Contents ( 152)
- Contents
- Introduction
- The Distance
- Maybe I’ll Be The First
- border/softer
- untitled poem – on travel
- Galway Dreaming
- Escape
- Your World
- Not knowing when the Dawn will come
- The Instructions
- Away and See
- ‘A girl unbridled’ – Feeling Free
- Freedom
- Mythology
- Freedom Poem
- The Long Holidays
- In Wellies
- Lines Composed in a Wood on a Windy Day
- Londoner
- She Showed Me Her Dreams
- Let Me Count the Ways
- Bath
- Ourstory
- Megan Married Herself
- ‘A land where I could be a queen’ – Growing Up
- The Mother
- Hedgehog
- The Pomegranate
- Persephone to Demeter
- The Window
- Obedience, or The Lying Tale
- kids
- The worlds
- Praise Song for My Mother
- You May Have Heard of Me
- ‘What if this road . . .’ – Travels over Land
- What if this road
- On the Road Through Chang-te
- Divorce
- *
- The Footprint
- Autobiography in Five Chapters
- The Road Out of Town
- Cocoon
- Wolves
- Ode
- A Winter Ride
- Driving Back Over the Blue Ridge,
- ‘Golden windows in a wall’ – Words Can Set You Free
- In a Cardiff Arcade, 1952
- Sonnet XXXI
- from Aurora Leigh
- Books
- Poem
- from The Emulation
- we misread ‘language’ as ‘lavender’
- Poem
- Kemo Sabe
- When to Write
- The cypher
- Coal
- Wings
- from Washing Day
- ‘My wild hair backward blown’ – Taking Flight
- The Destroyer
- Flying to Italy
- holiday
- The Bomber
- Hungary
- Spring Wind in London
- from Sonnets from a Lock Box
- The Full Indian Rope Trick
- On the South Downs
- ‘It’s better with all the banners flying’ – Courage, Hope and Resilience
- ‘Out of the darkness’
- Miss Aylward’s Journey
- Sangharsh Karna Hai
- All Around the Jailhouse
- Locked Inside
- L’Envoi
- December
- New Glass
- Release
- Her Kind
- The Lady with the Sewing-Machine
- Edith Sitwell
- War Girls
- Wood Song
- ‘Riches I hold in light esteem’
- I want to stand naked in the school hall
- ‘Chasing weightlessness’ – The Final Frontier
- I Had a Boat
- from Darkness Music
- The Moon at Knowle Hill
- ‘On the road through the clouds’
- The Crescent Moon
- Sally Ride Speaks to the Schoolgirls
- Target
- De Profundis
- Sky Ladder
- Devil at the End of Love
- The Hubble Space Telescope before repair
- Avowal
- ‘It’s the sea I want’ – Voyages by Verse
- Hunter’s Moon
- Strawberries and the Sailing Ship
- The Sea-Shore
- It’s the Sea I Want
- Dare
- Sea Love
- Staying in the Mountains in Summer
- from Elegy on Captain Cook
- Exultation is the going
- from Notes on the Voyage of Owl and Girl
- Strange Sea
- Saint Senara and Me
- The Winds of Fate
- Boats in a Storm
- The New Colossus
- Emigravit
- ‘Dream me mermaid’ – Flights of Fancy
- In Your Mind
- from On Imagination
- The Centaur
- The Chatelaine
- Roads
- My Hat
- Functional Skills Maths
- The Burning
- Laurel in the Berkshires
- Iridescent lizard
- The Forlorn Sea
- The Celestial Announcer
- The Levitation of St Christina
- Ego Tripping (There May Be a Reason Why)
- ‘Silence and a space of sleep’: Travels towards Tranquillity
- from Verses Written in the Chiosk of the British Palace at Pera
- Southern Sunrise
- Lochan
- Birthday Poem from Venice
- ‘Leave Krete’
- Dzoka (Return)
- The Girl Who Fell in Love With the Mountain
- Translation
- Furness Abbey
- Not for that City
- About the Poets
- Index of First Lines
- Index of Poets
- Acknowledgements
- About the Author
The Burning is here.
Caroline Bird (born 1986)
Born in Leeds, Caroline has published six collections of poetry and had several of her plays performed at venues including the Lyric Theatre, Hammersmith, and the Southbank Centre. She has been shortlisted for the T. S. Eliot Award, the Ted Hughes Award and twice for the Dylan Thomas Prize. She has won an Eric Gregory Award (2002) and the Foyle Young Poet of the Year award two years running (1999, 2000). Caroline’s poems have been widely published and broadcast, and she was one of five official poets at the 2012 London Olympics. She performs at festivals, leads school workshops and regularly teaches at the Arvon Foundation, as well as being a writer-in-residence for the charity First Story.
Megan Married Herself is here.
Eavan Boland (1944–2020)
Eavan published her first poetry while studying at Trinity College, Dublin, and subsequently published many collections of poetry and essays, edited several anthologies and won numerous awards and plaudits. Her work has been quoted on notable occasions by former Irish Taoiseach Bertie Ahern and Barack Obama. Eavan was inducted into the American Academy of Arts and Sciences in 2016, and in 2018 she was elected to the Royal Irish Academy.
The Pomegranate is here.
Anna Hempstead Branch (1875–1937)
Anna was christened ‘the Browning of American poetry’ by journalist William Thomas Stead and enjoyed great success during her lifetime. She was born in Connecticut into a distinguished family – her father was a lawyer and her mother a children’s author and poet. Her work was strongly influenced by the Victorian Pre-Raphaelite writers, particularly Christina Rossetti. Anna worked with the Christodora House in New York, which supported poverty-stricken and migrant residents. She founded the Poets’ Guild whose members – Sara Teasdale and Robert Frost among them – taught residents. Anna was the Vice President of the National League for Women’s Service during the First World War. Sonnet XXV from Sonnets from a Lock Box is here.
Anne Brontë (1820–1849)
Anne’s novel Agnes Grey was inspired by her time as a governess. Its heroine was a petted and patronized youngest sibling who grew up among rugged hills – so we can draw our own conclusions about Brontë family dynamics from that! She had to leave her post after persuading her employers to hire her feckless brother Branwell, who embarked on an affair with the lady of the house. She and her elder sisters Charlotte and Emily published their poetry under male pseudonyms as Acton, Currer and Ellis Bell. Disappointed by pitiful sales of two copies in a year, they worked intensively on their novels instead, pacing the dining room and critiquing each other’s work. Anne’s novel The Tenant of Wildfell Hall – in which a woman flees her cruel, alcoholic husband – was considered shocking but was a huge hit. Anne died from tuberculosis aged only twenty-nine.
Lines Composed in a Wood on a Windy Day is here.
Emily Brontë (1818–1848)
Many of Emily’s poems originated in her gothic-flavoured writings about Gondal, an imaginary island realm created with her sister, Anne. Emily’s masterpiece Wuthering Heights was, like much of her poetry, inspired by the wild beauty of the Yorkshire moors where the sisters lived with their father and brother. She died from tuberculosis aged only thirty.