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Contents ( 107)
  1. STAR WAKA
  2. STAR WAKA
  3. CONTENTS
  4. Note
  5. He karakia timatanga
  6. i
  7. ii
  8. iii About some of the crew
  9. iv 2140AD
  10. v Honda Waka
  11. vi Feelings
  12. vii Reconnaissance
  13. viii No
  14. ix
  15. x Goldie (1)
  16. xi
  17. xii Independence Day
  18. xiii Rough Cuts
  19. xiv Ka huri ahau ki te reo o te ao pouri
  20. xv Sullivan Whanau
  21. Waka 16 Kua wheturangitia koe
  22. xvii Some definitions and a note on orthography
  23. xviii Similitude
  24. xix
  25. xx a whakapapa construction
  26. xxi Te ao marama I
  27. xxii Te ao marama II
  28. xxiii Formats (1)
  29. xxiv Formats (2)
  30. xxv power/powerlessness
  31. xxvi
  32. xxvii
  33. xxviii Hooked
  34. Waka 29 waka taua
  35. xxx
  36. xxxi
  37. xxxii herenga waka
  38. xxxiii
  39. xxxiv Goldie (2)
  40. xxxv
  41. xxxvi
  42. 37
  43. 38 fleurs de lis
  44. 39 A wave
  45. 40
  46. 41
  47. 42
  48. 43
  49. 44
  50. 45
  51. 46
  52. 47
  53. 48 (Bright 1)
  54. 49 (environment 1)
  55. 50
  56. 51
  57. 52
  58. 53
  59. 54 waka rorohiko
  60. 55 Araiteuru
  61. Waka 56 A Double-Hulled Waka
  62. Waka 57 El Nino Waka
  63. Waka 58 Waitangi Day
  64. Waka 59 Elsdon Best
  65. Waka 60 Dead Reckoning
  66. Waka 61 Fragment
  67. Waka 62 A narrator’s note
  68. Waka 63 Venus
  69. Waka 64
  70. Waka 65
  71. Waka 66 Hokule‘a
  72. Waka 67 from We the Navigators
  73. Waka 68
  74. Waka 69 Kupe
  75. Waka 70
  76. Waka 71
  77. Waka 72 Hawaikinui’s 1985 journey
  78. Waka 73 Gone fishing
  79. Waka 74 Sea anchor
  80. Waka 75 A storm
  81. Waka 76
  82. Waka 77
  83. Waka 78 An historical line
  84. Waka 79
  85. Waka 80
  86. Waka 81 A cup of tea
  87. Waka 82 Te ao marama III
  88. Waka 83
  89. Waka 84
  90. Waka 85
  91. Waka 86
  92. Waka 87
  93. Waka 88
  94. Waka 89
  95. Waka 90 Te ao marama IV
  96. Waka 91 A Feast
  97. Waka 92
  98. Waka 93
  99. Waka 94
  100. Waka 95
  101. Waka 96
  102. Waka 97
  103. Waka 98
  104. Waka 99
  105. Waka 100
  106. Also by Robert Sullivan
  107. Copyright

he takes notes about. He tries to hit the right ones

every time he speaks about them – he does his best

to compliment and complement their abilities,

the way they looked and what they looked at.

Sometimes a few cracks appear in the waka:

someone was a murderer, or someone was not all

that they seemed. To the interested, cracks appear on

the same scale, are worthy of same judgement.

To hide these judgements in little letters is their fate.

iv 2140AD

Waka reaches for stars – mission control clears us for launch

and we are off to check the guidance system

personally. Some gods are Greek to us Polynesians,

who have lost touch with the Aryan mythology,

but we recognise ours and others – Ranginui and his cloak,

and those of us who have seen Fantasia know Diana

and the host of beautiful satyrs and fauns.

We are off to consult with the top boss,

to ask for sovereignty and how to get this

from policy into action back home.

Just then the rocket runs out of fuel –

we didn’t have enough cash for a full tank –

so we drift into an orbit we cannot escape from

until a police escort vessel tows us back

and fines us the equivalent of the fiscal envelope

signed a hundred and fifty years ago.

They confiscate the rocket ship, the only thing

all the iwi agreed to purchase with the last down payment.

v Honda Waka

Today I surrendered the life

of my Honda City

to a wrecker in Penrose for $30.

I bought it seven years ago for $6000.

It has rust in the lower sills,

rust around the side windows –

on the WOF inspection sheet it says:

‘this car has bad and a lot of rust …’

That car took me to Uncle Pat’s tangi in Bluff.

We stopped and gazed at Moeraki,

the dream sky, on the way.

A friend followed us in it on the way

to National Women’s for Temuera’s birth

(we were in her huge Citroen).

We went to Otaki, and Wellington,

in the Honda to visit family.

The Honda took me to Library School

perched next to Victoria Uni.

I drove Grandad across the creek in the Honda

at night after the family reunion bash.

Temuera’s first car seat was in the Honda.

That Honda has seen a high percentage

of my poetry.

Now I have left it behind.

vi Feelings

Shooting pains, or are they growing,

how does one enumerate and describe

a feeling? – should one resort to the military

analogy as outlined in Colonel Bridge’s

journal (there he goes again, referring

to the massacre as if he doesn’t talk about it

enough – let the event lie boy, don’t bore

the reader with the petty tale – it’s all

in the Turnbull Library anyway, I’m sure

they’d want to read it when they’re in

the mood) OR SHOULD ONE TELL

THE TRUTH IN CAPITAL LETTERS

(cut it sic) or should one concentrate