Contents ( 199)
- Publisher’s Note
- Contents
- Introduction
- CHICAGO
- IMAGES
- POEMS OF PROTEST
- LOVE POEMS
- LINCOLN
- ANTI-WAR AND WAR POEMS
- PORTRAITS
- AFRICAN-AMERICANS
- POET OF THE PEOPLE
- MUSINGS
- POETRY DEFINITIONS
- A Note on the Text
- Chicago
- Chicago
- Halsted Street Car
- The Workingmen
- Fish Crier
- Muckers
- Mill-Doors
- Mag
- Onion Days
- Dynamiter
- Mamie
- Working Girls
- Trafficker
- Harrison Street Court
- Gone
- Soiled Dove
- Old Woman
- Washerwoman
- Gypsy Mother
- Implications
- Graceland
- Skyscraper
- The People, Yes
- The Windy City
- Images
- Fog
- Sketch
- Lost
- Flux
- Nocturne in a Deserted Brickyard
- Window
- Sunset from Omaha Hotel Window
- Prairie Waters by Night
- Bee Song
- Bumble Bee Days
- Jan Kubelik
- Chinese Letters or Korean
- Painted Fishes
- These Valleys Seem Old
- Three Pieces on the Smoke of Autumn
- Poems of Protest
- Billy Sunday
- The Eastland
- Anna Imroth
- The Hammer
- Child of the Romans
- Southern Pacific
- ’Boes
- Taking on Suds Men Talk
- Glimmer
- Jerry
- Horses and Men in Rain
- Hoodlums
- The Mayor of Gary
- Blacklisted
- The Machine
- Legal Midnight Hour
- Love Poems
- Paula
- White Shoulders
- June
- Poppies
- Margaret
- Baby Toes
- Helga
- Spanish
- You and a Sickle Moon
- In Blue Gown and in Black Satin Gown
- She Held Herself a Deep Pool for Him
- An Interwoven Man and Woman Talked
- Troth Tryst
- Offering and Rebuff
- Hellcat
- Bilbea
- Lincoln
- Fire-Logs
- In a Back Alley
- Knucks
- The People, Yes
- The Long Shadow of Lincoln: A Litany
- Abraham Lincoln’s Father and Mother*
- Lincoln*
- Mr. Lincoln and His Gloves*
- Journey and Oath*
- Untitled*
- Anti-War and War Poems
- House
- Old Timers
- Ready to Kill
- Killers
- Planked Whitefish
- Murmurings in a Field Hospital
- Buttons
- Salvage
- Wars
- A Million Young Workmen, 1915
- In The Shadow of the Palace
- The Four Brothers
- Nearer Than Any Mother’s Heart Wishes
- The Man with the Broken Fingers
- Forgotten Wars
- Grass
- Portraits
- To a Poet*
- Memoir of a Proud Boy
- Napoleon
- Hawthorne
- Mr. Blake’s Chariots
- Evidence As to a She Devil
- Arms
- Eugene V. Debs
- Ezra*
- Good Babies Make Good Poems
- From an Illinois Prairie Hut
- Letters to Dead Imagists
- Illinois Farmer
- Osawatomie
- Grieg Being Dead
- Sherwood Anderson
- Jack London and O. Henry
- Without the Cane and the Derby
- To the Ghost of John Milton
- Mysterious Biography
- Mr. Longfellow and His Boy
- Dan
- African-Americans
- Jazz Fantasia
- Sojourner Truth Speaking
- The People, Yes
- Cleo
- Black Prophetess
- Elizabeth Umpstead
- Sayings of Henry Stephens
- Nigger
- Man, the Man-Hunter
- Poet of the People
- I Am the People, the Mob
- A Reporter in Debt
- My People
- Poems Done on a Late Night Car
- Prairie
- Cartoon
- Smoke and Steel
- The Lawyers Know Too Much
- The Liars
- Threes
- Red-Headed Restaurant Cashier
- Lines Written for Gene Kelly to Dance To
- Slabs of the Sunburnt West
- A Couple
- The People, Yes
- Timesweep
- Musings
- Chicago Poet
- Phizzog
- Wilderness
- Broken-Face Gargoyles
- Aprons of Silence
- The Road and the End
- Style
- Potato Blossom Songs and Jigs
- Cool Tombs
- Old Osawatomie
- Hats
- Accomplished Facts
- Buffalo Dusk
- The Abracadabra Boys
- Our Hells
- Moonlight and Maggots
- Biography
- Breathing Tokens
- Monday, One P.M.
- Government
- I Should Like to Be Hanged on a Summer Afternoon
- Poetry Definitions
- Tentative (First Model) Definitions of Poetry
- Acknowledgments
- Original Publication Sources
- Selected Bibliography
- Index of Titles and First Lines
- About the Editors
- The Works of Carl Sandburg
- Copyright
- About the Publisher
Stand up, sandstone slabs of red,
Tell the overland passengers who burnt you.
Tell ’em how the jacks and screws loosened you.
Tell ’em who shook you by the heels and stood you on your heads,
Who put the slow pink of sunset mist on your faces.
Panels of the cold gray open night,
Gates of the Great American Desert,
Skies keeping the prayers of the wagon men,
The riders with picks, shovels and guns,
On the old trail, the Santa Fe trail, the Raton pass
Panels, skies, gates, listen tonight while we send up our prayers on the Santa Fé trail.
(A colossal bastard frog
squats in stone.
Once he squawked.
Then he was frozen and
shut up forever.)
Into the night the overland passenger train,
Slabs of sandstone red sink to the sunset red,
Blankets of night cover ’em up.
Night rain gods, night luck gods, are looking on.
March on, processions.
Tie your hat to the saddle and ride, O Rider.
Let your ponies drag their navels in the sand.
Go hungry; leave your bones in the desert sand.
When the desert takes you the wind is clean.
The winds say so on a noisy night.
The fingerbone of a man
lay next to the handle of a frying pan
and the footbone of a horse.
“Clean, we are clean,” the winds whimper on a noisy night.
Into the night the overland passenger train,
And the engineer with an eye for signal lights,
And the porters making up berths for passengers,
And the boys in the diner locking the icebox—
And six men with cigars in the buffet car mention “civilization,” “history,” “God.”
Into the blanket of night goes the overland train,
Into the black of the night the processions march,
The ghost of a pony goes by,
A hat tied to the saddle,
The wagon tongue of a prairie schooner
And the handle of a Forty-niner’s pickax
Do a shiver dance in the desert dust,
In the coyote gray of the alkali dust.
And—six men with cigars in the buffet car mention “civilization,” “history,” “God.”
Sleep, O wonderful hungry people.
Take a shut-eye, take a long old snooze,
and be good to yourselves;
Into the night the overland passenger train
And the sleepers cleared for a morning sun
and the Grand Canyon of Arizona.
2
A bluejay blue
and a gray mouse gray
ran up the canyon walls.
A rider came to the rim
Of a slash and a gap of desert dirt—
A long-legged long-headed rider
On a blunt and a blurry jackass—
Riding and asking, “How come? How come?”
And the long-legged long-headed rider said:
“Between two ears of a blurry jackass
I see ten miles of auburn, gold and purple—
I see doors open over doorsills
And always another door and a doorsill.
Cheat my eyes, fill me with the float
Of your dream, you auburn, gold, and purple.
Cheat me, blow me off my pins onto footless floors.
Let me put footsteps in an airpath.