Chapters (61)
- Publisher’s Notice
- Map of Crache
- Dedication
- PART ONE THREE SIDES OF A COIN
- THE MOURNING AFTER
- THE KNIGHT BEFORE
- WHERE ONLY STONE STEPS ASCEND
- A THOUSAND FACES AND NONE
- BLOOD COINS AND BLOOD COIN HUNTERS
- FALLING STARS
- CITIES BUILT IN BOXES
- STEEL FIELDS OF RUST AND ROT
- RESOLVE IS THE FORGED BLADE THAT CANNOT BE QUENCHED
- THE DEAD WHO REVEL IN LIFE
- SHAHEEN
- THE FIRST WEAPON WAS A STORY TOLD BY LIARS
- HOME STUDIES
- REQUITAL IS THE REVENGE OF THE WELL-READ
- BURIED ON THE BATTLEFIELD
- ON AND OFF
- SAVAGERY PAYS A CALL
- WHEN GHOSTS SPEAK YOUR REAL NAME
- PART TWO UNRAVELING THE EDGES
- THE BLACK EAGLE
- THE MESSENGER
- A PEBBLE IN A MAZE
- THIRTY TONGUES AND NOT A WORD SPOKEN
- TEARS MADE OF FIRE
- LATE-NIGHT CALLERS
- THE MATING CALL OF THE CRACHIAN WIND DRAGON
- ONLY FIRE AND ICE GROW IN CHARNEL HOUSE GARDENS
- SCATTERING THE ASHES
- THE JEOPARDY ROOM
- HEAVEN’S HOSTESS IS HELL’S HANDMAIDEN
- THE BONES OF THE WORLD
- THE GOD RUNG
- KNIVES SPEAK LOUDEST IN THE DARK
- THE INTEREST PAID IN BLOOD
- RIDDLES SHAPED IN STONE
- THE CALLING HOUR
- WE BURIED OUR STORIES IN THE EARTH
- PART THREE REVELATIONS OF THE THROAT
- FORMLESS, SHAPELESS, IT CAN FLOW OR IT CAN CRASH
- THE SPARROW GENERAL
- THOUGH IT BE HARSH, COME BACK TO THE LIGHT
- THE NEW DEVOURING THE OLD
- A PLOT OF CORPSES
- THE BLACK TURTLE
- MARCHING TO A HEADLESS DRUM
- SEEK NOT THE EAVES AT MIDNIGHT
- REUNION
- SLEEP, AND HIS BROTHER DEATH
- MISSIO INTERRUPTUS
- BORN ON THE BATTLEFIELD
- IN THE HOUSE OF THE IGNOBLE
- THE ONES WE KEEP CLOSE
- DAWN IS THE MOMENT YOU WAKE
- THE GRAY AFTER THE STORM
- FINAL SELECTION
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
Laython talks patiently down to her. “If they can get up, they’re wounded. If they can’t, they stay here. Is that simple enough for you? And d’you think you can manage it without puking your guts out?”
He rides off without waiting for an answer, although Evie had only a scowl to offer him, anyway.
When she looks back at Lariat, he’s in the middle of drawing a small cut in his forearm with the edge of a katar.
It’s one of many small cuts, the rest fully healed.
“Sixty-eight more to go, then,” he mutters beneath his mustache.
Evie can’t be sure whether the old man truly believes it, but lie or not, the cuts are very real.
ON AND OFF
THE OCEAN SINGS TO HER every night, and it’s become one of Dyeawan’s favorite things about life in the Planning Cadre.
It’s after dinner, and she’s retired to her room for the evening. She’s folded her legs beneath her on the floor beside the reading chair in the corner, and though there are books piled beneath her bed, it’s not reading with which she’s occupied tonight.
There’s a knock at the door, stronger than Quan’s and less timid than Tahei’s when he dares to visit. Dyeawan guesses it must be Edger.
“Come in,” she calls.
It’s him, that cordial smile frozen in oil and silk held over his face.
“Good evening, Slider. May I come in?”
“Of course.”
Edger steps inside and quickly stops short. The mask lowers from his face, and Dyeawan knows he’s taken aback. It’s not difficult to understand why. Tools and tubing and spools of twine have overtaken Dyeawan’s small room. There are raw building materials of wood and steel and iron, and she’s even procured a hand torch, the flame of which is lit and wafting in the ocean breeze from the window.
“What’s happened in here?” Edger asks.
“Oh. I’ve been… it’s just… a project. I’ve been working on something. An invention. On my own. In my own time, I mean. It hasn’t interfered with my duties.”
He sees that she’s constructed some type of apparatus by joining two lamps together, removing the glass panes from one side of each and melting their metal frames together with hot flame. There are luminescent insects coupling inside one of the lamps, lighting it brightly. The other lamp appears empty. A blacksmith’s bellow is held between the grips of a vise beside the lamp housing the insects. The bellow’s mouth is protruding through a delicate hole cut into the glass.
Several thick cables running to an iron box tether the entire contraption. There are two short levers attached to the box itself, which rests on the floor beside Dyeawan.
“Where did you obtain the materials and tools?” Edger asks.