Contents ( 199)
- Publisher’s Note
- Contents
- Introduction
- CHICAGO
- IMAGES
- POEMS OF PROTEST
- LOVE POEMS
- LINCOLN
- ANTI-WAR AND WAR POEMS
- PORTRAITS
- AFRICAN-AMERICANS
- POET OF THE PEOPLE
- MUSINGS
- POETRY DEFINITIONS
- A Note on the Text
- Chicago
- Chicago
- Halsted Street Car
- The Workingmen
- Fish Crier
- Muckers
- Mill-Doors
- Mag
- Onion Days
- Dynamiter
- Mamie
- Working Girls
- Trafficker
- Harrison Street Court
- Gone
- Soiled Dove
- Old Woman
- Washerwoman
- Gypsy Mother
- Implications
- Graceland
- Skyscraper
- The People, Yes
- The Windy City
- Images
- Fog
- Sketch
- Lost
- Flux
- Nocturne in a Deserted Brickyard
- Window
- Sunset from Omaha Hotel Window
- Prairie Waters by Night
- Bee Song
- Bumble Bee Days
- Jan Kubelik
- Chinese Letters or Korean
- Painted Fishes
- These Valleys Seem Old
- Three Pieces on the Smoke of Autumn
- Poems of Protest
- Billy Sunday
- The Eastland
- Anna Imroth
- The Hammer
- Child of the Romans
- Southern Pacific
- ’Boes
- Taking on Suds Men Talk
- Glimmer
- Jerry
- Horses and Men in Rain
- Hoodlums
- The Mayor of Gary
- Blacklisted
- The Machine
- Legal Midnight Hour
- Love Poems
- Paula
- White Shoulders
- June
- Poppies
- Margaret
- Baby Toes
- Helga
- Spanish
- You and a Sickle Moon
- In Blue Gown and in Black Satin Gown
- She Held Herself a Deep Pool for Him
- An Interwoven Man and Woman Talked
- Troth Tryst
- Offering and Rebuff
- Hellcat
- Bilbea
- Lincoln
- Fire-Logs
- In a Back Alley
- Knucks
- The People, Yes
- The Long Shadow of Lincoln: A Litany
- Abraham Lincoln’s Father and Mother*
- Lincoln*
- Mr. Lincoln and His Gloves*
- Journey and Oath*
- Untitled*
- Anti-War and War Poems
- House
- Old Timers
- Ready to Kill
- Killers
- Planked Whitefish
- Murmurings in a Field Hospital
- Buttons
- Salvage
- Wars
- A Million Young Workmen, 1915
- In The Shadow of the Palace
- The Four Brothers
- Nearer Than Any Mother’s Heart Wishes
- The Man with the Broken Fingers
- Forgotten Wars
- Grass
- Portraits
- To a Poet*
- Memoir of a Proud Boy
- Napoleon
- Hawthorne
- Mr. Blake’s Chariots
- Evidence As to a She Devil
- Arms
- Eugene V. Debs
- Ezra*
- Good Babies Make Good Poems
- From an Illinois Prairie Hut
- Letters to Dead Imagists
- Illinois Farmer
- Osawatomie
- Grieg Being Dead
- Sherwood Anderson
- Jack London and O. Henry
- Without the Cane and the Derby
- To the Ghost of John Milton
- Mysterious Biography
- Mr. Longfellow and His Boy
- Dan
- African-Americans
- Jazz Fantasia
- Sojourner Truth Speaking
- The People, Yes
- Cleo
- Black Prophetess
- Elizabeth Umpstead
- Sayings of Henry Stephens
- Nigger
- Man, the Man-Hunter
- Poet of the People
- I Am the People, the Mob
- A Reporter in Debt
- My People
- Poems Done on a Late Night Car
- Prairie
- Cartoon
- Smoke and Steel
- The Lawyers Know Too Much
- The Liars
- Threes
- Red-Headed Restaurant Cashier
- Lines Written for Gene Kelly to Dance To
- Slabs of the Sunburnt West
- A Couple
- The People, Yes
- Timesweep
- Musings
- Chicago Poet
- Phizzog
- Wilderness
- Broken-Face Gargoyles
- Aprons of Silence
- The Road and the End
- Style
- Potato Blossom Songs and Jigs
- Cool Tombs
- Old Osawatomie
- Hats
- Accomplished Facts
- Buffalo Dusk
- The Abracadabra Boys
- Our Hells
- Moonlight and Maggots
- Biography
- Breathing Tokens
- Monday, One P.M.
- Government
- I Should Like to Be Hanged on a Summer Afternoon
- Poetry Definitions
- Tentative (First Model) Definitions of Poetry
- Acknowledgments
- Original Publication Sources
- Selected Bibliography
- Index of Titles and First Lines
- About the Editors
- The Works of Carl Sandburg
- Copyright
- About the Publisher
The farmer’s daughter with a basket of eggs dreams of a new hat to wear to the county fair.
* * *
On the left- and right-hand side of the road,
Marching corn—
I saw it knee high weeks ago—now it is head high—tassels of red silk creep at the ends of the ears.
* * *
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing-bridges.
They are mine, the horses looking over a fence in the frost of late October saying good morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barbwire.
* * *
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandanas are knotted at the ruddy chins.
Falltime and winter apples take on the smolder of the five-o’clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches—among gravestone writings rubbed out by the rain—they keep old things that never grow old.
The frost loosens cornhusks.
The sun, the rain, the wind
loosen cornhusks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
in a smoke-red dust.
* * *
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a coon in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
“The shapes that are gone are here,” said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa.
* * *
Look at six eggs
In a mockingbird’s nest.
Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.
Look at songs
Hidden in eggs.
* * *
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God’s Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.