Contents ( 199)
- Publisher’s Note
- Contents
- Introduction
- CHICAGO
- IMAGES
- POEMS OF PROTEST
- LOVE POEMS
- LINCOLN
- ANTI-WAR AND WAR POEMS
- PORTRAITS
- AFRICAN-AMERICANS
- POET OF THE PEOPLE
- MUSINGS
- POETRY DEFINITIONS
- A Note on the Text
- Chicago
- Chicago
- Halsted Street Car
- The Workingmen
- Fish Crier
- Muckers
- Mill-Doors
- Mag
- Onion Days
- Dynamiter
- Mamie
- Working Girls
- Trafficker
- Harrison Street Court
- Gone
- Soiled Dove
- Old Woman
- Washerwoman
- Gypsy Mother
- Implications
- Graceland
- Skyscraper
- The People, Yes
- The Windy City
- Images
- Fog
- Sketch
- Lost
- Flux
- Nocturne in a Deserted Brickyard
- Window
- Sunset from Omaha Hotel Window
- Prairie Waters by Night
- Bee Song
- Bumble Bee Days
- Jan Kubelik
- Chinese Letters or Korean
- Painted Fishes
- These Valleys Seem Old
- Three Pieces on the Smoke of Autumn
- Poems of Protest
- Billy Sunday
- The Eastland
- Anna Imroth
- The Hammer
- Child of the Romans
- Southern Pacific
- ’Boes
- Taking on Suds Men Talk
- Glimmer
- Jerry
- Horses and Men in Rain
- Hoodlums
- The Mayor of Gary
- Blacklisted
- The Machine
- Legal Midnight Hour
- Love Poems
- Paula
- White Shoulders
- June
- Poppies
- Margaret
- Baby Toes
- Helga
- Spanish
- You and a Sickle Moon
- In Blue Gown and in Black Satin Gown
- She Held Herself a Deep Pool for Him
- An Interwoven Man and Woman Talked
- Troth Tryst
- Offering and Rebuff
- Hellcat
- Bilbea
- Lincoln
- Fire-Logs
- In a Back Alley
- Knucks
- The People, Yes
- The Long Shadow of Lincoln: A Litany
- Abraham Lincoln’s Father and Mother*
- Lincoln*
- Mr. Lincoln and His Gloves*
- Journey and Oath*
- Untitled*
- Anti-War and War Poems
- House
- Old Timers
- Ready to Kill
- Killers
- Planked Whitefish
- Murmurings in a Field Hospital
- Buttons
- Salvage
- Wars
- A Million Young Workmen, 1915
- In The Shadow of the Palace
- The Four Brothers
- Nearer Than Any Mother’s Heart Wishes
- The Man with the Broken Fingers
- Forgotten Wars
- Grass
- Portraits
- To a Poet*
- Memoir of a Proud Boy
- Napoleon
- Hawthorne
- Mr. Blake’s Chariots
- Evidence As to a She Devil
- Arms
- Eugene V. Debs
- Ezra*
- Good Babies Make Good Poems
- From an Illinois Prairie Hut
- Letters to Dead Imagists
- Illinois Farmer
- Osawatomie
- Grieg Being Dead
- Sherwood Anderson
- Jack London and O. Henry
- Without the Cane and the Derby
- To the Ghost of John Milton
- Mysterious Biography
- Mr. Longfellow and His Boy
- Dan
- African-Americans
- Jazz Fantasia
- Sojourner Truth Speaking
- The People, Yes
- Cleo
- Black Prophetess
- Elizabeth Umpstead
- Sayings of Henry Stephens
- Nigger
- Man, the Man-Hunter
- Poet of the People
- I Am the People, the Mob
- A Reporter in Debt
- My People
- Poems Done on a Late Night Car
- Prairie
- Cartoon
- Smoke and Steel
- The Lawyers Know Too Much
- The Liars
- Threes
- Red-Headed Restaurant Cashier
- Lines Written for Gene Kelly to Dance To
- Slabs of the Sunburnt West
- A Couple
- The People, Yes
- Timesweep
- Musings
- Chicago Poet
- Phizzog
- Wilderness
- Broken-Face Gargoyles
- Aprons of Silence
- The Road and the End
- Style
- Potato Blossom Songs and Jigs
- Cool Tombs
- Old Osawatomie
- Hats
- Accomplished Facts
- Buffalo Dusk
- The Abracadabra Boys
- Our Hells
- Moonlight and Maggots
- Biography
- Breathing Tokens
- Monday, One P.M.
- Government
- I Should Like to Be Hanged on a Summer Afternoon
- Poetry Definitions
- Tentative (First Model) Definitions of Poetry
- Acknowledgments
- Original Publication Sources
- Selected Bibliography
- Index of Titles and First Lines
- About the Editors
- The Works of Carl Sandburg
- Copyright
- About the Publisher
the atom and isolate its electrons and
make it tell why it is what it is?
Believers and hopers.
Let the work of their fathers and elder
brothers be cancelled this instant and
what would happen?
Nothing—only every tool, bus, car, light,
torch, bulb, print, film, instrument or
communication depending for its life
on electrodynamic power would stop
and stand dumb and silent.
37
“So you want to divide all the money there is
and give every man his share?”
“That’s it. Put it all in one big pile and split
it even for everybody.”
“And the land, the gold, silver, oil, copper, you want
that divided up?”
“Sure—an even whack for all of us”
“Do you mean that to go for horses and cows?”
“Sure—why not?”
“And how about pigs?”
“Oh to hell with you—you know I got a couple of pigs.”
In the night and the mist these voices:
What is mine is mine and I am going to keep it.
What is yours is yours and you are welcome to keep it.
You will have to fight me to take from me what is mine.
Part of what is mine is yours and you are welcome to it.
What is yours is mine and I am going to take it from you.
In the night and the mist
the voices meet
as the clash of steel on steel
Over the rights of possession and control and the points:
what is mine? what is yours?
and who says so?
The poor were divided into
the deserving and the undeserving
and a pioneer San Franciscan lacked words:
“It’s hard enough to be poor
but to be poor and undeserving . . .”
He saw the slumborn illborn wearyborn
from fathers and mothers the same
out of rooms dank with rot
and scabs, rags, festerings, tubercles, chancres,
the very doorways quavering,
“What’s the use?”
“I came to a country,”
said a wind-bitten vagabond,
“where I saw shoemakers barefoot
saying they had made too many shoes.
I met carpenters living outdoors
saying they had built too many houses.
Clothing workers I talked with,
bushelmen and armhole-basters,
said their coats were on a ragged edge
because they had made too many coats.
And I talked with farmers, yeomanry,
the backbone of the country,
so they were told,
saying they were in debt and near starvation
because they had gone ahead like always
and raised too much wheat and corn
too many hogs, sheep, cattle.
When I said, ‘You live in a strange country,’
they answered slow, like men
who wouldn’t waste anything, not even language:
‘You ain’t far wrong there, young feller.
We’re going to do something, we don’t know what.’”
The drowning man in the river
answered the man on the bridge:
“I don’t want to die,
I’ll lose my job in the molding room of
the Malleable Iron and Castings Works.”
And the living man on the bridge
hotfooted to the molding room foreman
of the Malleable Iron and Castings Works