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Chapters (46)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. desk
  6. warrior two
  7. palate cleanser
  8. base camp
  9. the scary hand
  10. femininitea
  11. a very bad day
  12. duck egg
  13. excursion
  14. at ease
  15. pleasant travel
  16. shrimp platter
  17. mulberry street
  18. marienbad
  19. puebla
  20. visitors
  21. yule log
  22. machine burgers
  23. crosswinds
  24. night shift
  25. bludout
  26. breathing room
  27. auld acquaintance
  28. moonachie
  29. tiles
  30. girls kissing
  31. long-term dating
  32. apocalypse beach
  33. hypothermia
  34. flat white
  35. martinis
  36. polka favorites
  37. pussy hat
  38. two-flat
  39. symphony
  40. isle of mull
  41. opening night
  42. erasure
  43. vue du lac
  44. acknowledgments
  45. Reading Group Guide
  46. about the author
  • Firm up employment (steady job at design house, maybe full-time gig at some school).
  • Unlatch from Dana and get a real girlfriend.
  • Don’t take money from parents.
  • Brush teeth two minutes two times a day (get timer).

Neale pulls a bag of taco chips out of a cabinet. “Your problem is how hard it’s going to be to find someone to follow Dana. To match that ferocity.”

“Yes. That’s the bitch of it, right?”

palate cleanser

She’s mortified by her appetizer. On the menu it sounded fanciful. Now it just seems decadent, and decadent is always embarrassing. Like Roman orgies in movies where servants are peeling grapes for the reclining emperor, where the guests are eating off human tables—naked women on all fours.

“I feel a little weird eating, you know—I guess I didn’t think it was going to really be gold. What’s it doing? Being a little metallic glaze on whatever this tiny egg is? Whatever bird it came from. I hope not a parakeet from some Thai forced-hatching factory.” She pokes through the thin skin of gold leaf and they watch the yolk seep up. Neither of them says anything when Cate lifts off the gold film and sets it on the rim of the plate. They sit across from each other at a table much larger than necessary for two people eating dinner. It’s a size more appropriate to spreading out maps, plotting a voyage or a war.

“I know, I know. It does seem like what they were probably eating in the dining room of the Titanic. I didn’t know it would be this fancy, hardly anything is anymore. Except this place, I guess.” Maureen’s sympathy has a hollow ring to it. She actually seems quite comfortable spearing a forkful of foie gras (for Christ’s sake), nestled in a pillow of salted cotton candy. Cate has brought up issues of animal cruelty before, and Maureen always seems sensitive in the moment, deeply nodding her support, saying annoying stuff like, “Poor things, they can’t speak for themselves so we have to help them.” But then she will turn around and tuck into something like this.

Cate scans her from across the table. As a costume designer, Maureen of course costumes herself. Her clothes make tiny statements without calling attention to themselves. Odd collars, the occasional hat. She has an extremely articulated tattoo on one shoulder—a Japanese fan. She wears a lot of pale green, also navy, to set off her hair, which is dark red, Botticelli crinkles, both bunched up and falling down.

Tonight would probably be a good time for Cate to reveal her discomfort about over-the-top restaurants like this one. But she can’t find her way to that conversation. Maureen loves expensive dining, and can afford it. She has spent the past decade dressing actors, for plays, musicals, sometimes operas. Operas, Maureen says, are the costume designer’s diamond mine.