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Chapters (95)
  1. ALSO BY CLIVE CUSSLER
  2. TITLE PAGE
  3. COPYRIGHT
  4. CONTENTS
  5. MAP
  6. PROLOGUE: BARBARIGO
  7. PART I: POSEIDON’S ARROW
  8. Chapter 1
  9. Chapter 2
  10. Chapter 3
  11. Chapter 4
  12. Chapter 5
  13. Chapter 6
  14. Chapter 7
  15. Chapter 8
  16. Chapter 9
  17. Chapter 10
  18. Chapter 11
  19. Chapter 12
  20. Chapter 13
  21. Chapter 14
  22. Chapter 15
  23. Chapter 16
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Chapter 20
  28. Chapter 21
  29. Chapter 22
  30. Chapter 23
  31. Chapter 24
  32. Chapter 25
  33. PART II: RARE EARTH
  34. Chapter 26
  35. Chapter 27
  36. Chapter 28
  37. Chapter 29
  38. Chapter 30
  39. Chapter 31
  40. Chapter 32
  41. Chapter 33
  42. Chapter 34
  43. Chapter 35
  44. Chapter 36
  45. Chapter 37
  46. Chapter 38
  47. Chapter 39
  48. Chapter 40
  49. Chapter 41
  50. Chapter 42
  51. PART III: PANAMA RUN
  52. Chapter 43
  53. Chapter 44
  54. Chapter 45
  55. Chapter 46
  56. Chapter 47
  57. Chapter 48
  58. Chapter 49
  59. Chapter 50
  60. Chapter 51
  61. Chapter 52
  62. Chapter 53
  63. Chapter 54
  64. Chapter 55
  65. Chapter 56
  66. Chapter 57
  67. Chapter 58
  68. Chapter 59
  69. Chapter 60
  70. Chapter 61
  71. Chapter 62
  72. Chapter 63
  73. Chapter 64
  74. Chapter 65
  75. Chapter 66
  76. Chapter 67
  77. Chapter 68
  78. Chapter 69
  79. Chapter 70
  80. Chapter 71
  81. Chapter 72
  82. Chapter 73
  83. Chapter 74
  84. Chapter 75
  85. Chapter 76
  86. Chapter 77
  87. Chapter 78
  88. Chapter 79
  89. Chapter 80
  90. Chapter 81
  91. EPILOGUE: RED DEATH
  92. Chapter 82
  93. Chapter 83
  94. Chapter 84
  95. Chapter 85

PART III: PANAMA RUN

PART III

PANAMA RUN

Chapter 43

43

SUMMER PITT LOOKED UP FROM A CLIPBOARD IN HER lap and gazed out the submersible’s acrylic dome window. With nothing to see but blackness, it felt like being locked in a closet. “How about some exterior illumination?” she asked.

Her twin brother, seated at the pilot’s controls, flipped on a row of toggle switches. A battery of bright LED lights popped on, putting a glow into the coal-black water. But there was still little to see, aside from particles in the water rushing past the acrylic. At least it gave Summer a visual sense of their rate of descent.

“Still afraid of the dark?” her brother asked.

While Summer had inherited the pearlescent skin and red hair of her mother, Dirk Pitt, Jr., resembled his father. He had the same tall, lean build, the same dark hair, even the same easy smile.

“Down here, what you can’t see can hurt you,” she said. She checked the depth indicator on an overhead monitor. “Coming up on the bottom in fifty meters.”

Dirk adjusted the ballast tanks to slow their descent, easing the vessel to neutral buoyancy when the seafloor appeared to rise up beneath them. At their depth of three hundred feet, the seafloor was a walnut-colored desolation, populated only by a few small fish and crustaceans.

“The fault line should be on a bearing of zero-six-five degrees,” Summer said.

Dirk engaged the submersible’s electronic thrusters and propelled them on the northeast heading. Through the yoke, he could feel a strong bottom current sideswiping them. “The Agulhas Current is humming today. Like to take us to Australia.”

The powerful Agulhas flowed down the east coast of Africa. Near the southern tip of Madagascar, where Dirk and Summer were diving, it converged with the East Madagascar Current and streams from the Indian Ocean to create an unpredictable swirl.

“We likely drifted a considerable amount during our descent,” Summer noted, “but if we hold to the heading, we’ll still cross the fault line.” She pressed her nose against the bubble and scanned the lightly undulating seabed passing beneath them. After several minutes, she spotted a slight, but distinct, ridge. “That’s our uplift.”

Dirk ascended slightly and positioned the submersible in a hover ten feet above the ridge. “Ready for video.”

Summer powered on a pair of external cameras mounted to the submersible’s skids, then checked the feed on a monitor. “Cameras are rolling, marking start,” she said. “Take us down the line.”