Back Scabby Queen
Chapters (43)
  1. Cover
  2. SCABBY QUEEN
  3. Dedication
  4. Epigraph
  5. SOME PEOPLE
  6. Q Magazine, June 1990
  7. RUTH
  8. Clio Campbell
  9. NEIL
  10. DONALD
  11. Guardian Weekend magazine, August 2010
  12. SAMMI
  13. SIMON
  14. NEIL
  15. Daily Mail, October 2016
  16. HAMZA
  17. XANTHE
  18. DONALD
  19. Q Magazine, September 2007
  20. RUTH
  21. DANNY
  22. SAMMI
  23. NEIL
  24. BBC Radio Scotland, 24 January 2018
  25. DONALD
  26. MALCOLM
  27. SAMMI
  28. Loaded, February 1996
  29. SHIV
  30. IDA
  31. Scotland on Sunday, September 2013
  32. DONALD
  33. HAMZA
  34. SAMMI
  35. ADELE
  36. NEIL
  37. The Pool, February 2018
  38. RUTH
  39. DONALD
  40. EILEEN
  41. ACKNOWLEDGEMENTS
  42. About the Author
  43. About the Publisher

‘A little gift from all of us at Vey,’ she’d said (even though it was really just a little gift from her) and watched the delight in Clio’s face, her beaming insistence that it had to hang on the wall, and felt totally fulfilled in that second. She’d noticed Donald watching her, with what she thought was a tiny smile of approval or something like it, on his face.

The reviews, when they’d come in, had been more or less brutal. Ben had called Ruth through to the meeting room on the second one.

‘It all seems a bit extreme, doesn’t it? I genuinely don’t think it’s as bad an album as all that. I mean, of course, there are places where the experiment doesn’t, maybe, work, but this –’ he held up a copy of the Scotsman ‘– this is pure vitriol here.’

It’s because she’s a woman, Ruth wanted to point out to his big, well-meaning, confused face. Clio would call up every time a new blow hit now, needing Ruth to tell her the same thing over and over.

‘They can’t handle this much divergence from the norm, Clio. That’s all it is. The Scottish ones are taking it personally because they think their precious Burns is sacred, the English ones are making fun of it because they find any sort of Scottish culture funny these days. That’s all it is. You’re caught in the middle, but I have faith that once we get you on the road, get people actually hearing it, things will pick up. Your average member of the public hasn’t got time for this sort of tribalism. They just want to hear good music and—’

Ruth had the speech down rote. ‘Just stop taking the calls. She’ll learn to deal,’ Linda said. Ruth didn’t feel she could. It did seem unjust. Sure, the album was rough around the edges in places, but this, this seemed to be a needless, jeering pile-on. The tour was proving even harder to organize; not only trying to arrange times for the various guest musicians to make it up, but even just booking slots and finding venues seemed to be difficult. Clio caught the overnight bus up from London for interviews, stayed on Ruth’s sofa (after Linda suggested their original marketing fund for the album might be better distributed towards covering the various guest fees), and Ruth ran through the various refusals she’d had while they finished a takeaway and a second bottle of wine.

‘The Big Rock Festival – that one was a surprise; actually all the Mansfield Music venues as well.’

Clio laughed, harshly, showily.