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Chapters (61)
  1. Publisher’s Notice
  2. Map of Crache
  3. Dedication
  4. PART ONE THREE SIDES OF A COIN
  5. THE MOURNING AFTER
  6. THE KNIGHT BEFORE
  7. WHERE ONLY STONE STEPS ASCEND
  8. A THOUSAND FACES AND NONE
  9. BLOOD COINS AND BLOOD COIN HUNTERS
  10. FALLING STARS
  11. CITIES BUILT IN BOXES
  12. STEEL FIELDS OF RUST AND ROT
  13. RESOLVE IS THE FORGED BLADE THAT CANNOT BE QUENCHED
  14. THE DEAD WHO REVEL IN LIFE
  15. SHAHEEN
  16. THE FIRST WEAPON WAS A STORY TOLD BY LIARS
  17. HOME STUDIES
  18. REQUITAL IS THE REVENGE OF THE WELL-READ
  19. BURIED ON THE BATTLEFIELD
  20. ON AND OFF
  21. SAVAGERY PAYS A CALL
  22. WHEN GHOSTS SPEAK YOUR REAL NAME
  23. PART TWO UNRAVELING THE EDGES
  24. THE BLACK EAGLE
  25. THE MESSENGER
  26. A PEBBLE IN A MAZE
  27. THIRTY TONGUES AND NOT A WORD SPOKEN
  28. TEARS MADE OF FIRE
  29. LATE-NIGHT CALLERS
  30. THE MATING CALL OF THE CRACHIAN WIND DRAGON
  31. ONLY FIRE AND ICE GROW IN CHARNEL HOUSE GARDENS
  32. SCATTERING THE ASHES
  33. THE JEOPARDY ROOM
  34. HEAVEN’S HOSTESS IS HELL’S HANDMAIDEN
  35. THE BONES OF THE WORLD
  36. THE GOD RUNG
  37. KNIVES SPEAK LOUDEST IN THE DARK
  38. THE INTEREST PAID IN BLOOD
  39. RIDDLES SHAPED IN STONE
  40. THE CALLING HOUR
  41. WE BURIED OUR STORIES IN THE EARTH
  42. PART THREE REVELATIONS OF THE THROAT
  43. FORMLESS, SHAPELESS, IT CAN FLOW OR IT CAN CRASH
  44. THE SPARROW GENERAL
  45. THOUGH IT BE HARSH, COME BACK TO THE LIGHT
  46. THE NEW DEVOURING THE OLD
  47. A PLOT OF CORPSES
  48. THE BLACK TURTLE
  49. MARCHING TO A HEADLESS DRUM
  50. SEEK NOT THE EAVES AT MIDNIGHT
  51. REUNION
  52. SLEEP, AND HIS BROTHER DEATH
  53. MISSIO INTERRUPTUS
  54. BORN ON THE BATTLEFIELD
  55. IN THE HOUSE OF THE IGNOBLE
  56. THE ONES WE KEEP CLOSE
  57. DAWN IS THE MOMENT YOU WAKE
  58. THE GRAY AFTER THE STORM
  59. FINAL SELECTION
  60. ACKNOWLEDGMENTS
  61. ABOUT THE AUTHOR

Laython talks patiently down to her. “If they can get up, they’re wounded. If they can’t, they stay here. Is that simple enough for you? And d’you think you can manage it without puking your guts out?”

He rides off without waiting for an answer, although Evie had only a scowl to offer him, anyway.

When she looks back at Lariat, he’s in the middle of drawing a small cut in his forearm with the edge of a katar.

It’s one of many small cuts, the rest fully healed.

“Sixty-eight more to go, then,” he mutters beneath his mustache.

Evie can’t be sure whether the old man truly believes it, but lie or not, the cuts are very real.

ON AND OFF

THE OCEAN SINGS TO HER every night, and it’s become one of Dyeawan’s favorite things about life in the Planning Cadre.

It’s after dinner, and she’s retired to her room for the evening. She’s folded her legs beneath her on the floor beside the reading chair in the corner, and though there are books piled beneath her bed, it’s not reading with which she’s occupied tonight.

There’s a knock at the door, stronger than Quan’s and less timid than Tahei’s when he dares to visit. Dyeawan guesses it must be Edger.

“Come in,” she calls.

It’s him, that cordial smile frozen in oil and silk held over his face.

“Good evening, Slider. May I come in?”

“Of course.”

Edger steps inside and quickly stops short. The mask lowers from his face, and Dyeawan knows he’s taken aback. It’s not difficult to understand why. Tools and tubing and spools of twine have overtaken Dyeawan’s small room. There are raw building materials of wood and steel and iron, and she’s even procured a hand torch, the flame of which is lit and wafting in the ocean breeze from the window.

“What’s happened in here?” Edger asks.

“Oh. I’ve been… it’s just… a project. I’ve been working on something. An invention. On my own. In my own time, I mean. It hasn’t interfered with my duties.”

He sees that she’s constructed some type of apparatus by joining two lamps together, removing the glass panes from one side of each and melting their metal frames together with hot flame. There are luminescent insects coupling inside one of the lamps, lighting it brightly. The other lamp appears empty. A blacksmith’s bellow is held between the grips of a vise beside the lamp housing the insects. The bellow’s mouth is protruding through a delicate hole cut into the glass.

Several thick cables running to an iron box tether the entire contraption. There are two short levers attached to the box itself, which rests on the floor beside Dyeawan.

“Where did you obtain the materials and tools?” Edger asks.