Contents ( 107)
- STAR WAKA
- STAR WAKA
- CONTENTS
- Note
- He karakia timatanga
- i
- ii
- iii About some of the crew
- iv 2140AD
- v Honda Waka
- vi Feelings
- vii Reconnaissance
- viii No
- ix
- x Goldie (1)
- xi
- xii Independence Day
- xiii Rough Cuts
- xiv Ka huri ahau ki te reo o te ao pouri
- xv Sullivan Whanau
- Waka 16 Kua wheturangitia koe
- xvii Some definitions and a note on orthography
- xviii Similitude
- xix
- xx a whakapapa construction
- xxi Te ao marama I
- xxii Te ao marama II
- xxiii Formats (1)
- xxiv Formats (2)
- xxv power/powerlessness
- xxvi
- xxvii
- xxviii Hooked
- Waka 29 waka taua
- xxx
- xxxi
- xxxii herenga waka
- xxxiii
- xxxiv Goldie (2)
- xxxv
- xxxvi
- 37
- 38 fleurs de lis
- 39 A wave
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48 (Bright 1)
- 49 (environment 1)
- 50
- 51
- 52
- 53
- 54 waka rorohiko
- 55 Araiteuru
- Waka 56 A Double-Hulled Waka
- Waka 57 El Nino Waka
- Waka 58 Waitangi Day
- Waka 59 Elsdon Best
- Waka 60 Dead Reckoning
- Waka 61 Fragment
- Waka 62 A narrator’s note
- Waka 63 Venus
- Waka 64
- Waka 65
- Waka 66 Hokule‘a
- Waka 67 from We the Navigators
- Waka 68
- Waka 69 Kupe
- Waka 70
- Waka 71
- Waka 72 Hawaikinui’s 1985 journey
- Waka 73 Gone fishing
- Waka 74 Sea anchor
- Waka 75 A storm
- Waka 76
- Waka 77
- Waka 78 An historical line
- Waka 79
- Waka 80
- Waka 81 A cup of tea
- Waka 82 Te ao marama III
- Waka 83
- Waka 84
- Waka 85
- Waka 86
- Waka 87
- Waka 88
- Waka 89
- Waka 90 Te ao marama IV
- Waka 91 A Feast
- Waka 92
- Waka 93
- Waka 94
- Waka 95
- Waka 96
- Waka 97
- Waka 98
- Waka 99
- Waka 100
- Also by Robert Sullivan
- Copyright
through halls of mirrors
past the birthplace Rangiatea
across waves of blood – Mau,
takata Maoli, sovereignty
buried in the franchise contracts – oh
we are peoples united by more
than genes, by more than the tongues
of our ancestors reciting names
of great ones, we are united
by culture, by the psyche
of our cultures, our closeness
even in this age turned
against the sacred
43
The South Pacific Forum met recently in Rarotonga.
CHOGM meets soon – they’ve readmitted Fiji.
The powerful and the powerless
across (internationally) and vertically (internally).
Power is on show in Polynesia regularly.
44
the Polynesian branch of the Austronesian
languages has a common parent
Proto-Polynesian
which features a decimal number system
and a large list of words still found
throughout Polynesia
Captain Cook had Tupaia, a Tahitian interpreter
aboard who communicated with the tangata
whenua
Kateri says Hawaiians understand Maori
just think of the geography
we reached South America
because kumara, our staple root crop, is from there
perhaps Hawaiians commuted to America – what
given the Polynesian track record –
could have stopped them?
how did we do it? don’t we indicate the depth
of our guardianship by travelling
to Japan to retrieve original kumara stocks
from scientists just recently, this decade,
to ensure our intellectual
property (the root strain)
and diversity (biological)
are maintained?
45
the ingredients of the story –
a fantasy palace like the Civic
filled with dreams
and a winking ceiling
a dome to navigate the heavens by
imagine in 1929 414 elephants monkeys
salamanders proscenium arches
lions minarets according
to Jonathan Dennis’s guest
(it is true I have seen it)
dancers clothed only in gilt paint
people were conceived in the Civic
what drove the architects to this
ornamented grandeur?
The greatest theatre in the dominion …
A national institution …
Its brothers and sisters called the Regent,
St James, the Embassy, or simply
dead. The Auckland City Council will restore it,
but ‘mask’ the proscenium arch, the winged globe,
the winking lions. What kind of vandals are they?
They will restore it as a theatre for musicals –
but it’s a cinema! A waka is a vehicle for navigators,
a pitched symbol of the genius of our people,
its physical representatives held in glory.
Auckland doesn’t deserve the Civic.
46
it is feasible that we will enter
space
colonise planets call our spacecraft waka
perhaps name them after the first fleet
erect marae transport carvers renew stories
with celestial import
establish new forms of verse
free ourselves of the need for politics
and concentrate on beauty
like the release from gravity
orbit an image until it is absorbed
through the layers of skin
spin it
sniff and stroke the object
become poetic
oh to be in that generation
to write in freefall picking up the tools
our culture has given us
and to let them go again
knowing they won’t hit anyone
just stay up there
no longer subject to peculiarities
of climate the political economies