Chapters (60)
- Cover
- Some Ether
- Some Ether
- Copyright
- Acknowledgments
- Dedication
- I
- Bag of Mice
- Fragment (found inside my mother)
- The Captain Asks for a Show of Hands
- You Ask How
- 1967
- Trickology
- The Visible Woman
- And Then, And Then
- My Mother Contemplating Her Gun
- Ago
- Radio Thin Air
- Sudden
- Emptying Town
- II
- Angelization
- Cartoon Physics, part 1
- Memento Mori
- Flood
- Flashback
- No Map
- Wild with Dandelions & Roses
- Other Meaning
- The Robot Moves!
- How Do You Know You’re Missing Anything?
- III
- Seven Fragments (found inside my father)
- Glass Slipper
- Father Outside
- Salt
- Sunday
- Two More Fragments
- Curse
- Man dancing with a paper cup
- Prayer
- Stylite (fragment #10)
- Elsewhere, Mon Amour
- IV
- Cartoon Physics, part 2
- The cellar a machine whirring through the night
- Her Smoke (her trick)
- Splenectomy
- Five Hundred Years
- Worthless
- Soft Radio
- Residue
- Peach
- You moved me through each room
- Fugue
- Twenty-Pound Stone
- Some Ether
- God Forgotten
- Notes
- About the Author
Emptying Town
—after Provincetown
Each fall this town empties, leaving me
drained, standing on the dock, waving bye-
bye, the white handkerchief
stuck in my throat. You know the way Jesus
rips open his shirt
to show us his heart, all flaming & thorny,
the way he points to it. I’m afraid
the way I miss you
will be this obvious. I have
a friend who everyone warns me
is dangerous, he hides
bloody images of Jesus around my house
for me to find when I come home—Jesus
behind the cupboard door, Jesus tucked
into the mirror. He wants to save me
but we disagree from what. My version of hell
is someone ripping open his
shirt & saying,
look what I did for you.
II
Oceanic
The ocean is always looking
for a way into your boat.
—The U.S. Coast Guard, on lifesaving
Angelization
When a plane goes down we search the wreckage
for the black box, where the pilot’s voice
lies: any hint
he saw the mountain rise up, if the gauges
functioned. The word for the process
by which any technology disembodies us
is angelization: a telephone can do it, computers
dense with blue chatter,
a television burning with the dead
who refuse to stay dead. The day Richard left
a woman sat in the waiting room, balancing
a goldfish on her knee
in a knotted plastic bag. The woman
seemed hypnotized by reruns, the goldfish
circled, always surprised by
the bag, as if expecting the water
to simply go on & on. Richard
was trying to speak—outside
a river flowed, lined with trees
beginning to bud, reflecting
in each of his eyes. I said,
squeeze my hand if you understand, but his hand
was quiet. Imagine him as a pilot, orbiting
forever, refueling midair. How could we know
the plane would fall, his body
dematerialize, fade. First we see
his hand, then the bones in his hand, then
the wheel behind the bones—an answering
machine in an empty room that whispers,
I’m not here right now…
Cartoon Physics, part 1
Children under, say, ten, shouldn’t know
that the universe is ever-expanding,
inexorably pushing into the vacuum, galaxies
swallowed by galaxies, whole
solar systems collapsing, all of it
acted out in silence. At ten we are still learning
the rules of cartoon animation,
that if a man draws a door on a rock
only he can pass through it.
Anyone else who tries
will crash into the rock. Ten-year-olds
should stick with burning houses, car wrecks,
ships going down—earthbound, tangible
disasters, arenas
where they can be heroes. You can run
back into a burning house, sinking ships
have lifeboats, the trucks will come
with their ladders, if you jump
you will be saved. A child
places her hand on the roof of a schoolbus,
& drives across a city of sand. She knows
the exact spot it will skid, at which point
the bridge will give, who will swim to safety