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Chapters (82)
  1. PRACTICALDEMONKEEPING
  2. CHRISTOPHER MOORE
  3. CONTENTS
  4. Part 1
  5. SATURDAY NIGHT
  6. THE BREEZE
  7. Part 2
  8. SUNDAY
  9. PINE COVE
  10. TRAVIS
  11. ROBERT
  12. AUGUSTUS BRINE
  13. THE DJINN’S STORY
  14. ARRIVAL
  15. ROBERT
  16. THE HEAD OF THE SLUG
  17. 10
  18. AUGUSTUS BRINE
  19. 11
  20. EFFROM
  21. 12
  22. JENNIFER
  23. Part 3
  24. SUNDAY NIGHT
  25. 13
  26. NIGHTFALL
  27. 14
  28. DINNER
  29. 15
  30. RACHEL
  31. 16
  32. HOWARD
  33. 17
  34. BILLY
  35. 18
  36. RACHEL
  37. 19
  38. JENNY’S HOUSE
  39. 20
  40. EFFROM
  41. 21
  42. AUGUSTUS BRINE
  43. 22
  44. TRAVIS AND JENNY
  45. Part 4
  46. MONDAY
  47. 23
  48. RIVERA
  49. 24
  50. AUGUSTUS BRINE
  51. 25
  52. AMANDA
  53. 26
  54. TRAVIS’S STORY
  55. 27
  56. AUGUSTUS
  57. 28
  58. EFFROM
  59. 29
  60. RIVERA
  61. 30
  62. JENNY
  63. 31
  64. GOOD GUYS
  65. 32
  66. THE HEAD OF THE SLUG
  67. 33
  68. RIVERA
  69. 34
  70. U-PICK-EM
  71. 35
  72. BAD GUYS, GOOD GUYS
  73. 36
  74. JENNY, ROBERT, RIVERA, AMANDA, TRAVIS, HOWARD, AND THE SPIDER
  75. 37
  76. GOOD GUYS
  77. ACKNOWLEDGMENTS
  78. About the Author
  79. PRAISE FORChristopher Moore
  80. ALSO BYChristopher Moore
  81. Credits
  82. Copyright

When the sun broke over the trees to the east of the fairgrounds, a scraggly man in blue work clothes walked out of the mist toward the barn. “Hey, you kids,” he shouted, and they all prepared to be admonished for standing around instead of working. “You want to work for the circus?”

The boys dropped their pitchforks as if they were red-hot rods of steel and ran to the man. The dragon had been a camel. The strange noises were the trumpeting of elephants. Under the mist a crew of men were unrolling the big top of the Clyde Beatty Circus.

Robert and the boys worked all morning beside the circus people, lacing together the bright-yellow canvas panels of the tent and fitting together giant sections of aluminum poles that would support the big top.

It was hot, sweaty, heavy work, and it was wonderful and exciting. When the poles lay out across the canvas, cables were hitched to a team of elephants and the poles were hoisted skyward. Robert thought his heart would burst with excitement. The canvas was connected by cables to a winch. The boys watched in awe as the big top rose up the poles like a great yellow dream.

It was only one day. But it was glorious, and Robert thought of it often—of the roustabouts who sipped from their hip flasks and called each other by the names of their home states or towns. “Kansas, bring that strut over here. New York, we need a sledge over here.” Robert thought of the thick-thighed women who walked the wire and flew on the trapeze. Their heavy makeup was grotesque up close but beautiful at a distance when they were flying through the air above the crowd.

That day was an adventure and a dream. It was one of the finest in Robert’s life. But what had impressed him was that it had come right when things seemed the most bleak, when everything had gone, literally, to shit.

The next time Robert’s life took a nosedive he was in Santa Barbara, and his salvation arrived in the form of a woman.

He had come to California with everything he owned packed into a Volkswagen Beetle, determined to pursue a dream that he thought would begin at the California border with music by the Beach Boys and a long, white beach full of shapely blondes dying for the company of a young photographer from Ohio. What he found was alienation and poverty.

Robert had chosen the prestigious photography school in Santa Barbara because it was reputed to be the best. As photographer for the high school yearbook he had gained a reputation as one of the best photographers in town, but in Santa Barbara he was just another teenager among hundreds of students who were, if anything, more skilled than he.