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Please See Us

Caitlin Mullen
Chapters (41)
  1. Cover
  2. Dedication
  3. PROLOGUE
  4. CLARA
  5. JANES 1 AND 2
  6. LILY
  7. CLARA
  8. LILY
  9. LUIS
  10. CLARA
  11. JANE 3
  12. CLARA
  13. LILY
  14. LUIS
  15. JANE 4
  16. CLARA
  17. LILY
  18. JANE 4
  19. JANES 1, 2, 3, AND 4
  20. CLARA
  21. LUIS
  22. LILY
  23. JANE 5
  24. LILY
  25. LUIS
  26. LILY
  27. DEBORAH
  28. CLARA
  29. LUIS
  30. LILY
  31. CLARA
  32. JANE 6
  33. LILY
  34. CLARA
  35. LUIS
  36. CLARA
  37. DEBORAH
  38. LILY
  39. JANES 1, 2, 3, 4, 5, AND 6
  40. ACKNOWLEDGMENTS
  41. ABOUT THE AUTHOR

Cover

Cover: Please See Us, by Caitlin Mullen

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Dedication

For Spencer, and for our daughter, with great hope and love

PROLOGUE

BY THE SECOND WEEK IN June, there are two dead women laid out like tallies in the stretch of marsh just behind the Sunset Motel. They are so close to each other that their fingers nearly touch. The women can see everything with perfect clarity now, the man’s entire design available to them as though they had thought of it themselves: by the end of eight weeks’ time there will be five more women. He plans to use the city’s symbols against it. Seven women, seven warnings. Not so lucky after all.

The motel sits on the western border of Atlantic City, where stretches of salt marsh buffer the space between land and ocean. Casinos line the shores on the eastern edge of town, along the boardwalk, and to the north, where pleasure boats slip in and out of the marina or dock long enough for a bottle of wine, a bit of sun, a swim. At night the skyline is gapped, like a child’s smile: half of the casinos have shut down and their lights are turned out. The empty buildings hulk against the shoreline, mammoth and spectral as shipwrecked cruise liners.

In death, the women are still dressed to walk the streets. To attract clients with a slice of leg, cleavage. To mime desire with a cant of the hips, a toss of their hair. Dressed to be undressed. Their jewelry glints in the sun: gold hoop earrings and the delicate chains of ankle bracelets. Charms in the shape of four-leaf clovers, a pair of cherries, a cat’s head. A stack of cheap metal bangles, the gilt coming off in tiny flakes. There is longing in the way their hands seem to reach toward one another, the aching almost of it. Bruises bloom on the skin of their arms, delicate blues and greens that could have been painted with watercolor. Except for their necks, which are marked with purple rings. The water seething in and out with the tide means they won’t be preserved for long. Already dense, iridescent clumps of greenhead flies tickle along their limbs, their cheeks, their scalps; the flies’ thick, segmented wings like stained glass.