of the crew
  9. iv 2140AD
  10. v Honda Waka
  11. vi Feelings
  12. vii Reconnaissance
  13. viii No
  14. ix
  15. x Goldie (1)
  16. xi
  17. xii Independence Day
  18. xiii Rough Cuts
  19. xiv Ka huri ahau ki te reo o te ao pouri
  20. xv Sullivan Whanau
  21. Waka 16 Kua wheturangitia koe
  22. xvii Some definitions and a note on orthography
  23. xviii Similitude
  24. xix
  25. xx a whakapapa construction
  26. xxi Te ao marama I
  27. xxii Te ao marama II
  28. xxiii Formats (1)
  29. xxiv Formats (2)
  30. xxv power/powerlessness
  31. xxvi
  32. xxvii
  33. xxviii Hooked
  34. Waka 29 waka taua
  35. xxx
  36. xxxi
  37. xxxii herenga waka
  38. xxxiii
  39. xxxiv Goldie (2)
  40. xxxv
  41. xxxvi
  42. 37
  43. 38 fleurs de lis
  44. 39 A wave
  45. 40
  46. 41
  47. 42
  48. 43
  49. 44
  50. 45
  51. 46
  52. 47
  53. 48 (Bright 1)
  54. 49 (environment 1)
  55. 50
  56. 51
  57. 52
  58. 53
  59. 54 waka rorohiko
  60. 55 Araiteuru
  61. Waka 56 A Double-Hulled Waka
  62. Waka 57 El Nino Waka
  63. Waka 58 Waitangi Day
  64. Waka 59 Elsdon Best
  65. Waka 60 Dead Reckoning
  66. Waka 61 Fragment
  67. Waka 62 A narrator’s note
  68. Waka 63 Venus
  69. Waka 64
  70. Waka 65
  71. Waka 66 Hokule‘a
  72. Waka 67 from We the Navigators
  73. Waka 68
  74. Waka 69 Kupe
  75. Waka 70
  76. Waka 71
  77. Waka 72 Hawaikinui’s 1985 journey
  78. Waka 73 Gone fishing
  79. Waka 74 Sea anchor
  80. Waka 75 A storm
  81. Waka 76
  82. Waka 77
  83. Waka 78 An historical line
  84. Waka 79
  85. Waka 80
  86. Waka 81 A cup of tea
  87. Waka 82 Te ao marama III
  88. Waka 83
  89. Waka 84
  90. Waka 85
  91. Waka 86
  92. Waka 87
  93. Waka 88
  94. Waka 89
  95. Waka 90 Te ao marama IV
  96. Waka 91 A Feast
  97. Waka 92
  98. Waka 93
  99. Waka 94
  100. Waka 95
  101. Waka 96
  102. Waka 97
  103. Waka 98
  104. Waka 99
  105. Waka 100
  106. Also by Robert Sullivan
  107. Copyright

painter. He still takes the rap

for The Arrival of the Maoris –

in the current exhibition at the Heritage Gallery

that piece is placed with his French paintings,

partly so that it is separated

from the Maori portraits.

The ancestors in the portraits

look grim, with few exceptions.

The ones in Arrival

look destitute. I cannot speak

as a direct descendant

of a Goldie subject,

as my ancestors were depicted

by Lindauer.

xxxv

to discover an island must be amazing

new resources – water, timber, land –

the claim of discovery when you return home

you’d really put on your glad rags

so this thing about the unhappy crews

who shipwreck by chance

doesn’t make sense does it?

how did they procreate if it wasn’t deliberate?

it’s a gender issue I realise

xxxvi

the introduction of large

European ships to New Zealand waters

made quite an impact

ballistical even

yet we must think

about the hardy voyagers

life in Europe was no pleasure cruise

they must have had desperate

existences back home

I acknowledge their bravery

to sail over the edge of the world

into Hades

the infernal Greek and Latin-ness

of many headed creatures

sirens to put them on the lips

of story-tellers

they must have never considered

for a second that they would return

37

your majesty

arikinui

taumata

etcetera

we have sighted them

who?

we have seen them

again

and

again

running around

on their waka

different people

who runs on a waka?

have you lost your heads?

gone porangi?

esteemed one

here they come

38 fleurs de lis

do not be afraid –

I have seen them too

Tangaroa has delivered a dish

a top-heavy banquet

plying our waves

a European maitre’d

our omniscient descendants

will liken them to gingerbread

which we will snap while they

sit on our backs

ooh la la

39 A wave

On the NativeNet email discussion list

someone listed the atrocities

committed after Columbus.

five hundred years later

and the Papal Bull that begat them

on vellum still stands.

Men women and children

were spiked in His name.

This nauseating wave

splashes today –

nations only traceable

by their DNA –

justice in mixed

blood.

40

I imagine my friend walking on reservation land

near the Great Lakes

of South-West Ontario

ice in Winter driving the roar

of Spring

and the Summer’s day

before the sun

reaches Autumn and thoughts

of eternal Summer inside

are learnt lines

enthusiasm for words again

in her presence

and in her absence

lines singing of a free life

there

41

cutting across Grey Lynn Park

with the open scars of collapsed storm drains

warning signs great sheets of iron

across the struggling earth

I find fields on the far side

it is moving

I am moved by the space

in the city

(our backyard is so small)

am forced to think of nature

the changing course (Sonnet xviii)

I think above all of Canada

and oceanic fields

42

Into the new age the waka glides