Contents ( 199)
- Publisher’s Note
- Contents
- Introduction
- CHICAGO
- IMAGES
- POEMS OF PROTEST
- LOVE POEMS
- LINCOLN
- ANTI-WAR AND WAR POEMS
- PORTRAITS
- AFRICAN-AMERICANS
- POET OF THE PEOPLE
- MUSINGS
- POETRY DEFINITIONS
- A Note on the Text
- Chicago
- Chicago
- Halsted Street Car
- The Workingmen
- Fish Crier
- Muckers
- Mill-Doors
- Mag
- Onion Days
- Dynamiter
- Mamie
- Working Girls
- Trafficker
- Harrison Street Court
- Gone
- Soiled Dove
- Old Woman
- Washerwoman
- Gypsy Mother
- Implications
- Graceland
- Skyscraper
- The People, Yes
- The Windy City
- Images
- Fog
- Sketch
- Lost
- Flux
- Nocturne in a Deserted Brickyard
- Window
- Sunset from Omaha Hotel Window
- Prairie Waters by Night
- Bee Song
- Bumble Bee Days
- Jan Kubelik
- Chinese Letters or Korean
- Painted Fishes
- These Valleys Seem Old
- Three Pieces on the Smoke of Autumn
- Poems of Protest
- Billy Sunday
- The Eastland
- Anna Imroth
- The Hammer
- Child of the Romans
- Southern Pacific
- ’Boes
- Taking on Suds Men Talk
- Glimmer
- Jerry
- Horses and Men in Rain
- Hoodlums
- The Mayor of Gary
- Blacklisted
- The Machine
- Legal Midnight Hour
- Love Poems
- Paula
- White Shoulders
- June
- Poppies
- Margaret
- Baby Toes
- Helga
- Spanish
- You and a Sickle Moon
- In Blue Gown and in Black Satin Gown
- She Held Herself a Deep Pool for Him
- An Interwoven Man and Woman Talked
- Troth Tryst
- Offering and Rebuff
- Hellcat
- Bilbea
- Lincoln
- Fire-Logs
- In a Back Alley
- Knucks
- The People, Yes
- The Long Shadow of Lincoln: A Litany
- Abraham Lincoln’s Father and Mother*
- Lincoln*
- Mr. Lincoln and His Gloves*
- Journey and Oath*
- Untitled*
- Anti-War and War Poems
- House
- Old Timers
- Ready to Kill
- Killers
- Planked Whitefish
- Murmurings in a Field Hospital
- Buttons
- Salvage
- Wars
- A Million Young Workmen, 1915
- In The Shadow of the Palace
- The Four Brothers
- Nearer Than Any Mother’s Heart Wishes
- The Man with the Broken Fingers
- Forgotten Wars
- Grass
- Portraits
- To a Poet*
- Memoir of a Proud Boy
- Napoleon
- Hawthorne
- Mr. Blake’s Chariots
- Evidence As to a She Devil
- Arms
- Eugene V. Debs
- Ezra*
- Good Babies Make Good Poems
- From an Illinois Prairie Hut
- Letters to Dead Imagists
- Illinois Farmer
- Osawatomie
- Grieg Being Dead
- Sherwood Anderson
- Jack London and O. Henry
- Without the Cane and the Derby
- To the Ghost of John Milton
- Mysterious Biography
- Mr. Longfellow and His Boy
- Dan
- African-Americans
- Jazz Fantasia
- Sojourner Truth Speaking
- The People, Yes
- Cleo
- Black Prophetess
- Elizabeth Umpstead
- Sayings of Henry Stephens
- Nigger
- Man, the Man-Hunter
- Poet of the People
- I Am the People, the Mob
- A Reporter in Debt
- My People
- Poems Done on a Late Night Car
- Prairie
- Cartoon
- Smoke and Steel
- The Lawyers Know Too Much
- The Liars
- Threes
- Red-Headed Restaurant Cashier
- Lines Written for Gene Kelly to Dance To
- Slabs of the Sunburnt West
- A Couple
- The People, Yes
- Timesweep
- Musings
- Chicago Poet
- Phizzog
- Wilderness
- Broken-Face Gargoyles
- Aprons of Silence
- The Road and the End
- Style
- Potato Blossom Songs and Jigs
- Cool Tombs
- Old Osawatomie
- Hats
- Accomplished Facts
- Buffalo Dusk
- The Abracadabra Boys
- Our Hells
- Moonlight and Maggots
- Biography
- Breathing Tokens
- Monday, One P.M.
- Government
- I Should Like to Be Hanged on a Summer Afternoon
- Poetry Definitions
- Tentative (First Model) Definitions of Poetry
- Acknowledgments
- Original Publication Sources
- Selected Bibliography
- Index of Titles and First Lines
- About the Editors
- The Works of Carl Sandburg
- Copyright
- About the Publisher
Of the twenty looking on
Ten murmur, “O, it’s a hell of a job,”
Ten others, “Jesus, I wish I had the job.”
Mill-Doors
You never come back.
I say good-by when I see you going in the doors,
The hopeless open doors that call and wait
And take you then for—how many cents a day?
How many cents for the sleepy eyes and fingers?
I say good-by because I know they tap your wrists,
In the dark, in the silence, day by day,
And all the blood of you drop by drop,
And you are old before you are young.
You never come back.
Mag
I wish to God I never saw you, Mag.
I wish you never quit your job and came along with me.
I wish we never bought a license and a white dress
For you to get married in the day we ran off to a minister
And told him we would love each other and take care of each other
Always and always long as the sun and the rain lasts anywhere.
Yes, I’m wishing now you lived somewhere away from here
And I was a bum on the bumpers a thousand miles away dead broke.
I wish the kids had never come
And rent and coal and clothes to pay for
And a grocery man calling for cash,
Every day cash for beans and prunes.
I wish to God I never saw you, Mag.
I wish to God the kids had never come.
Onion Days
Mrs. Gabrielle Giovannitti comes along Peoria Street every morning at nine o’clock
With kindling wood piled on top of her head, her eyes looking straight ahead to find the way for her old feet.
Her daughter-in-law, Mrs. Pietro Giovannitti, whose husband was killed in a tunnel explosion through the negligence of a fellow-servant,
Works ten hours a day, sometimes twelve, picking onions for Jasper on the Bowmanville road.
She takes a street car at half-past five in the morning, Mrs. Pietro Giovannitti does,
And gets back from Jasper’s with cash for her day’s work, between nine and ten o’clock at night.
Last week she got eight cents a box, Mrs. Pietro Giovannitti, picking onions for Jasper,
But this week Jasper dropped the pay to six cents a box because so many women and girls were answering the ads in the Daily News.
Jasper belongs to an Episcopal church in Ravenswood and on certain Sundays
He enjoys chanting the Nicene creed with his daughters on each side of him joining their voices with his.
If the preacher repeats old sermons of a Sunday, Jasper’s mind wanders to his 700-acre farm and how he can make it produce more efficiently
And sometimes he speculates on whether he could word an ad in the Daily News so it would bring more women and girls out to his farm and reduce operating costs.
Mrs. Pietro Giovannitti is far from desperate about life; her joy is in a child she knows will arrive to her in three months.