Contents ( 199)
- Publisher’s Note
- Contents
- Introduction
- CHICAGO
- IMAGES
- POEMS OF PROTEST
- LOVE POEMS
- LINCOLN
- ANTI-WAR AND WAR POEMS
- PORTRAITS
- AFRICAN-AMERICANS
- POET OF THE PEOPLE
- MUSINGS
- POETRY DEFINITIONS
- A Note on the Text
- Chicago
- Chicago
- Halsted Street Car
- The Workingmen
- Fish Crier
- Muckers
- Mill-Doors
- Mag
- Onion Days
- Dynamiter
- Mamie
- Working Girls
- Trafficker
- Harrison Street Court
- Gone
- Soiled Dove
- Old Woman
- Washerwoman
- Gypsy Mother
- Implications
- Graceland
- Skyscraper
- The People, Yes
- The Windy City
- Images
- Fog
- Sketch
- Lost
- Flux
- Nocturne in a Deserted Brickyard
- Window
- Sunset from Omaha Hotel Window
- Prairie Waters by Night
- Bee Song
- Bumble Bee Days
- Jan Kubelik
- Chinese Letters or Korean
- Painted Fishes
- These Valleys Seem Old
- Three Pieces on the Smoke of Autumn
- Poems of Protest
- Billy Sunday
- The Eastland
- Anna Imroth
- The Hammer
- Child of the Romans
- Southern Pacific
- ’Boes
- Taking on Suds Men Talk
- Glimmer
- Jerry
- Horses and Men in Rain
- Hoodlums
- The Mayor of Gary
- Blacklisted
- The Machine
- Legal Midnight Hour
- Love Poems
- Paula
- White Shoulders
- June
- Poppies
- Margaret
- Baby Toes
- Helga
- Spanish
- You and a Sickle Moon
- In Blue Gown and in Black Satin Gown
- She Held Herself a Deep Pool for Him
- An Interwoven Man and Woman Talked
- Troth Tryst
- Offering and Rebuff
- Hellcat
- Bilbea
- Lincoln
- Fire-Logs
- In a Back Alley
- Knucks
- The People, Yes
- The Long Shadow of Lincoln: A Litany
- Abraham Lincoln’s Father and Mother*
- Lincoln*
- Mr. Lincoln and His Gloves*
- Journey and Oath*
- Untitled*
- Anti-War and War Poems
- House
- Old Timers
- Ready to Kill
- Killers
- Planked Whitefish
- Murmurings in a Field Hospital
- Buttons
- Salvage
- Wars
- A Million Young Workmen, 1915
- In The Shadow of the Palace
- The Four Brothers
- Nearer Than Any Mother’s Heart Wishes
- The Man with the Broken Fingers
- Forgotten Wars
- Grass
- Portraits
- To a Poet*
- Memoir of a Proud Boy
- Napoleon
- Hawthorne
- Mr. Blake’s Chariots
- Evidence As to a She Devil
- Arms
- Eugene V. Debs
- Ezra*
- Good Babies Make Good Poems
- From an Illinois Prairie Hut
- Letters to Dead Imagists
- Illinois Farmer
- Osawatomie
- Grieg Being Dead
- Sherwood Anderson
- Jack London and O. Henry
- Without the Cane and the Derby
- To the Ghost of John Milton
- Mysterious Biography
- Mr. Longfellow and His Boy
- Dan
- African-Americans
- Jazz Fantasia
- Sojourner Truth Speaking
- The People, Yes
- Cleo
- Black Prophetess
- Elizabeth Umpstead
- Sayings of Henry Stephens
- Nigger
- Man, the Man-Hunter
- Poet of the People
- I Am the People, the Mob
- A Reporter in Debt
- My People
- Poems Done on a Late Night Car
- Prairie
- Cartoon
- Smoke and Steel
- The Lawyers Know Too Much
- The Liars
- Threes
- Red-Headed Restaurant Cashier
- Lines Written for Gene Kelly to Dance To
- Slabs of the Sunburnt West
- A Couple
- The People, Yes
- Timesweep
- Musings
- Chicago Poet
- Phizzog
- Wilderness
- Broken-Face Gargoyles
- Aprons of Silence
- The Road and the End
- Style
- Potato Blossom Songs and Jigs
- Cool Tombs
- Old Osawatomie
- Hats
- Accomplished Facts
- Buffalo Dusk
- The Abracadabra Boys
- Our Hells
- Moonlight and Maggots
- Biography
- Breathing Tokens
- Monday, One P.M.
- Government
- I Should Like to Be Hanged on a Summer Afternoon
- Poetry Definitions
- Tentative (First Model) Definitions of Poetry
- Acknowledgments
- Original Publication Sources
- Selected Bibliography
- Index of Titles and First Lines
- About the Editors
- The Works of Carl Sandburg
- Copyright
- About the Publisher
By the time The People, Yes was published in 1936, Sandburg was a mature biographer and was well on the way toward completing his life of Lincoln. He had spent years researching, thinking, and writing about the Great Emancipator. The long Lincoln poem here, No. 57 of The People, Yes, is an overview of the president and is studded with his quotes. It shows him as a humorist, democrat, philosopher, historian, poet, man of the common man, leader of the people.
“The Long Shadow of Lincoln: A Litany” was written during the dark days of World War II. Sandburg for many years had been conscious of Lincoln’s “long shadow,” which compelled him to draw parallels between Lincoln and Roosevelt. He wrote President Roosevelt, on March 29, 1935, that he was starting the final volume of the Lincoln biography and that his eyes and ears were in two eras: “You are the best light of democracy that has occupied the White House since Lincoln. You have set in motion trends that to many are banners of dawn.” Sandburg also saw the long shadow of Lincoln cast over Roosevelt’s leadership in World War II, from 1941 to 1945.
The earliest of the five poems about Lincoln that Sandburg did not publish is dated 1914 and titled “Abraham Lincoln’s Father and Mother.” It shows Sandburg’s early thinking as a biographer. He knew that questions had been raised about the legitimacy of Lincoln’s mother, Nancy Hanks. William Herndon, Lincoln’s law partner, said Lincoln had told him that Nancy Hanks was illegitimate, the daughter of “a well-bred Virginia farmer or planter.” According to Herndon, Lincoln believed that “his power of analysis, his logic, his mental activity, his ambition” came from his unknown grandfather. That Lincoln’s mother was illegitimate is now widely accepted by scholars.
Sandburg also knew from his reading that doubt had been cast on Lincoln’s own legitimacy. Herndon thought that the questions about Lincoln’s paternity “were an outgrowth of the campaign of 1860.” However accurate that speculation might be, over the years at least seven men were alleged to have been the father of Abraham Lincoln. Six years after Sandburg wrote “Abraham Lincoln’s Father and Mother,” William E. Barton demolished all such rumors and allegations in The Paternity of Abraham Lincoln. It is now accepted as fact that Thomas Lincoln was the father of Abraham.
While Sandburg was aware of the rumors about Thomas and Nancy Hanks Lincoln, his writings about them were intended to be poetic, not factual. Later, as a biographer, he would insist on more substantial facts, though even in the biography his presentation of Lincoln, his family, and his times would remain poetic.
Two of the poems—“Lincoln” and “Mr. Lincoln and His Gloves”—appear to have a common source. In 1861, on his way to Washington for his inauguration, Lincoln appeared in New York at the Verdi opera A Masked Ball wearing black gloves instead of the more fashionable white ones. Because of the black gloves, Lincoln’s large hands, and his shambling gait, a hostile press immediately dubbed him a “gorilla” and a “baboon.”