Chapters (60)
- Cover
- Some Ether
- Some Ether
- Copyright
- Acknowledgments
- Dedication
- I
- Bag of Mice
- Fragment (found inside my mother)
- The Captain Asks for a Show of Hands
- You Ask How
- 1967
- Trickology
- The Visible Woman
- And Then, And Then
- My Mother Contemplating Her Gun
- Ago
- Radio Thin Air
- Sudden
- Emptying Town
- II
- Angelization
- Cartoon Physics, part 1
- Memento Mori
- Flood
- Flashback
- No Map
- Wild with Dandelions & Roses
- Other Meaning
- The Robot Moves!
- How Do You Know You’re Missing Anything?
- III
- Seven Fragments (found inside my father)
- Glass Slipper
- Father Outside
- Salt
- Sunday
- Two More Fragments
- Curse
- Man dancing with a paper cup
- Prayer
- Stylite (fragment #10)
- Elsewhere, Mon Amour
- IV
- Cartoon Physics, part 2
- The cellar a machine whirring through the night
- Her Smoke (her trick)
- Splenectomy
- Five Hundred Years
- Worthless
- Soft Radio
- Residue
- Peach
- You moved me through each room
- Fugue
- Twenty-Pound Stone
- Some Ether
- God Forgotten
- Notes
- About the Author
“Fragment (found inside my mother),” “God Forgotten,” “Bag of Mice,” and “Emptying Town” also appeared in American Poetry: The Next Generation, edited by Gerald Costanzo and Jim Daniels, published by Carnegie Mellon University Press, 2000.
Many friends and teachers have read all or parts of this book in manuscript form and contributed vital encouragements, inspiration, and comments. It wouldn’t exist without you—thanks go out daily.
Specific thanks to Rodney Phillips, Caroline Crumpacker, Paul Lentz, Rebecca Wolff, Robert Danburg, Julie Carr, Franc Graham, John Mattson, Ray Nolin, and Jacqueline Woodson—for being here, always. And to Fred Marchant—for deep understanding.
For material support and time: the Fine Arts Work Center in Provincetown, the Millay Colony, the MacDowell Colony, the Djerassi Resident Artists Program, the PEN American Center, and, of course, everyone at Graywolf.
The memory of Jody Draper, Alice Draper, Richard Booton, and Ivan Wendell Hubbard infuses this book.
Finally, to Frances Richard—love that keeps opening.
Dedication
for Tad Flynn
I
The Visible Woman
It is joy to be hidden
but disaster not to be found.
—D.W. Winnicott
Bag of Mice
I dreamt your suicide note
was scrawled in pencil on a brown paperbag,
& in the bag were six baby mice. The bag
opened into darkness,
smoldering
from the top down. The mice,
huddled at the bottom, scurried the bag
across a shorn field. I stood over it
& as the burning reached each carbon letter
of what you’d written
your voice released into the night
like a song, & the mice
grew wilder.
Fragment (found inside my mother)
I kept it hidden, it was easy
to hide, behind my lingerie, a shoebox
above my boys’ reach, swaddled alongside
my painkillers
in their childproof orange cups. I knew my kids,
curious, monkeys,
but did they know me? It was easy
to hide, it waited, the hard O of its mouth
made of waiting, each bullet
& its soft hood of lead. Braced
solid against my thigh, I’d feed it
with my free hand, my robe open
as if nursing, practicing
my hour of lead, my letting go. The youngest
surprised me with a game,
held out his loose fists, begging
guess which hand, but both
were empty. Who taught him that?
The Captain Asks for a Show of Hands
Everyday, something—this time
a French ship with all her passengers & crew
slides into the North Sea, the water so cold
it finishes them. Nothing saved
but a life ring stenciled GRACE,
cut loose from its body. A spokesman can only
state his surprise
that it doesn’t happen more often.
Last August, as I rode the ferry
from here to the city, a freak storm
surprised everyone,
& the Captain, forced below,
asked for a show of hands
as to whether we should go on. A woman beside me
hid her entire head in her jacket
to light a cigarette.
For years I had a happy childhood,
if anyone asked I’d say, it was happy.