Back Right after the Weather
Chapters (46)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. desk
  6. warrior two
  7. palate cleanser
  8. base camp
  9. the scary hand
  10. femininitea
  11. a very bad day
  12. duck egg
  13. excursion
  14. at ease
  15. pleasant travel
  16. shrimp platter
  17. mulberry street
  18. marienbad
  19. puebla
  20. visitors
  21. yule log
  22. machine burgers
  23. crosswinds
  24. night shift
  25. bludout
  26. breathing room
  27. auld acquaintance
  28. moonachie
  29. tiles
  30. girls kissing
  31. long-term dating
  32. apocalypse beach
  33. hypothermia
  34. flat white
  35. martinis
  36. polka favorites
  37. pussy hat
  38. two-flat
  39. symphony
  40. isle of mull
  41. opening night
  42. erasure
  43. vue du lac
  44. acknowledgments
  45. Reading Group Guide
  46. about the author

No. I do think about that. But she’s more the seductress in this than I. And for my part, it’s such fun bringing romance to someone who hasn’t had much of it before. I think she’s surprising herself. And—

HAROLD

And—?

VITA

Well, I suppose part of my attraction to her is that she’s a big silver fish. A prize.

Lauren interrupts from the third row. “Gladys. You’re reading that line as though you mean it, which Vita doesn’t. She’s thirty, beautiful, titled, a popular author of her time, more popular than Virginia. So let’s go over that line, and give it a reading that’s blithe and slightly insincere.”

Lauren knows exactly how she wants every line read. She wrote them and can hear them in her head. The cast is filled with terrific actors; the only weak link is Gladys, whenever called on to act queer. Which is kind of a big problem, in that she’s the lead. The next day, Cate gets up some nerve and asks Molly if she and Lauren have a minute, that she has a small idea.

“Of course. We encourage our people to come forth with better ideas.” The tone in which she says this indicates they never encourage this. That no idea could be better than theirs and that if it were, they wouldn’t want to know about it. But now Cate is out on a limb and there’s no way to scurry back down the tree.

Surprisingly she isn’t put off to another time. They all three sit down on the red velvet sofa.

“The quick scene in the basement, where we project that flirty note above them? ‘So I’ll see you tomorrow, in the basement, and I’ll be nice to you and you’ll be very nice to me, won’t you?’ What I was thinking was maybe the scene could be played without dialog. There’s only a couple of lines before they kiss, and having total silence in that small space might increase the tension. Then Virginia, who wants this more, just moves her hands inside Vita’s open coat, like you already have her doing, but neither of them says anything. They start to move in. Then, just as their lips are about to meet, the lights fade to black. The audience never sees the kiss. They’re left in a state of anticipation, which is something like arousal, isn’t it? The tiny pause just before something delicious.”

Molly looks at Lauren in a telepathic way, then says, “Interesting idea. We’ll try it out.”

Cate is not accustomed to elation. She almost doesn’t recognize it. At first she mistakes it for indigestion.