Chapters (68)
- Title Page
- Dedication
- Acknowledgments
- Epigraph
- Map
- Part 1
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Part 2
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Part 3
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Part 4
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Part 5
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Part 6
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Part 7
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Part 8
- Chapter 52
- Other Books by China Miéville
- Praise for Perdido Street Station
- Copyright
“It’s so . . . predictable. You’re still not looking the right way. At all. It’s a wonder you can create such art. You still see this—” he gesticulated vaguely at his own body with a monkey’s paw “—as pathology. You’re still interested in what was and how it went wrong. This is not error or absence or mutancy: this is image and essence . . .” His voice rang around the rafters.
He calmed a little and lowered his many arms.
“This is totality.”
She nodded to show that she understood, too tired to be intimidated.
“Maybe I’m too hard on you,” Mr. Motley said reflectively. “I mean . . . this piece before us makes it clear that you have a sense of the ruptured moment, even if your question suggests the opposite . . . So maybe,” he continued slowly, “you yourself contain that moment. Part of you understands without recourse to words, even if your higher mind asks questions in a format which renders an answer impossible.”
He looked at her triumphantly.
“You too are the bastard-zone, Ms. Lin! Your art takes place where your understanding and your ignorance blur.”
Fine, she signed as she gathered her things. Whatever. Sorry I asked.
“So was I, but not any more, I think,” he replied.
Lin folded her wooden case around her stained pallet, around the remaining colourberries (she needed more, she saw) and the blocks of paste. Mr. Motley continued with his philosophical ramblings, his ruminations on mongrel theory. Lin was not listening. She tuned her antennae away from him, felt the tiny ructions and rumblings of the house, the weight of the air on the window.
I want a sky above me, she thought, not this ancient dusty brace of beams, this tarred, brittle roof. I’m walking home. Slowly. Through Brock Marsh.
Her resolution increased as her thoughts progressed.
I’ll stop at the lab and nonchalantly ask Isaac to come with me, and I’ll steal him away for a night.
Mr. Motley continued sounding.
Shut up, shut up, you spoilt child, you damn megalomaniac with your crackpot theories, thought Lin.
When she turned to sign goodbye, it was with only the faintest semblance of politeness.
Chapter 11
CHAPTER ELEVEN
A pigeon hung cruciform on an X of darkwood on Isaac’s desk. Its head bobbed frantically from side to side, but despite its terror, it could only emit a bathetic cooing.
Its wings were pinned with thin nails driven through the tight spaces between splayed feathers and bent hard down to pinion the wingtip. The pigeon’s legs were tied to the lower quarters of the little cross. The wood beneath it was spattered with the dirty white and grey of birdshit. It spasmed and tried to shake its wings, but it was held.
Isaac loomed over it brandishing a magnifying glass and a long pen.