Chapters (95)
- ALSO BY CLIVE CUSSLER
- TITLE PAGE
- COPYRIGHT
- CONTENTS
- MAP
- PROLOGUE: BARBARIGO
- PART I: POSEIDON’S ARROW
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- PART II: RARE EARTH
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- PART III: PANAMA RUN
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- EPILOGUE: RED DEATH
- Chapter 82
- Chapter 83
- Chapter 84
- Chapter 85
Inside the building, Pitt’s appearance drew stares from the staff and visitors. A receptionist escorted them to the office of the director of Canal Security, a poised man named Madrid who wore a thin mustache. He gave Pitt second and third looks as he introduced himself. “I have been advised of the urgent nature of your visit. Your Vice President is a very persuasive gentleman,” he said, shocked to have received a personal call.
“Lives are at stake, and time is short,” Pitt said.
“I’ll call our nurse, and get you some fresh clothes, while we talk.”
Madrid led them into his office, which had an oversized map of the canal on one wall. A man in fatigues was studying some aerial photographs at a table.
“May I introduce Commander Alvarez. He heads our field security operations and will be leading your rescue operation.”
They joined him at the table, where Pitt described his abduction and the operation at Bolcke’s hidden facility.
“We’ve pulled the Habsburg’s company transit records and have found an odd pattern of canal crossings,” Madrid said.
“Their ships enter at one end,” Pitt said, “and don’t exit the other until days later.”
“Exactly correct.”
“They are delivering purchased or stolen raw ore at the facility and then shipping out the refined product.”
Madrid nodded with a pained look. “The passage of commercial ships through the canal is a tightly controlled operation. They apparently have assistance from the pilots, and perhaps our own locks personnel, to make such transits without attracting attention.”
“There’s a lot of money involved with their product,” Pitt said. “They can afford substantial bribes.”
“Mr. Pitt, can you show us where the facility is located?” Alvarez asked.
Pitt walked to the map and tracked the Panama Canal Railway line that ran near the canal’s eastern edge.
“I can only guess that I caught the rail line somewhere in this area.” He pointed to a remote area off Gatun Lake, about thirty miles from Panama City. “The facility would be somewhere between the canal and the rail line.”
Alvarez rifled through a folder and pulled out a packet of color aerial photographs.
“This would be the approximate region.” He examined each photo closely before passing it around the table. The photos showed swaths of dense jungle that occasionally bordered Gatun Lake. A few pictures showed the Panama Railway line cutting through the jungle, but none gave any sign of Bolcke’s facility. They pored through forty photos as skepticism grew on Madrid’s face.
“Wait a second,” Summer said. “Pass that last photo back.”
Dirk handed her the photograph and she lined it up against another on the table. “Take a look at the jungle in these two pictures.”
The four men craned their necks, seeing a uniform blanket of green jungle flowing across both photos.
Nobody said anything until Pitt slid over a third photograph. “It’s the color,” he said. “It changes.”