Chapters (61)
- Publisher’s Notice
- Map of Crache
- Dedication
- PART ONE THREE SIDES OF A COIN
- THE MOURNING AFTER
- THE KNIGHT BEFORE
- WHERE ONLY STONE STEPS ASCEND
- A THOUSAND FACES AND NONE
- BLOOD COINS AND BLOOD COIN HUNTERS
- FALLING STARS
- CITIES BUILT IN BOXES
- STEEL FIELDS OF RUST AND ROT
- RESOLVE IS THE FORGED BLADE THAT CANNOT BE QUENCHED
- THE DEAD WHO REVEL IN LIFE
- SHAHEEN
- THE FIRST WEAPON WAS A STORY TOLD BY LIARS
- HOME STUDIES
- REQUITAL IS THE REVENGE OF THE WELL-READ
- BURIED ON THE BATTLEFIELD
- ON AND OFF
- SAVAGERY PAYS A CALL
- WHEN GHOSTS SPEAK YOUR REAL NAME
- PART TWO UNRAVELING THE EDGES
- THE BLACK EAGLE
- THE MESSENGER
- A PEBBLE IN A MAZE
- THIRTY TONGUES AND NOT A WORD SPOKEN
- TEARS MADE OF FIRE
- LATE-NIGHT CALLERS
- THE MATING CALL OF THE CRACHIAN WIND DRAGON
- ONLY FIRE AND ICE GROW IN CHARNEL HOUSE GARDENS
- SCATTERING THE ASHES
- THE JEOPARDY ROOM
- HEAVEN’S HOSTESS IS HELL’S HANDMAIDEN
- THE BONES OF THE WORLD
- THE GOD RUNG
- KNIVES SPEAK LOUDEST IN THE DARK
- THE INTEREST PAID IN BLOOD
- RIDDLES SHAPED IN STONE
- THE CALLING HOUR
- WE BURIED OUR STORIES IN THE EARTH
- PART THREE REVELATIONS OF THE THROAT
- FORMLESS, SHAPELESS, IT CAN FLOW OR IT CAN CRASH
- THE SPARROW GENERAL
- THOUGH IT BE HARSH, COME BACK TO THE LIGHT
- THE NEW DEVOURING THE OLD
- A PLOT OF CORPSES
- THE BLACK TURTLE
- MARCHING TO A HEADLESS DRUM
- SEEK NOT THE EAVES AT MIDNIGHT
- REUNION
- SLEEP, AND HIS BROTHER DEATH
- MISSIO INTERRUPTUS
- BORN ON THE BATTLEFIELD
- IN THE HOUSE OF THE IGNOBLE
- THE ONES WE KEEP CLOSE
- DAWN IS THE MOMENT YOU WAKE
- THE GRAY AFTER THE STORM
- FINAL SELECTION
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
He reaches inside his tunic and removes a small stringed sack. Loosing its ties, he opens the sack and upends it over the smithy’s anvil, raining small, intricately cut multicolored stones down atop the pounded-raw steel.
They’re star rubies, so named because each color represents a god star of the old and abolished religion.
“No questions asked,” Laython adds as they all stare at the priceless stones in awe. “Imagine how hard and how far you’d ride and how many of you you’d kill to claim such a reward. Then look at the mark on the fat man’s cheek here, the first of many to come. Then decide if you want to run.”
Even Evie has to admit to herself he makes a powerful and salient argument.
“And lest you think we rely solely on the initiative of the good citizens of Crache,” Laython continues, “I’d like you to meet some close friends of mine.”
Laython ducks under the lean-to awning and steps out into the harsh sunlight. He sticks two lengthy digits in his mouth and whistles shrilly.
Evie and the rest hear hooves tearing up the dry grass. A second later two riders charge around the lean-to and rear their mounts beside the group’s new freemaster.
Laython gestures grandly up at the pair. “Savages, meet Tomoe and Namrok, two of the finest blood coin hunters alive.”
The woman must be six feet tall, perhaps over. She appears absolutely gigantic sitting atop her mount. Her armor is composed almost entirely of bone, human and animal, from what Evie can discern. A whole rib cage is laid over Tomoe’s own, tooled upon thick leather. Her helm must’ve been fashioned from a bear’s skull, and Evie can scarcely summon in her mind the scale of that creature when it was alive. The fanged jaws that serve as the helm’s face shield are pulled apart, revealing a face whose gauntness and many scars haven’t dulled the shine of two perfect jade eyes.
Tomoe’s primary weapon appears to be a poleax. From bottom tip to blade it must be as tall as she is and weigh more than one hundred pounds. A pair of matched daggers is sheathed in gauntlets, also shaved bone, clamped around her forearms. The handle of each is angled to allow the smoothest possible draw by the opposing hand.
Tomoe’s companion, Namrok, is of average size and shape, and would be thoroughly unremarkable save for one feature. Half of his face is dark a cavity with jagged edges; he’s missing an eye, cheek, and the corner of his mouth. Rather than leave the sinkhole of flesh exposed, Namrok has taken a wedge of hardwood adorned with dozens of tiny steel spikes and plugged most of the empty space with it.