Chapters (60)
- Cover
- Some Ether
- Some Ether
- Copyright
- Acknowledgments
- Dedication
- I
- Bag of Mice
- Fragment (found inside my mother)
- The Captain Asks for a Show of Hands
- You Ask How
- 1967
- Trickology
- The Visible Woman
- And Then, And Then
- My Mother Contemplating Her Gun
- Ago
- Radio Thin Air
- Sudden
- Emptying Town
- II
- Angelization
- Cartoon Physics, part 1
- Memento Mori
- Flood
- Flashback
- No Map
- Wild with Dandelions & Roses
- Other Meaning
- The Robot Moves!
- How Do You Know You’re Missing Anything?
- III
- Seven Fragments (found inside my father)
- Glass Slipper
- Father Outside
- Salt
- Sunday
- Two More Fragments
- Curse
- Man dancing with a paper cup
- Prayer
- Stylite (fragment #10)
- Elsewhere, Mon Amour
- IV
- Cartoon Physics, part 2
- The cellar a machine whirring through the night
- Her Smoke (her trick)
- Splenectomy
- Five Hundred Years
- Worthless
- Soft Radio
- Residue
- Peach
- You moved me through each room
- Fugue
- Twenty-Pound Stone
- Some Ether
- God Forgotten
- Notes
- About the Author
let’s finish this
I come into focus lacing my boot, stumbling
over how to tie a knot.
Your ears taste like poison.
I push the knife away.
Her Smoke (her trick)
A good waitress, I wait up for her
to come home, smoky
& exhausted, her feet
swollen, I wait in her bed. Purple shadows
cross the purple carpet, her television
makes Sherlock Holmes blue, he sees
evidence everywhere
of the man who last used this room, scrapes
mud from the floor into an envelope, rich
with lime, with ash fallen
from the factories in the east. I wait.
Doze. The tv turns to snow. Silently
she pulls off her black shoes, empties
her pockets. Next, her
genie trick, blowing smoke
into an empty juice glass,
cupping it with her palm until it slowly releases
up to the ceiling, the orange
tip of her cigarette a dying
ember. We
scatter her in the Atlantic, my brother & I, I
watch her sink, diffuse. I break off
another chunk of hash, impale it
on a common pin pushed up
through the cover of Abbey Road, set it on fire
under an upturned glass
& we take turns taking it in, our lips
to the tilted rim. Then we fall
back in our chairs, we never
talk about her, as if even her name
were ash
& might turn to paste in our throats.
Splenectomy
Hard after the spill to again
pick the motorcycle up, to go back into
the elephant grass, the air inside
green but for the oil, hard
to get up sometimes, even after
a year, each bone un-
centered, stricken sideways, airless
beside the fallen. Go, lay
the bike back in its broken slick,
wave the cars on, something hot
sparks your face, her cry off
left, there, like
sex, you’ve forgotten her
wrist, go toward it. Tall grass, hairpin,
adrenaline, what makes it so
fast, how hands end up inside you,
how this is supposed to save you?
Five Hundred Years
In
sleep our hands find each other. Outside,
the street, paved with bottlecaps—yesterday
a parked car glistened, now—a mere scatter
of green shattered glass. You murmur
from a dream, I feel
night press on my chest, like the earth
tamping the dead back into earth. If we had five
hundred years to work this out,
if after all that time
we remembered, if we still cared, if we
had fingers to dig, if there were shovels,
we could find each other, blood
compressed to rubies, lungs to slate,
fingers gone yellow, blue leaking
from your eyes, my shoes, side-
by-side beneath the window
as if I had simply
disintegrated out of them, yours,
toe-to-heel, as though you struggled.
Worthless
My fingers
cling to your shoulder blades now
until fucking becomes
an urging, a way to shake you, gently. How
can I tell you I don’t feel
safe, when inside
a man holds bars before his face
believing himself into a prison,