Contents ( 199)
- Publisher’s Note
- Contents
- Introduction
- CHICAGO
- IMAGES
- POEMS OF PROTEST
- LOVE POEMS
- LINCOLN
- ANTI-WAR AND WAR POEMS
- PORTRAITS
- AFRICAN-AMERICANS
- POET OF THE PEOPLE
- MUSINGS
- POETRY DEFINITIONS
- A Note on the Text
- Chicago
- Chicago
- Halsted Street Car
- The Workingmen
- Fish Crier
- Muckers
- Mill-Doors
- Mag
- Onion Days
- Dynamiter
- Mamie
- Working Girls
- Trafficker
- Harrison Street Court
- Gone
- Soiled Dove
- Old Woman
- Washerwoman
- Gypsy Mother
- Implications
- Graceland
- Skyscraper
- The People, Yes
- The Windy City
- Images
- Fog
- Sketch
- Lost
- Flux
- Nocturne in a Deserted Brickyard
- Window
- Sunset from Omaha Hotel Window
- Prairie Waters by Night
- Bee Song
- Bumble Bee Days
- Jan Kubelik
- Chinese Letters or Korean
- Painted Fishes
- These Valleys Seem Old
- Three Pieces on the Smoke of Autumn
- Poems of Protest
- Billy Sunday
- The Eastland
- Anna Imroth
- The Hammer
- Child of the Romans
- Southern Pacific
- ’Boes
- Taking on Suds Men Talk
- Glimmer
- Jerry
- Horses and Men in Rain
- Hoodlums
- The Mayor of Gary
- Blacklisted
- The Machine
- Legal Midnight Hour
- Love Poems
- Paula
- White Shoulders
- June
- Poppies
- Margaret
- Baby Toes
- Helga
- Spanish
- You and a Sickle Moon
- In Blue Gown and in Black Satin Gown
- She Held Herself a Deep Pool for Him
- An Interwoven Man and Woman Talked
- Troth Tryst
- Offering and Rebuff
- Hellcat
- Bilbea
- Lincoln
- Fire-Logs
- In a Back Alley
- Knucks
- The People, Yes
- The Long Shadow of Lincoln: A Litany
- Abraham Lincoln’s Father and Mother*
- Lincoln*
- Mr. Lincoln and His Gloves*
- Journey and Oath*
- Untitled*
- Anti-War and War Poems
- House
- Old Timers
- Ready to Kill
- Killers
- Planked Whitefish
- Murmurings in a Field Hospital
- Buttons
- Salvage
- Wars
- A Million Young Workmen, 1915
- In The Shadow of the Palace
- The Four Brothers
- Nearer Than Any Mother’s Heart Wishes
- The Man with the Broken Fingers
- Forgotten Wars
- Grass
- Portraits
- To a Poet*
- Memoir of a Proud Boy
- Napoleon
- Hawthorne
- Mr. Blake’s Chariots
- Evidence As to a She Devil
- Arms
- Eugene V. Debs
- Ezra*
- Good Babies Make Good Poems
- From an Illinois Prairie Hut
- Letters to Dead Imagists
- Illinois Farmer
- Osawatomie
- Grieg Being Dead
- Sherwood Anderson
- Jack London and O. Henry
- Without the Cane and the Derby
- To the Ghost of John Milton
- Mysterious Biography
- Mr. Longfellow and His Boy
- Dan
- African-Americans
- Jazz Fantasia
- Sojourner Truth Speaking
- The People, Yes
- Cleo
- Black Prophetess
- Elizabeth Umpstead
- Sayings of Henry Stephens
- Nigger
- Man, the Man-Hunter
- Poet of the People
- I Am the People, the Mob
- A Reporter in Debt
- My People
- Poems Done on a Late Night Car
- Prairie
- Cartoon
- Smoke and Steel
- The Lawyers Know Too Much
- The Liars
- Threes
- Red-Headed Restaurant Cashier
- Lines Written for Gene Kelly to Dance To
- Slabs of the Sunburnt West
- A Couple
- The People, Yes
- Timesweep
- Musings
- Chicago Poet
- Phizzog
- Wilderness
- Broken-Face Gargoyles
- Aprons of Silence
- The Road and the End
- Style
- Potato Blossom Songs and Jigs
- Cool Tombs
- Old Osawatomie
- Hats
- Accomplished Facts
- Buffalo Dusk
- The Abracadabra Boys
- Our Hells
- Moonlight and Maggots
- Biography
- Breathing Tokens
- Monday, One P.M.
- Government
- I Should Like to Be Hanged on a Summer Afternoon
- Poetry Definitions
- Tentative (First Model) Definitions of Poetry
- Acknowledgments
- Original Publication Sources
- Selected Bibliography
- Index of Titles and First Lines
- About the Editors
- The Works of Carl Sandburg
- Copyright
- About the Publisher
from places where the winds begin
and fogs are born with mist children,
tall men from tall rocky slopes came
and sleepy men from sleepy valleys,
their women tall, their women sleepy,
with bundles and belongings,
with little ones babbling, “Where to now?
what next?”
The people of the earth, the family of man,
wanted to put up something proud to look at,
a tower from the flat land of earth
on up through the ceiling into the top of the sky.
And the big job got going,
the caissons and pilings sunk,
floors, walls and winding staircases
aimed at the stars high over,
aimed to go beyond the ladders of the moon.
And God Almighty could have struck them dead
or smitten them deaf and dumb.
And God was a whimsical fixer.
God was an understanding Boss
with another plan in mind,
And suddenly shuffled all the languages,
changed the tongues of men
so they all talked different
And the masons couldn’t get what the hodcarriers said,
The helpers handed the carpenters the wrong tools,
Five hundred ways to say, “W h o a r e y o u?”
Changed ways of asking, “Where do we go from here?”
Or of saying, “Being born is only the beginning,”
Or, “Would you just as soon sing as make that noise?”
Or, “What you don’t know won’t hurt you.”
And the material-and-supply men started disputes
With the hauling gangs and the building trades
And the architects tore their hair over the blueprints
And the brickmakers and the mule skinners talked back
To the straw bosses who talked back to the superintendents
And the signals got mixed; the men who shovelled the bucket
Hooted the hoisting men—and the job was wrecked.
Some called it the Tower of Babel job
And the people gave it many other names.
The wreck of it stood as a skull and a ghost,
a memorandum hardly begun,
swaying and sagging in tall hostile winds,
held up by slow friendly winds.
4
The people know what the land knows
the numbers odd and even of the land
the slow hot wind of summer and its withering
or again the crimp of the driving white blizzard
and neither of them to be stopped
neither saying anything else than:
“I’m not arguing. I’m telling you.”
The old timer on the desert was gray
and grizzled with ever seeing the sun:
“For myself I don’t care whether it rains.
I’ve seen it rain.
But I’d like to have it rain
pretty soon sometime.
Then my son could see it.
He’s never seen it rain.”
“Out here on the desert,”
said the first woman who said it,
“the first year you don’t believe
what others tell you
and the second year you don’t
believe what you tell yourself.”
“I weave thee, I weave thee,”
sang the weaving Sonora woman.
“I weave thee,
thou art for a Sonora fool.”
And the fool spoke of her,
over wine mentioned her:
“She can teach a pair of stilts to dance.”